架构师提供的文本描述。这座房子是40年代的原创建筑，属于一位伟大的巴西艺术家维克托·布雷切莱(Victor Brecheret)，他是巴西圣保罗著名名流的幕后策划者。艺术家去世后，这座房子从未被占用过，几十年来，它一直是他收藏和押金的基础。建筑师吉尔赫姆·托雷斯(Guilherme Torres)立刻被它的紧凑尺寸(130平方米)和圣保罗怡和社区中最迷人的街道之一的优越位置所吸引。

Text description provided by the architects. This house is an original construction of the 40s,it belonged to a great Brazilian artist, Victor Brecheret, the man behind great references in the city of São Paulo, Brazil. After the artist’s death, the property has never been occupied and during decades itserved as a Foundation of part of his collection and a deposit. The architect Guilherme Torres was immediately attracted by its compact size (130 m²) and the privileged location in one of the most charming streets in the Jardins neighborhood in São Paulo.

© Denilson Machado – MCA Estúdio

主要的概念是更新建筑，反映新来者的当代语言。平面图没有多大变化，唯一改变的是缝隙、开口和涂层。所有的墙壁都覆盖着干燥的墙壁，并在一些部分接受白色油漆，在另一些地方，这是一种类似于水泥质地的涂层。

The main concept was to update the building, reflecting the contemporary language of the newcomer. The floorplan has not suffered many changes.The only things that has been changed over were the gaps, openings and coatings. All the walls were covered with drywalls and received in some parts white paint and in others, a coating that resembles cement texture.

 © Denilson Machado – MCA Estúdio

c.Denilson Machado-MCA Estúdio

在楼梯上，从最初的建筑中，你可以看到一件平基·韦纳(Pinky Wainer)的艺术作品。这件艺术品也是门面霓虹灯的一部分，上面写着“自由之地，勇敢之家”。主套房的厕所连接到厨房上方的一座阁楼上，在那里创建了一个浴缸。一个可伸缩的玻璃屋顶可以在夏季打开，以帮助离开一个温和的气候。为了减弱太阳的光线，建筑师的注册商标-木屋-被用作房屋前门同样图案的覆盖物。

Up the stairs, from the original construction, you can see an art piece of Pinky Wainer, also responsible for the façade neon with the say: ‘land of the free, home of the brave’. The master suite’s toilet is connected to a mezzanine above the kitchen where a bath tub was created. A retractable glass roof can be opened on summer days, to help leaving a mild climate. To soften the rays of sun, a wooden muxarabie, a registered trademark of the architect, was used as a covering following the same pattern of the front door of the house.

 © Denilson Machado – MCA Estúdio

c.Denilson Machado-MCA Estúdio

建筑师选择了这个房产来生活和工作。盖尔赫姆·托雷斯(Guilherme Torres)有30多年的历史，并在广泛扩张中工作。他被认为是巴西建筑界的佼佼者之一。他来自巴西巴拉那州(ParanáState)的内陆地区，10年来在巴西许多城市设立了自己的第一个办事处。Guilherme想在他自己的新空间里翻译，这是一种充满流行气息的国际化生活的最佳方式。

The architect chose this property to live and work. With just over 30 years and works in broad expansion, Guilherme Torres is considered one of the great names of Brazilian architecture. Coming from the interior of Paraná state, Brazil, where he established his first office serving many cities of Brazil for 10 years. Guilherme wanted to translate in his own new space, the best way of a cosmopolitan life with a hint of pop.

 © Denilson Machado – MCA Estúdio

c.Denilson Machado-MCA Estúdio

工作室GuilhermeTorres从风格到风格，发展建筑和室内项目，并签署了家具线。这座建筑有着永恒的特点，这是吉尔赫姆对60年代和70年代鼎盛时期的埃斯科拉-波利斯塔·德阿基涅图拉·现代主义者的钦佩。就内部而言，总是倾向于反映我们时代的好奇心。设计是这两种风格的完美匹配，人们可以简单地向房主看，了解造物与造物之间的共生关系。Guilherme是街头艺术、电子音乐的爱好者，他喜欢为自己创造新的纹身，他就在这大锅里接待他的客户和朋友。

The Studio Guilherme Torres moves from style to style developing architecture and interior projects and also signs a furniture line. The architecture receives timeless traits, a result of Guilherme’s admiration to the EscolaPaulista de Arquitetura Modernista, which had its heyday in the 60s and 70s. For interiors the tendency is always to reflect the inquietude of our days. And design is a perfect match between both styles. One can simply look to the house owner to understand the symbiosis between creation and creature. Guilherme is a lover of street art, electronic music and loves to create new tattoos for himself, and it is inside this cauldron of references where he receives his clients and friends.

 © Denilson Machado – MCA Estúdio

c.Denilson Machado-MCA Estúdio