概念捉迷藏与景观

Concept - Hide and Seek with Landscape

 © Lee Sang Muk

(三)李善木

历史上的韩国白克杰王朝的艺术文化中心-世山，是多元文化交融、融合的地方，影响着朝鲜文化。我们在这个宽敞的湖边场地上的项目是一栋由四个房间(用作养老金)和一个拥有集体空间和维护设施的房子组成的建筑。这座建筑中最重要的空间是阳台，它作为窗口来介绍周围的风景，如湖、山和场地周围的田野，并将整个空间分割成几个独立的房间。

Seosan, an artistic and cultural center of the Baekje Dynasty in historic Korea, was a place where diverse cultures intermixed and unified, influencing Korean culture. Our project in this spacious lakeside site was a building composed of four rooms (used as a pension) and a single house with a collective space and maintenance facilities. The most important space in this building is the balcony, which acts as a window to introduce the surrounding scenery, such as the lake, mountains, and fields around the site, and segments the whole space into several separate rooms.

 © Lee Sang Muk

(三)李善木

随着时间的推移，梅萨姆洪佛像的门面也会发生变化，这种养老金的阳台可以是一个空间，也可以根据游客的需要，通过相邻边界的开放和关闭来划分，同时连接和阻挡该地区进入周边景观的通道。此外，四房区主要设计为一种跳楼式复式空间，以更显着地表达连接和断开，并创造出独特的阳台本身的景观。

As the face of Maesamjon Buddha’s statue changes with time, the balcony of this pension could be one space or divided according to suit the demands of visitors through the opening and closing of the adjoined borders, while connecting and blocking the area’s access to the surrounding landscape. Also, the four-room area is designed mainly as a kind of skip floor type duplex space to express connection and disconnection more dramatically, and create a unique balcony with its own scenery.

 © Lee Sang Muk

(三)李善木

对时间变化的考虑影响了夜景的设计。圆形的窗户和令人联想起星座的灯光被建在建筑的几个点上，使得室内和自然光线都能在夜间营造出一种良好的氛围。相比之下，“捉迷藏”的景观理念是在白天在空间上表达出来的，因为建筑是被遮住的木质百叶窗遮住了它的外部皮肤。

Consideration for the change of time influenced the night scape design. Circular windows and lighting reminiscent of constellations are builtinto several points of the building, so that both internal and natural light create a nice atmosphere by night. By contrast, the ‘hide and seek’ idea of the landscape is expressed spatially in the daytime, in that the building is hidden and revealed by wooden louver covering its external skin.