架构师提供的文本描述。真正的建筑不是空虚的设计吗？墙壁、地板和天花板之间的空间，以及材料本身之间的空间吗？相反的情况不会不可避免地导致炫耀和炫耀，导致某种渴望超越实际的东西吗？

Text description provided by the architects. Is true architecture not the design of emptiness; the space between walls, floors and ceilings, between the materials themselves? Does the opposite not lead inevitably to flamboyance and ostentation, to something that aspires to be more than it actually is?

 © Iwan Baan

(Iwan Baan)

犹太社区的广泛存在和犹太教与其他宗教之间不稳定的关系阻碍了公认建筑风格的演变。这与一个非常自信的犹太人身份的发展形成了鲜明的对比。

The widespread existence of the Jewish community and the unstable relationship between Judaism and other religions have hindered the evolution of a recognised architectural style. This contrasts with the development of a very confident Jewish identity.

 © Iwan Baan

(Iwan Baan)

仪式性的传统和仪式在犹太教堂的物理表达中几乎没有什么可识别的参照点。虽然教堂或清真寺的身份是用石头雕刻的，但在没有犹太教堂的情况下，它通常是显眼的。工作台的位置是相对的，平行于布道座和方舟(托拉卷的存放处)之间的轴线，以及使用明亮的日光是设计过程中最重要的起点。此外，神秘的犹太身份的空虚、形象化及其微妙和复杂的特征也起着重要的作用。

Ceremonial traditions and rituals present few recognisable reference points in a synagogue’s physical expression. And while the identity of a church or a mosque is carved in stone, it is usually conspicuous in its absence with regard to synagogues. The positioning of the benches opposite each other and parallel to the axis between the Bimah (preaching seat) and the Ark (depository for the Torah rolls), and the use of bright daylight are the most important starting points for the design process. Moreover, the emptiness, visualisation of the enigmatic Jewish identity (nesjomme) with its subtle and complex character, plays a significant role.

 © Iwan Baan

(Iwan Baan)

在这个项目中，通过最有效地利用场地和预算，形成了一个中性的直线“体积”。这个群体的空心化，形成了伟大的斯乔尔的“空虚”，借此建筑的身份。Sjoel由一个大的中央空间组成，两边都有两层阳台下的低延伸部分。这些侧边空间的布置，上面的四个阳台和比玛河上方的中央空隙，暗示着七臂吊灯的梅诺拉(Menora)。梅诺拉(光)象征着摩西在西奈山发现的燃烧的灌木丛，是犹太教最古老和最重要的象征。起初，上帝创造了光明。没有光就没有生命。

In this project, a neutral rectilinear ‘volume’ is formed through the optimally efficient use of both site and budget. The hollowing out of this mass, to form the ‘emptiness’ of the great Sjoel, lends the building its identity. The Sjoel consists of a large central space with low extensions on either side under two-tiered balconies. The arrangement of these side spaces, the four balconies above them and the central void above the Bimah suggest the Menora, the seven-armed chandelier. The Menora (the light) symbolises the burning bush discovered by Moses on Mount Sinai and is the oldest and most important symbol of Judaism. In the beginning God created light. Without light there is no life.

 east elevation