架构师提供的文本描述。实践概况

Text description provided by the architects. Practice Profile

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© MochSulthonn

口碑(WOM)是一种充满活力的年轻建筑和室内设计实践，总部设在印度尼西亚巴厘岛，由首席建筑师瓦伦蒂娜·奥德里托(Valentina Audrito)领导，从事住宅和商业项目的设计，包括私人住宅、多住宅、零售空间和酒店环境。

Word of Mouth (WOM) is a dynamic young architecture and interior design practice based in Bali, Indonesia.Led by Principal Architect Valentina Audrito, the practice has been involved in the design of residential and commercial projects ranging from private homes to multi-residential dwellings, retail spaces and hospitality environments.

 © MochSulthonn

© MochSulthonn

Wom还在塞米尼亚克经营一个获奖画廊/酒吧/咖啡馆/零售空间，在那里出售由实践设计的家具、时尚和产品。本文件中展示了WOMare大胆而有趣的设计，并可在我们的网站上进一步查看。

WOM also runs an award winninggallery/bar/cafe/retail space in Seminyak where furniture, fashion and product designed by the practice is sold.The bold and playful designs of WOMare illustrated in this document and can be further seen on our website.

 © MochSulthonn

© MochSulthonn

Tantangan别墅-项目说明

Villa Tantangan – Project Description

 © MochSulthonn

© MochSulthonn

Tantangan别墅位于Nyanyi海滩，位于巴厘岛西海岸的一个私人和隐蔽的海滩上。它是在6500平方米的土地上建造的，西面可以俯瞰印度洋，北面是一个天然的河流系统。别墅还可以俯瞰当地的海滩寺庙和远处的火山，在建筑和它的位置之间形成了一种特殊的联系。因此，设计遵循了创建一个“景观建筑”的概念，这在自然环境和建筑环境的物理连接中变得非常重要。

Villa Tantangan is located on Nyanyi Beach; a private and secluded beach on the west coast of Bali. It has been constructed on 6,500 square metres of land,which overlooks the Indian Ocean to the west and a natural river system to the north. The Villa also has views across to the local beach temple and views to the volcanoes in the distance, creating a special connection between the architecture and its place. As a result, the design followed the concept of creating a ‘Landscaped Architecture’ which became important in the physical connection of the natural and built environments.

 © MochSulthonn

© MochSulthonn

该设计采用了一种布局，在中央庭院周围形成建筑物，在建筑物之间创造亲密的内部空间，并向周边形成更多的开放空间。这些建筑物位于不同的土地水平上，被视为巨大的种植箱，每一个都有一个栖息在自然植被或池塘中的栖息之地。最终的结果是所谓的“景观建筑”，在这种建筑中，自然和建筑之间的界限变得模糊了，这使得建筑不仅可以坐在陆地上，而且实际上可以成为其中的一部分。

The design utilises a layout whereby the buildings are formed aroundthe central courtyard, creating intimate internal spaces between the buildings, and more open spaces towards the perimeter. The buildings are situated on different levels of the land and are treated like giant planter boxes, each with a rooflandscaped by either natural vegetation or ponds. The end result is what was termed “Landscaped Architecture”,in which the boundaries between the naturaland the built become blurred, allowing the architecture not only to sit on the land, but actually to become part of it.

 © MochSulthonn

© MochSulthonn

由于项目的远程位置，重要的是别墅能够自我操作。为此，采用了一些绿色系统和设计方法，将建筑形式分开，通过现场和每一幢建筑创造自然通风，有效地冷却空间。由于必须通过太阳能电池板系统和由发电机支持的电池系统产生电力，因此必须尽可能最大限度地利用这种被动冷却，以减少系统的压力。

Because of the remote location of the project, it was important that the Villa could operate self -sufficiently. To achieve this, a number of green systems and design approaches were adopted.The splitting of building forms created natural ventilation through the site, as well as through each individual building; effectively cooling the spaces. As power had to be generated through a system of solar panels and batteries backed up by a generator, it was important that this passive cooling was maximized as much as possible in order to reduce the strain on the system.

 © MochSulthonn

© MochSulthonn

除了将建筑与土地连接起来外，屋顶播种机箱还起到了额外的作用，为下面的空间创造了一种自然的冷却效果。此外，当局亦发展雨水收集系统，以达致别墅的自给自足运作。

As well as connecting the architecture to the land, the roof planter boxes served an additional purpose in creating a natural cooling effect on the spaces below. Rain water catchment systems were also developed as part of achieving self-sufficient operation of the Villa.

 floor plan

另一个关键的设计方法是使用天然和当地来源的材料。这意味着，不仅是当地供应商和工匠得到这一倡议的支持，而且建筑的碳足迹也可以减少。在这样做的材料调色板成为真正的反映了建筑物的位置，进一步模糊了建筑和它的景观之间的界线。

Another key design approach was the use ofnatural and locally sourced materials. This meant that not only were local suppliers and artisans supported by this initiative, but also the carbon footprint of the building could be reduced. In doing so the material palette becomes a true reflection of the building’s location, further blurring the line between the architecture and its landscape.

 © MochSulthonn

© MochSulthonn