架构师提供的文本描述。Tourrette Levens体育馆的建筑是一块地块的一部分，在那里建立了一所中学和一所体育馆。这座专为学生和社团而建的新建筑是专为体操和马戏团而建的。

Text description provided by the architects. The building of the gym in Tourrette Levens is part of a plot where is erected a secondary school, and a gymnasium. This new building reserved for students and associations is intended for gymnastics and circus.

 © Serge Demailly

塞尔日·德迈利(Serge Demailly)

这个程序的简单性使我们反思了这个项目的塑料一面。事实上，马戏团的研究领域，包括身体和道德的发展，包括文化、艺术和社会。马戏团在城市中组装和拆散的瞬间仍在集体无意识中。我们的计划是马戏团帐篷的寓言。

The program simplicity led us to reflect on the plastic side of the project. In fact, the area of study of the circus, put out the physical and moral development, includes a cultural, artistic, and social. The transience of the circus that is assembled and disassembled in cities remains in the collective unconscious. Our project is an allegory of the circus tent.

 © Serge Demailly

塞尔日·德迈利(Serge Demailly)

这个想法很简单，就是“一个用布覆盖的混凝土盒子”。隐藏成为神秘，使我们对以前的常识有不同的看法。

The idea is simple " a concrete box that was covered with a cloth ". Concealment becomes mystery, and make us perceive differently what was commonplace before.

我们想要创造一个雕塑对象隐藏和包装在一个混凝土的皮肤，波纹般的波纹舞台幕。黄色的颜色给盲墙一种明亮的表现，因为盖章的混凝土不接触地面。正因为如此，这个可以是一个简单的健身房的物体，就具有了一个艺术的维度。

We wanted to create a sculptural object concealed and packed in a skin of concrete, corrugated as a wavy stage curtain. The yellow ocher color gives the blind walls an expression of lightness heightened by the fact that the stamped concrete does not touch the ground. Because of this, the object, which could have been a simple gym, takes an artistic dimension.

 © Serge Demailly

塞尔日·德迈利(Serge Demailly)

选择的体量是自愿的，很简单：一个14米宽，8米高的长方形平行体，与现有体育馆连成一体，由入口大厅的体积和沉淀物与之分离，相对较小。

The volume chosen is voluntary simple : a rectangular parallelepiped of 14 meters wide and 8 meters in height in continuity of the existing gymnasium and detached from it by the volume of the entrance hall and deposits, which is less high.

该项目的目的是作为一个新的南山墙，完成现有体育设施的总体设计。

By its presence, the project aims to complete the overall design of the existing sports facilities, by standing as a new south gable.

 © Serge Demailly

塞尔日·德迈利(Serge Demailly)

一个单一的材料包裹着物体的所有正面。它的墙壁是由一种被称为“悬垂混凝土”的有邮票和油漆的混凝土制成的，其质地让人联想到舞台窗帘的质感。

A single material wraps all the facades of the object. It walls are made of a stamped and painted concrete called "draped concrete" with a texture reminiscent of stage curtains.

悬垂的纹理是通过使用两个不同图案的交替矩阵来获得的，但与专门为工程设计的混凝土壳的高度相同。这些墙已经被浇筑了所有的方式，和自浇筑混凝土已在一个单一的过程中，以不显示水平接缝。

The texture of the drapery is obtained by using two alternating matrices of slightly different patterns, but the same height as the concrete shells, specially designed for the project. Those walls have been casted all the way up, and the self-placing concrete has been poured in a single process so as not to reveal a horizontal joint.

 elevations

垂直的消失在悬垂的图案中。在房间内部，一个自然的光是通过两个主要的开口的存在来实现的，从外面看不出来，屋顶上有一个玻璃广场，以房间为中心，北面有一个水平的窗户。

The vertical ones disappear in the pattern of the drapery. Inside the room, a natural light is achieved by the presence of two major openings, not noticeable from the outside, a glass square on the roof, centered on the room, and a horizontal window in the north facade.

 frontage detail

正面细节

在这一卷中，人类的尺度是由底部(2m50)的压盖发现的，这是一个抗冲击的OSB面板的边界。在顶部我们使用了声波木羊毛绝缘板。天花板是用生混凝土做的。

In this volume, the human scale is found by the calpinage at the bottom (2m50), a bounding of impact resistant OSB panels. And at the top we used acoustic wood wool insulation panels. The ceiling is made of raw concrete.

 ground floor plan

建立了与现有体育馆的直接联系，以促进各体育项目之间的交流。

A direct connection to the existing gymnasium was constructed to promote exchanges between the various sports.

通过这个项目，建筑的想法消失了，取而代之的是一个与它的背景和程序有关的物体。举办这样一个项目的理由在于对体育、马戏团、娱乐、艺术和社会之间的密切关系的定义。

By this project, the idea of a building disappears in favor of an object carved in relation to its context and program. The rationale for the staging of such an object lies in the definition of the close relationship between sports, circus, entertainment, art, and social.

 © Serge Demailly

塞尔日·德迈利(Serge Demailly)