架构师提供的文本描述。这座建于20世纪初的后置建筑，已不再适应客户的需求或当今生活舒适的需求。新的多用途房间，以最大的空间感，各种活动在前景和缺席更多地吸引。桌子作为日常生活的象征摆在房间的中央。这三幅不朽的画布穿透了新房间，照亮了房子的不同部分和周围环境。在屋顶的两个水平框架允许光线深入到现有的房子，两者提供了一个不同的观点在后方。通过向外扩展材料和颜色，创建了一个单元。与外界的关系得到加强。它选择了烹饪区和水槽存放在衣橱里。这个岛因此背叛了它的功能。我们用这种方式尝试一个几乎抽象的空间，那里的光可以在墙上写下她的诗。在主卷中，只发生了严格必要的干预。现有的浴室与房子的比例太小了。决定将其分为两个质量领域。在旧浴室的工地上安装了厕所和淋浴。淋浴的天花板被一杯2平方米的玻璃所取代，这是一片壮丽的景色。浴室已经搬到顶层了。家具是一个水槽，一个浴缸和一个厕所的连接。

Text description provided by the architects. The rear building of the house, dating from the early 20th century, is no longer adapted to the needs of the client or the demands of today's living comfort. The new multipurpose room, with a maximum sense of space, the various activities taken in the foreground and absent themselves more to draw. Central to the room, the table is placed as a symbol of everyday life. The three monumental canvases perforate the new room and light each on a different part of the house and its surroundings. The two horizontal frames in the roof allow light to deep into the existing house and both offer a different view on the rear. Through extending the material and color outward, a unit is created. Relations with outside are strengthened. It opted for the cooking area and sink to store in closets. The island thus betrays its function. We try in this way an almost abstract space where the light can write her poetry on the walls. In the main volume only the strictly necessary interventions occurred. The existing bathroom was too small in proportion to the house. It was decided to split this into two quality areas. At the site of the old bathroom was the toilet and shower fitted. The ceiling of the shower was replaced by a glass of 2m ² which a magnificent view is released. The bathroom has been moved to the top floor. The furniture is a concatenation of a sink, a bathtub and a toilet.

 © Philippe Brysse

菲利普·布莱斯