架构师提供的文本描述。校园博物馆

Text description provided by the architects. Campus | Museum

7，000平方英尺的Mizuta艺术博物馆是日本一所私立大学校园入口附近的主要步行路线。这栋楼是.1。在高度控制的环境中展出有价值的日本木刻和其他艺术收藏品的博物馆。校园游客信息中心欢迎广大市民前来参观。压缩的站点包含17棵现存的树和一个9米的高度限制。

The 7,000sf Mizuta Museum of Art lines the main pedestrian route near the campus entry of a private Japanese university. The building is...1. a museum to display a valuable collection of Ukiyo-e (Japanese woodcuts) and other art in highly controlled environment and...2. a campus visitor information center to welcome the general public. The compressed site contains seventeen existing trees and a nine meter height limit.

 © Koichi Torimura

c.Torimura幸一

1/2上升，1/2下降

1/2 up | 1/2 down

为了让两层楼都能直接进入步行路线，该建筑被挖掘了半层，其中一个斜坡通向博物馆画廊，另一个通向校园信息中心。这些坡道的尺寸为装载和公共入口。结合东入口的机械空间和西端的画廊休息室，坡道的空间创造了一个周边环境缓冲器，保护画廊墙壁的外部免受阳光直射。

To give both floors direct access to the pedestrian route, the building is excavated a half level into the site, with one ramp leading up to the museum galleries and another leading down to a campus information center. These ramps are dimensioned for loading as well as public entry. In conjunction with the mechanical space at the east entry and a gallery lounge at the west end, the space of the ramp creates a perimeter environmental buffer that protects the exterior side of the gallery walls from direct sunlight.

漂浮世界的图画

Picture of the Floating World

“Ukiyo-e”翻译为“浮动世界的图片”，因为这些版画是为了让观众从日常生活中解脱出来。我们将这一概念转化为在信息空间上方徘徊的现场画廊的摇篮艺术。此外，在许多印刷品中发现的描绘雨水的图形方法也反映了外观的图案。L形预制混凝土片排列在建筑物的坡道上。52个独特的零件，都是从一个单一的钢模铸造在他们的侧面，高达4英尺宽，28英尺沿垂直，高达11英尺的头顶沿水平。不同长度的一英尺宽的槽沿接缝线被封锁，其中一些在垂直到水平的部分继续。这创造了光槽，动画和通风通道，把观众的空间印刷，在“浮动的世界”。

“Ukiyo-e” translates into “Pictures of the Floating World” as the prints were meant to lift the viewer from his/her daily routine. We translated this concept into the cast-in-place galleries cradling art that hovers above the information spaces. Additionally, the graphic method of depicting rain found in many of the prints informed the patterning of the façade. L-shaped pre-cast concrete pieces line the building ramps. The 52 unique pieces, all cast on their sides from a single steel mold, are up to four feet wide, 28 feet along the vertical, up to 11 feet overhead along the horizontal. One-foot wide slots of varying lengths were blocked out along the seam lines, some continuing for the vertical to horizontal section of the piece. This creates light slots that animate and aerate the passages, placing the viewer in the space of the print, within the “floating world.”