架构师提供的文本描述。1738年-1738年至1738年期间，在Theresia堡垒(形成蒂米索拉拉防御系统的九座沃班堡垒中的第一座)全国修复比赛中获胜，根据罗马尼亚国家古迹名录，这是一座A级纪念碑，代表着一种既困难又非凡的专业经验。

Text description provided by the architects. Winning the national contest for the rehabilitation of the Theresia Bastion (the first of the nine Vauban Bastions which formed the defense system of Timisoara, built between 1738-1738), a Class A Monument according to the National List of Monuments in Romania, represented a both difficult and extraordinary professional experience.

 © Stefan Tuchila

.斯特凡·图奇拉

这一概念的主题是通过在公共空间上应用创造力来重新融合和定义一个新的城市极点-在过去20年里，罗马尼亚在这一领域的投资太少。

The concept theme catered on reintegrating and defining a new urban pole by applying creativity on the public space – an area in which too little has been invested in the past twenty years in Romania.

 © Stefan Tuchila

.斯特凡·图奇拉

它是18世纪关于形象或体积的结构的一部分，在过去的几年里，由于市中心城市的发展，它发生了深刻的变化，带来了新的功能(银行总部、建筑师协会所在地Timis、美术和设计学院、医学院)。因此，这是一个贪婪的空间，需要为一个发展中社会开放和重新创造，因为它学会了掌控城市生活。

Part of a structure from the 18th century concerning the image or the volume, it profoundly changed in the past years due to the development of the city in the central area, which brought around new functions (bank headquarters, the seat of the Chamber of Architects Timis, the Faculty of Fine Arts and Design, the Medicine Faculty). As such it was a space in greed need to be opened and reinvented for a developing society, which learns to take charge of its urban life.

 © Stefan Tuchila

.斯特凡·图奇拉

起初，这个项目应该只解决一些基础设施问题，但是经过彻底的分析，我们发现这个位于城市历史核心边缘的遗址(在1716年被奥匈帝国征服后完全重建)具有更高的潜力。我们决定利用以下主要准则强调这一潜力：

At first, the project was supposed to tackle only some infrastructure issues, but at a thorough analysis we discovered that the site, found at the edge of the historical core of the city (completely rebuilt after conquest of the by the Austro – Hungarian Empire in 1716), had a much higher potential. We decided to underline this potential, by using the following main guidelines:

 after plan

事后计划

·在目前被遗忘的空间中履行文化和社交职能

• Implement cultural and socializing functions in a space currently forgotten

通过重新设计荣誉法庭来定义一个新的城市空间，并将这一空间与现有的城市广场框架连接起来

• Define a new urban space by redesigning the Honour Court and connect this space with the existing square framework of city

·经过仔细的修复过程，重建了这座纪念碑的形象。此外，随着该市打算在2020年成为欧洲文化资本(EuropeanCulturalCapital)称号的候选城市之一。

• Reassemble the image of the monument through a careful restoration process, moreover as the city intents become a candidate for the European Cultural Capital title in 2020.

我们非常重视室内空间或目前未使用的空间的潜力(因此，阁楼成为一个展览空间)，并确定了主要用于文化用途的当代新卷。干预概念基于以下原则：

We paid a great attention to the potential of the indoor spaces or the spaces currently unused (as such, the attic became an exhibition space) as well as to defining new contemporary volumes mostly for cultural use. The intervention concept is based on the following principles:

 © Stefan Tuchila

.斯特凡·图奇拉

·消除1970年代修复过程中浇筑的水泥迫击炮和混凝土，以及由于使用这些材料而对历史表面的干预措施。

• eliminate cement mortars and the concrete poured during the 1970’s restoration process, as well as the interventions on the historical surfaces due to the use of such materials

*将所有管道和电气装置插入地板或使用金属支架，从而将对建筑物历史核心的干预降至最低

• insert all the plumbing and electrical installations through the floor or by using metal supports, thus reducing to the minimum the intervention in the historical core of the building

使用新的可逆材料，在下列干预措施中易于消除。

• Use new, reversible materials, easy to eliminate in the following interventions.

·巧妙地强调当代干预

• subtly accentuate the contemporary intervention

·谨慎地对现有材料进行干预，只有在研究之后才能这样做

• intervene on the existing materials with care and only after through studies

 © Stefan Tuchila

.斯特凡·图奇拉

我们选择的材料年代很好，与历史上的表面-铜板，木制木匠与非金属插入物，灰泥和油漆的石灰，以及金属结构容易消除。地板安装在沙子上，使用的是历史技术。作为整个纪念碑的支撑，我们使用了石灰石，它隐藏了庭院中的空间，增加了潜在的彻底对比，并重新创造了未使用的地方。

We chose materials that age nicely, in an easy contrast with the historical surface - copper-sheets, wooden carpentry with non-ferous metallic inserts, plasters and paints based on lime, as well as metal structures easy to eliminate. The floors are installed on sand, using historical technologies. As a support for the whole monuments, we used a limestone, which hides the spaces in the courtyard, increases the potential thorough contrast and reinvents unused places.