架构师提供的文本描述。奥图是一个拉丁文词，意思是空闲时间或假期。一个被赋予这样一个名字的房子必须是一个有福的地方，在那里你可以在一天的工作之后放松和充电新的能量。这座由建筑师塞巴斯蒂安·纳吉设计的房子受到了自己的占领者-天主教牧师的祝福。ž博士是一个靠近尼特拉的小村庄。这是一个安静而绿色的地方，树梢在那里呼吸着一种雄伟的气氛。我们现在进入由弗朗西斯·泽维尔罗马天主教会主导的教区花园。花园后面的果岭上有一堵石墙-一座纪念碑。这是一座名为Otio的房子，乍一看，它显得谦逊而保守。

Text description provided by the architects. Otium is a Latin word meaning free time or vacation. A house which has been given such a name must be a blessed place where you can relax and charge new energies after a day of work. The house designed by the architect Sebastian Nagy is being blessed by its own occupier – a catholic priest. Drážovce is a small village close to Nitra. It is a quiet and green place where the treetops breathe a majestic atmosphere. We are now entering the parish garden dominated by the Roman Catholic church of Francis Xavier. From the green at the back of the garden emerges a stone wall – a monument. It is a house called Otio which at first sight looks modest and reserved.

 © Pato Safko

帕托·萨夫科

目前的权利

Right for the present

一个人感觉在过去和现在之间飘浮。我们走近了，头顶上有一个漂浮的象征性十字架，支撑着一个小玻璃掩体。一个大马鞍屋顶，缓缓的斜坡，真的从石墙长出来。最基本的建筑构件-墙和屋顶-非常简单。当我们进入房子的时候，我们期待着一种黑暗的精神氛围，类似于在光明和黑暗中的圣经意象。然而，我们惊讶于一个美丽的照明内部。从小大厅一直到客厅都有一种自然的流动。白色墙壁和轻石地板是伴随着内置的家具。设计像Verner Panton椅子和Charles Eames酒廊这样的家具，椅子像珠宝一样闪闪发光。以自我为中心的内向者通过俯瞰中庭的大玻璃墙打开了他的灵魂。

One feels to be floating between the past and the present. We come closer and there is a floating symbolic cross above our heads that supports a small glass shelter. A large saddle roof with gentle slope literally grows out of the stone wall. There is a stunning simplicity of the most fundamental building components – the wall and roof. When entering the house we are expecting a dark spiritual atmosphere similar to biblical imagery in light and dark. However, we are surprised by a beautifully illuminated interior. There is a natural flow from the small hall going all the way to the living room. White walls and light stone flooring is accompanied by built-in furniture. Design furniture like Verner Panton chairs and Charles Eames Lounge Chair shine like jewels. The self-centred introvert opens up his soul through the large glass wall overlooking the atrium.

 © Pato Safko

帕托·萨夫科

平面图上的墙壁轻轻转动，可以直接看到教堂塔楼，这是连接现在和过去的象征意义，也是一种实用的功能。住宅是一种注重传统美学原则的空间构成。整洁的直角配置自然分为白天区和夜间区。此外，平面图的剪裁将朴素的极简美学带入雕塑的形成。牧师的房子与教堂塔楼的视觉连接是一个简单的艺术目的，也是由分隔中庭和教区花园的略微下降的墙所强调的。这样，房子就在没有任何干扰的环境中安顿下来，并且呼吸着由这个地方本身强化的雕塑气氛。

A gentle turning of the wall on the floor plan allows a direct view of the church tower which holds a symbolic meaning of connecting the present with the past as well as a practical function. The house is a composition of spaces which pays attention to the traditional aesthetic principles. The neat right angle disposition is naturally divided into the day zone and the night zone. In addition, the cut of the floor plan brings the austere minimalist aesthetics into sculptural formation. Visual connection of the priest's house with the church tower was a simple artistic aim emphasized also by the slightly descending wall dividing the atrium and the parish garden. In this way the house has settled in the environment without any disruptions and is breathing the sculptural atmosphere enhanced by the place itself.

 © Pato Safko

帕托·萨夫科

石头永存

Stone for ever and ever

建筑师塞巴斯蒂安·纳吉(Sebastian Nagy)表示：“奥蒂奥有前卫野心。”它的本意是要持续下去，并对它的占领者-牧师的代际变化作出反应。规划工作始于2008年，当时，这位来自žovce博士的牧师开始寻找一位符合他期望的建筑师，通过将历史背景与现代艺术技术联系起来，同时保持紧缩的预算，来设计牧师的房子。第一批素描已经开始了。后来，当工程正在进行时，年轻的建筑师和前卫牧师建立了密切的伙伴关系，形成了一片独特的建筑。一个新鲜和原创的想法，灵感来源于它诞生的地点，它与整洁的内部环境相协调，这是城市住宅的典型，而不是牧师的乡村住宅。世界在进步，教会也在进步。它赞助最先进的艺术和建筑的伟大作品的传统又复活了。不是以一种浮夸的方式展示它的丰富性，而是以一种不超过15万欧元的最终成本的温和的外观。这四个房间完全是用来测量的。它们为工作、放松和适当的接待提供了足够的空间。当我们考虑到优秀的材料选择和高效的建筑工程时，我们有一个非常专业的建筑师和客户的正确选择的证据。房子里充满了积极的能量，这是所有参与者完美协调的结果。

“Otio has an Avant-guard ambition“ says the architect Sebastian Nagy. “It is meant to last and react to the generational change of its occupier, the priest“. Planning works begun in 2008 when the priest from Drážovce started to look for an architect who would suit his expectations of designing a priest's house by connecting the historical context with modern art techniques while keeping a tight budget. Already the first sketches were spot on. Later on, when the works were in progress, a close partnership arose between the young architect and the Avant-guard priest resulting in a piece of unique architecture. A fresh and original idea inspired by the location where it was born, is in harmony with neat interior typical for a city dwelling rather than a priest's country house. The world is in progress and the church as well. Its tradition of sponsoring great works of the most progressive art and architecture has come to life again. Not in a pompous way showing its richness but in a modest appearance not exceeding final costs of €150,000. The four rooms are exactly made to measure. They provide enough space for work, relax and proper reception. When we consider the excellent choice of materials and efficient building work, we have an evidence of a very professional architect together with client’s right choices. The house is glowing with positive energy which is a result of perfect coordination between all participants.

 © Pato Safko

帕托·萨夫科