Gwanggyo Jeil Church Oh jong sang + Lee eunseok
2012-03-06 00:00
位于新开发的住宅区,光陀日教堂是根据独特的建筑美学设计的新教理想的节俭和谦逊。混凝土箱体包含最少的建筑元素,其本身的质量独立于和不可比拟的明显装饰建筑。所以它看起来简单,圆滑,坚固。
Located in the newly developed residential district, GwanggyoJeil church was designed on unique architectural aesthetics specific to Protestant ideals of frugality and modesty. The concrete box containing minimum of the architectural elements formulates its own quality independent from and incomparable to overtly decorative architecture. So it appears to be simple, sleek, and solid.
按照地形的要求,建筑设计试图在水平构图中使构图质量与和谐,而不是垂直构图。这座教堂在建筑中间有一个开放的庭院,庭院受到汽车和行人交通的保护。因此,庭院在嗡嗡的街道和内部空间之间起到了超越性区域和缓冲地带的作用。
As is required by the landshape, the building design tried to render compositional quality and harmony in horizontal composition rather than vertical monumentality. This church have open courtyard in the midst of the building and the courtyard is protected from automobile and pedestrian traffics. So the courtyard play a role as transcendent area and buffer zone between buzzing street and inner space.
教堂外墙由玻璃墙基座构成,作为一个教育和文化空间,作为一个活跃的社会纽带。在玻璃墙上是一个混凝土盒子,隔开教堂,不受周围世俗化的干扰。与大多数以尖塔和十字形突出宗教形象的教会不同,光回耶尔教会从物质角度采取了一种方法。
The church facade is made of glass wall base which is designed as an educational and cultural space to act as an active linker to the society. Over the glass wall is a concrete box that separates the chapel uninterrupted by the secularity of the surrounding. Different from the most churches, that highlight the religious image with spire tower and cross,GwanggyoJeil church took an approach from the material point of view.
材料工程的宗教信息-暴露的混凝土的直率、玻璃的透明度和锌板的精致-符合教会的理想。它们还融入了辖区内典型的城市景观。
The religious messages that materials project-candidness of exposed concrete, transparency of glass, and refinement of zinc panel-correspond to the ideals of church. They also blend into the typical cityscape found in the precinct.
与灰阶外墙不同的是,教堂的内部空间是白色的,除了走廊和舞台上有限的颜色外。通过一个简单而经济的配色方案,我们可以创造一个生动而丰富的空间。丰富的自然光和经济的色彩方案是今天的基督教教堂设计应该获得的和谐场景:谦逊和信任的美学。
Different from the external wall in grey-scale, the inner space of the chapel is white-filled except for the limited patches of colors used in corridor and stage. By a simple and economical color scheme, we can make a lively and rich space. Richness of natural light with economical color scheme is the harmonious scene that today’s Christian church design should acquire: aesthetics of modesty and trustfulness.
在广吉耶尔教堂、大礼拜堂、各附属室、自助餐厅和屋顶露台,将作为不受阻碍和不受限制的聚集地,成为一个文化场所。设计指示总结了当代教会应该成为一个与公众并肩生活的邻家邻居。
In GwanggyoJeil church, grand chapel, various subsidiary rooms, cafeteria and rooftop terrace will be used as spaces of gathering unhindered and unrestricted to the neighboring citizens and becomes a cultural venue. The design directives summarize what contemporary church should become as a next door neighbor living side by side with the public.
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