架构师提供的文本描述。这座建筑是由两个翅膀组成的，这两个翅膀支撑着地块的两个主要方向。这使得L形图朝南，朝向限制兰尼尔斯大道的广阔空间，仰望着河流和市中心北面的景色。这座建筑有助于完成这座城市未完工的部分。

Text description provided by the architects. The building is composed of two wings that hold the two main directrix of the plot. That makes the L shape plan face south, towards the wide spaces that limit Ranillas Avenue, counting on views of the river and the north façade of the city core. The building contributes to finish an unfinished part of the city.

 © Pedro Pegenaute

佩德罗·佩佩诺特

该大厦在城市规划所设的地块中所处的位置，使我们得以创造一个广阔的休憩空间，部分美化景观，既可在世博期间善用，亦可在世博会后用作私人单位的建筑物。这些空地调整建筑物与相邻街道的关系。

The building’s position in the plot established by the urban plan allows the creation of a wide open space, partially landscaped, that will make possible both a grateful use during the Expo and after it as a building of private flats. These open spaces adjust the relationship of the building with the adjoining streets.

 © Pedro Pegenaute

佩德罗·佩佩诺特

其出发点是根据建筑所在的十字路口，将9层高的整体设计成一个强调整体水平性的整体造型。在这个形状中，已经完成了一项关于轮廓的工作，在最后四层，在计划的顶点和东端，做了两次切割。中央切口连接机翼之间的连接，而东端的较低的高度允许毕业的关系与街道和邻居健康中心。

The starting point has been to make a general shape nine floors high that emphasize the ensemble’s horizontality, according to the crossroad in which the building is constructed. Within this shape a work on the profile has been done making two cuts in the last four floors both in the vertex of the plan and in the east end. The central cut articulates the joining between the wings while the east end’s lower height allows for a graduating of the relationship with the street and the neighbour Health Centre.

 © Pedro Pegenaute

佩德罗·佩佩诺特

该建筑的造型来自于总体布局与建筑体系之间的关系，这种体系定义了由长灰色金属陶瓷板组成的围壁，这些墙确定了制造纵向悬臂板的背景，并提供了由双层立面组成的滑动铝百叶窗面板，并在其后面放置了玻璃栏杆。

The shaping of the building comes from the relationship between the overall layout and the constructive system that defines the encircling made up of walls clad with long grey metallic ceramics panels that define a background on which longitudinal cantilever slabs have been made, provided with sliding aluminium louvres panels that make up double façades, behind which glass rails have been placed.

 © Pedro Pegenaute

佩德罗·佩佩诺特