架构师提供的文本描述。龙皮馆是一个建筑艺术设施，挑战和探索空间，触觉和材料的可能性，建筑提供了今天的数字制造和制造技术革命。其极具表现力和透气性的皮肤质疑边界的概念：当光线和视图被过滤、软化和润湿到内部时，内部被缓慢地、更犹豫不决地向外显现。

Text description provided by the architects. The Dragon Skin Pavilion is an architectural art installation that challenges and explores the spatial, tactile, and material possibilities architecture is offered today by revolutions in digital fabrication and manufacturing technology. Its highly expressive and porous skin questions the notion of boundary: as light and views are filtered, softened and dampened towards the interior, the interior is slowly and more hesitantly revealed outwards.

 © Emmi Keskisarja

c.Emmi KesKisarja

新出现的模式和节奏的展馆挑战了结构的感知与结构定义的装饰。一个仔细的平衡发生在规则的，重复的框架的矩形板和它们逐渐不规则的相互连接，因为他们配置的整体形状。新材料和现代数字设计和制造方法的结合，使我们能够执行一个准确的施工过程，而不需要传统的现场通信方法，如平面图或图纸。

The emerging patterns and rhythms of the pavilion challenge the perception of structure versus structurally defined ornament. A careful balance takes place between the regular, repetitive framework of the rectangular panels and their gradually irregular interconnections as they configure the overall shape. The combination of a new material and contemporary digital design and fabrication methods allowed us to execute an accurate construction process without the need of conventional on-site communication methods like plans or drawings.

 © Pekka Tynkkynen

c.Pekka Tynkynen

2011年秋季，我们在坦佩雷科技大学为芬兰建筑专业的学生举办了一次测试学习研讨会，展示了这座展馆的起源。这个展馆的第一个版本是在8天内从零开始设计和建造的。2012年香港

The origins of the pavilion are in a test study workshop we held at the Tampere University of Technology for Finnish architecture students in the autumn of 2011. A first version of the pavilion was designed and built from scratch in only 8 days. For the 2012 Hong Kong & Shenzhen Bi-City Biennale of Urbanism \ Architecture we crafted, together with an international team consisting of material and structural engineers, a structurally impeccable and Hong Kong –type – humidity - proof second version of the pavilion.

 grid to curve

网格到曲线

展馆使用的唯一材料是可变形的格拉达胶合板，这是一种全新的材料，似乎正在彻底改变弯曲的胶合板行业。一个数控路由器被用来制造一个木制模具，在其中预热的扁平矩形件弯曲成形状。计算机编程的3D主模型在文件到工厂的过程中生成了这些部件的切割文件：算法程序被编写成脚本，为每一个矩形部件提供精确计算的滑动连接槽，所有这些都是在逐渐移动的位置和角度，使最终组装的展馆具有弯曲的形状。精心编排的蒙太奇序列要求所有部件都有唯一的标签和编号，以便组装或拆除结构。这163件胶合板是在芬兰TUT制造的，然后运到香港，我们的团队在九龙公园的展区组装了展馆。

The sole material used in the pavilion is post-formable Grada Plywood, a brand new material that seems to revolutionize the bent plywood industry. A CNC-router was used to make a wooden mould in which pre-heated flat rectangular pieces were bent into shape. A computer programmed 3D master model generated the cutting files for those pieces in a file-to-factory process: algorithmic procedures were scripted to give every rectangular component their precisely calculated slots for the sliding joints, all in gradually shifting positions and angles to give the final assembled pavilion its curved form. A meticulously pre-choreographed montage sequence required all components to be uniquely labelled and numbered for assembling or dismantling the structure. The 163 plywood components were manufactured in Finland at TUT and shipped to Hong Kong, where our team assembled the pavilion on the exhibition area situated in Kowloon Park.

 © Pekka Tynkkynen

c.Pekka Tynkynen

展览于2月16日向公众开放，一直持续到4月23日。参展商包括著名的建筑师，如OMA，StevenHoll建筑师，MVRDV和Reiser。

The exhibition was opened for the public on the 16th of February and continues until the 23rd of April. Among the exhibitors are renowned architects such as OMA, Steven Holl Architects, MVRDV and Reiser & Umemoto Architects.

 © Emmi Keskisarja

c.Emmi KesKisarja

请参阅“龙皮亭”网站中的整个项目。

See the whole project documented in Dragon Skin Pavilion's website.