架构师提供的文本描述。自1995年以来，Guinguette Pirate开发了一个关于水的艺术和文化项目，称为中级船只、在音乐厅(Guinguette Pirate和Batofar)修复的遗产船，并通过跨学科和校外活动：Musée Imagianire、海洋咖啡馆、海盗船和Sous la Plage。这是为2004年的节日索斯拉普拉奇，安可赫吕克斯有卡特布兰奇，并制作了一个临时安装与数百个挂斑马，苏斯列泽布雷斯(Sous les Zèbres)。

Text description provided by the architects. Since 1995, the Guinguette Pirate has developed an artistic and cultural project on the water, refered to as «intermediate» boats, heritage boats rehabilitated in to concert halls (the Guinguette Pirate and Batofar) and through inter disciplinary and out door events :«Musée imagianire», «Café de la marine», «Piratages» and «Sous la Plage». It is for the 2004 festival Sous la Plage, that ENCORE HEUREUX had carteblanche and produced a temporary installation with hundreds of hanging zebras «Sous les Zèbres».

 Courtesy of encore heureux architectes

承蒙安可·赫鲁伊的建筑

在2006年，GuinguettePirate要求Encoreheureux制作将一艘名为Emile Allard的船转换成一个文化场所的示意图。然而，最终建造了一艘全新的驳船，这艘驳船是为Petit-Bain项目选定的。

In 2006, the Guinguette Pirate asks ENCORE HEUREUX to produce schematics for the conversion of a boat, the Emile Allard, into a cultural venue. However, ultimately the construction of a completely new barge that was chosen for the Petit-Bain project.

 Courtesy of encore heureux architectes

承蒙安可·赫鲁伊的建筑

尽管受到航行的限制，贝恩并不是一艘船，而是一座漂浮在塞纳河上的建筑物。它建于巴黎附近的一家造船厂，长40米，宽10.5米，通过船闸和桥下，牵伸5米。永久停泊在拉加雷港，这座建筑由三个层次组成，船体上有音乐厅，在舞台前创造了一个双高空间，这是来自码头的意外。

Despite being determined by the constraints of navigation, Petit-Bain is not a boat, but a building floating on the Seine. Built in a shipyard near to Paris, its measures 40 m in length and 10.5 m wide in order to pass through locks and under bridges and draws 5 meters. Permanently moored at le port de la gare, the building is composed of three levels with the concert hall in the hull, creating a double height space in front of the stage that is unexpected from the dock.

 floor plans

楼面布置图

悬挂在空气中，在公众上方，一个巨大的浮标覆盖着镜子的侧面，在联合国年代的房间里闪烁着数千盏灯。与整个船体和钢结构相比，上层建筑用木材覆盖：餐厅内有松木，外面是垂直板条落叶松覆盖层。在露台上，一个不寻常的花园供公众欣赏，可以欣赏塞纳河的景色。在拆除一座社会住房建筑群后，由维尔的罗姆人镇收回的33只白色浴缸里装满了水生植物，这是说明这一新的浮动文化设备名称的一个计数器。

Suspended in the air, above the public, a large buoy coated with mirror facets in un dates the room with thousands of light flashes. To contrast with the whole hull and the structure made of steel, the superstructure is covered with wood: pineply wood in the restaurant on the inside and vertical slatted larch cladding outside. On the terrace, an unusual garden to be enjoyed by the public allows views of the Seine. Recovered from the demolition of a social housing complex and given by the town of Roma in ville, 33 white tubs are filled with aquatic plants, as a counter point that illustrates the name of this new floating cultural equipment.

在从明亮的黄色到浅绿色的阴影中，船体、甲板和通道在这座城市的这座岛线下，使码头变得灰暗。在他关于法国的照片中，雷蒙德·德特罗斯说：“冷色应该是现代的，而不是黄色。是硬黄色的。它也很漂亮。

In shades that range from bright yellow to pale green, the hull, decks and access under line this island in the city and livens the greyness of the dock. In his photo graphic work on France, Raymond Depardon stated: «The cool colors are supposed to be modern, in contrast to yellow for example. It’s hard yellow. And it’s beautiful too.»

 Courtesy of encore heureux architectes

承蒙安可·赫鲁伊的建筑