架构师提供的文本描述。埃米尔工作大楼位于图卢兹的9迪纳区。这是这个工人阶级地区工业历史上剩下的一切。“工作”品牌(卷烟纸制造商)是图卢兹的象征，在当地人心目中，它在导致工厂关闭的工业斗争中幸存下来。

Text description provided by the architects. The Amiral Job building is located in the Sept Deniers district of Toulouse. It is all that remains of the industrial history of this working class area. The “Job“ brand (makers of cigarette paper) is emblematic of Toulouse and has - in the minds of the locals - survived the industrial struggles that led to the closure of the factory.

 © Philippe Ruault

菲利普·鲁奥

埃米尔约伯，其杰出的现代设计皮埃尔图里埃可追溯到20世纪30年代和40年代，因此，已保存用于新的用途。它已不仅成为一个公共设施，服务于该地区和城市的需要，而且成为一个记忆场所和地方重建的焦点，在这个地区，许多以前的“工作”雇员仍然居住。

Amiral Job, with its outstanding modern design by Pierre Thuriès dating from the 1930s and 1940s, has thus been preserved to be used for new purposes. It has become not only a public facility serving the needs of the district and the city, but also a place of memory and of a focus of local renewal, in a district where many former "Job" employees still live.

 © Philippe Ruault

菲利普·鲁奥

为了实现这一双重目的，我们的目标是提供一个良好平衡的建筑保护和扩展的结合，以及强大的方案多样性。

In order to fulfil this dual purpose, the ambition was to offer a well-balanced architectural combination of preservation and extension, along with strong programmatic diversity.

从穿过该地区的主干道出发，埃米尔·约伯(Amiral Jobs)的“历史性山墙”面向这座城市，而一条为新房提供服务的垂直道路沿着保留下来的北面外墙延伸。

Set back from the main road that runs through the district, Amiral Job's “historic gable“ faces towards the city, while a perpendicular road serving a new area of housing runs along its preserved north-facing façade.

 © Philippe Ruault

菲利普·鲁奥

进入是通过一个广阔的公共空间(将在未来发展作为该地区的中心特征)，沿着南侧。宽阔的圆形剧场台阶通向一个凸起的中央庭院，其余的设施都从院子里辐射出来。这一内/外层空间可以不同的方式加以调整和分配；它对可能的交流开放，而这些交流并不构成简报的一部分，而且是各实体共有的。

Access is via a broad public space (to be developed in future as the central feature of the area) that runs along the south side. Broad amphitheatre steps lead up to a raised central courtyard from which the rest of the facility radiates. This inner/outer space can be adapted and appropriated in different ways; it is open to potential exchanges that do not form part of the brief and which are common to the various entities.

 © Philippe Ruault

菲利普·鲁奥

院子周围矗立着两座截然不同但又有关联的建筑物。一方面，社区空间(青年中心和“7 Animés”社区协会)和音乐厅(130个座位)设在与“历史性山墙”相连的“塔楼”改造后的楼层。在他们身后，一个(重建的)音乐厅是音乐学校的房子，位于公共游泳池上方，通过一条横跨庭院的走道与音乐厅相连。

Around the courtyard stand two distinct but associated buildings. On one side, the community spaces (the youth centre and the "7 Animés" community association) and the concert hall (130 seats)) are housed on the converted floors of the “tower“ linked to the “historic gable“. Behind them, a (reconstructed) hall houses the music school, located above the public swimming pool and linked to the concert hall by a walkway spanning the courtyard.

 © Philippe Ruault

菲利普·鲁奥

该项目的形式，它使用一些建筑物的部分和重复的尺寸的其他，是基本的，其建筑解决方案是简单的。它们倾向于将不同的功能组件统一在一个连贯的整体中。整个建筑群的白色(对其现代主义部分的“远洋班轮”设计的一种认可)有助于创造一种冷静的中立感，而这种中立感只会被与最初的JOB品牌标识的图形设计相呼应的标志所打断。

The form of the project, which uses parts of some buildings and repeats the dimensions of others, is elementary and its architectural solutions are simple. They tend to unify the different functional components within a coherent whole. The white colour of the entire complex (a nod to the "ocean-liner" design of its modernist sections) helps create a sense of cool neutrality that is only interrupted by signage echoing the graphic design of the original Job brand logos.

 © Philippe Ruault

菲利普·鲁奥

在内部，总体一致性感并不妨碍各部分断言自己的身份，特别是强调空间过渡区域也是可共享的(剧场台阶、礼堂、展区等)。作业的未来用户使网站成为他们自己的方式将有可能使网站的历史以新的方式永久化。

Inside, the sense of overall coherence does not prevent the sections from asserting their own identities, especially by emphasising that areas of spatial transition are also shareable (amphitheatre steps, auditorium, exhibition area, etc). The ways in which Job's future users make the site their own will make it possible to perpetuate the history of the site in new ways.

 © Philippe Ruault

菲利普·鲁奥