Courtesy of aedifica

阿狄菲卡

2月6日到来了期待已久的2-22的落成典礼，这是埃迪菲卡和吉尔斯霍特建筑设计的四分位眼镜的新旗舰建筑。为了符合LEED-NC环境标准，这座六层楼高的建筑有望成为蒙特雷文化地标，位于圣凯瑟琳街和圣洛朗大道的交汇处，圣洛朗大道是圣洛朗大道的神经中枢。振兴项目。

On February 6 came the long-anticipated inauguration of the 2-22, the new flagship building of the Quartier des Spectacles designed by Ædifica and Gilles HuotArchitectes. Designed to meet LEED-NC environmental standards, this six-storey building promises to become a Montréal cultural landmark, being located at the intersection of St. Catherine St. and St. Laurent Blvd., the nerve centre of the St. Laurent Blvd. revitalization project.

 Courtesy of aedifica

阿狄菲卡

除了它的创新双面墙，你对建筑物的印象立即是它的凹槽，角形入口。这是一个建筑的回声，在这个十字路口，在早期，这一设计解放了人行道上的密集的行人交通，这一地区，特别是在节日期间。这个独特的外墙的标志似乎是随机的开口，在建筑物的木制信封。信封由透明的玻璃外壳保护，就像第二层皮肤一样；通过叠加这些材料所创造的空间将被用于各种多媒体装置。窗户的分布反映了室内的活动情况：上层展览室采用可控照明，大开敞式洪涝工作环境采用自然光照明。

In addition to its innovative double wall, what strikes you immediately about the building is its recessed, angular entrance. An echo of buildings that stood at this intersection in earlier times, this design frees up the sidewalk for the dense pedestrian traffic this area generates, particularly during festivals. The unique façade is marked by seemingly random openings in the building’s wooden envelope. The envelope is protected by a shell of transparent glass, like a second skin; the space created by superimposing these materials will be used for a variety of multimedia installations. The distribution of windows reflects the activities going on inside: the exhibition rooms in the upper levels enjoy controlled lighting, while large openings flood work environments with natural light.

 Courtesy of aedifica

阿狄菲卡

流动性和流通性的思想影响了建筑，创造了建筑和过路人之间的对话。夏天，信封的一部分缩小到圣凯瑟琳街的水平，改变了建筑的物理界限。这种交流的印象在内部得到了回响，其中一些元素包括：从大堂开始穿过前三层的开口，俯瞰底层的窗玻璃阁楼，以及三层和四层之间的雕塑楼梯，乘客可以选择电梯。这些要素是日常活动的核心，鼓励个人与其环境之间的互动。

Ideas of fluidity and circulation influenced the architecture and create a dialogue between the building and passers-by. In summer, a portion of the envelope retracts at the level of St. Catherine St., altering the building’s physical limits. The impression of exchange is echoed in the interior, with elements such as an opening that originates in the lobby and passes through the first three floors, the windowed mezzanine overlooking the ground floor, and a sculptural staircase, between the third and fourth floors, which occupants can choose over the elevator. These elements, central to daily activities, encourage interaction between individuals and their environment.

 elevation 01

elevation 01

这座建筑的设计是作为“2025年的设想建筑”的一部分。安格斯发展公司通过将75%的空间分配给文化组织来确保其文化事业。Cbl社区电台、La vitline、Artexte、Vox和中央艺术学院也帮助设计了他们的空间，以反映他们的需要。法国餐厅Le St.Cyr位于一楼，而未来在五楼设有室外露台的酒吧将提供对周围地区惊人的看法。

The building was designed as part of “Imagining-Building Montréal 2025”. The Angus Development Corporation ensured its cultural vocation by allocating 75% of the space to cultural organizations. CIBL community radio, La Vitrine, Artexte, Vox and the Regroupement des centresd’artistesautogérés du Québec also helped to design their space so it would reflect their needs. The French restaurant Le St. Cyr occupies the ground floor, while a future bar with outdoor terrace on the fifth floor will offer striking viewpoints of the surrounding area.