架构师提供的文本描述。在一个有规则和扁平形状的包裹里，有一条河流在它的边界内，矗立着阿泰克索体育中心。在北方与市政游泳池接壤，到南方则与同一部分计划拥有的另一个地块相连。在西边有一条被称为“Travesia dos colexios”的道路，这条路提供了通往体育中心的通道。最后，这条河为东方划定了界限。

Text description provided by the architects. In a parcel with a regular and flat shape, with a river within its boundaries, stands the Arteixo Sport Center. To the North borders the municipal pool, to the South is bounded with another parcel owned by the same Partial Plan. In West direction lies to the road known as “Travesia dos colexios”and this which provides Access to the sports center. Finally the river sets the limits to the East.

 © Hector Santos-Díez

c.Hector Santos-Díez

起初，阿泰克索的形象看上去是明确定义的事物，否定了其中一些共同的地方。快速架构仍然经得起时间的考验。合并后的城市地块中独特的建筑物的顺序、场地的配置、项目的范围和特点的限制都符合其在规划中的地位，使我们在没有重大障碍的情况下有规律的正规化，以便于其运作。

At first apparience the Arteixo’s image appears as things clearly defined and that deny some common places about one. Quick architectures still stand the test of time. The order of a unique building in the consolidated urban plot, the configuration of the site, limits on the scope and the characteristics of a project, which use conforms their own position in the plan, leads us to a regular formalization without major stridencies to facilitate its operation.

 © Hector Santos-Díez

c.Hector Santos-Díez

这些体育中心由于规模大，城市迪门森(Dimensión)相对具有侵略性。我们提出了一个支持性请求，将其封装在主轨道上，以便在环境中设定正确的规模。此外，这些设施通常是黑暗的，因此，我们选择在纵向的轨道上的箱梁结构，这样北接收北光，理想的游戏和南光通过半透明聚碳酸酯在那个盒子的光束。

The sports centers have a urban dimensión relatively aggressive due to its scale. We propose a support área that wraps to the main track to set the correct scale in the environment. In addition, these facilities are usually dark, so for that, we opt for a box beams structure in the longitudinal direction to the track, so that North receives North light, ideal for gaming and South light nuanced through translucent polycarbonate in that box beams.

 elevation 02

elevation 02

在另一种情况下，沿着很久以前开始的道路，阿泰克索体育中心以彩虹的形式出现，原谅这个比喻来解释最终的结果：彩虹让我们惊讶，它的出现让我们眼花缭乱，没有人无动于衷。

In another vein, following the path started long ago, the Arteixo Sport Center arises as a rainbow, forgive the metaphor to explain the final result: the rainbow that amazes us, that comes and dazzles us with his presence and that leaves no one indifferent.

 © Hector Santos-Díez

c.Hector Santos-Díez

因此，立面所用的材料是涂上颜色的木制面板上的U形玻璃。架构总是为用户设计的，唯一可能的方式是正规化，更多的是家喻户晓，为什么不呢，幻想总是内在的路径规划了一段时间，使工作癣的所有颜色。

Therefore the material used for the facade is the U-glass overhead on wooden panels painted colors. Architectures always designed for the user, the only possible way for formalization, public use more domestic and why not, illusions always intrinsic to the path laid out for some time, make the work ringworm of all colors.

 © Hector Santos-Díez

c.Hector Santos-Díez

这是最个人化的项目，因为它想呈现一个幻象：它就像一个梦和我的旅程。这座建筑矗立在一个混凝土底座上，增强了本已很轻的正面；它周围的U型玻璃的颜色让它在白天可以透过一些投影仪以扩散的方式出现，并通过一些投影仪向公众表明，体育中心什么时候有重要的活动，而不是直接与其所在的城市环境有直接关系。

This is the most personal Project because it wants to present an illusion: it's like a dream and my journey. The building stands on a concrete base that enhances the already lightweight facades; the color closing through the U-glass that surrounds it allows it to be visible during the day in a diffused way and nights throught some projectors indicating to the public when there are important events in the sports center, establishing beyond their own use directly relationship to the urban environment in which it sits.

 ground floor plan

我们提出了一个纵向庭院，目的是让植被可以进入建筑物。采取特别相关的平台，可以从外部访问。这些增加了体育中心的容量，因为从它们你也可以看到戏剧，在外面的阳台上，你可以看到阿泰克索(Arteixo)。

We propose a courtyard in the longitudinal direction with the intention that the vegetation can enter in the building. Take special relevance the terraces that can be accessed from the outside. These increases the capacity of sports center because from them you can also see the play área while are a outside balcony from where one sees Arteixo.

 © Hector Santos-Díez

c.Hector Santos-Díez

服务站的结构是混凝土，预制板和栅栏的地板，也是一块有石膏板覆盖和绝缘的混凝土墙。该结构在钢柱HB-300上采用平行桁架进行求解.金属结构进一步揭示了工作的内在焦炭，在这种情况下，在宇宙中颜色充满了所有的空间。

The structure of the service área is concrete, the floors of prefabricated slabs and fencing, also a concrete wall with plasterboard cladding and insulation. The structure was solved by parallel trusses on steel columns HEB-300. The metal structure reveals further the intrinsic charácter of the work in this case subject to a universe where color has filled all space.

 © Hector Santos-Díez

c.Hector Santos-Díez

至于封面则有三种类型。实用预制8厘米厚且不可铺料的混凝土面板，采用不锈钢双饰面自测不透水板加工而成。对于包括露天看台在内的人行道，使用了2.4厘米厚的工业再生橡木地板。这种选择的跑道人行道和看台不仅提供了连续性的材料，也为观众提供了视觉，并建立了更密切的关系与游戏。

As for the covers will be of three types. Practicable prefabrication concrete panels of 8 cm thick and not praticable, finished in stainless Steel dual finish autopotrected impermeable sheet. For pavements, including bleachers, used industrial recycled oak parquet of 2.4 cm thick. This choice of runway pavement and the grandstand provides a continuity not only of the material also visual for the viewer, and establishing a closer relationship with the game.

 © Hector Santos-Díez

c.Hector Santos-Díez

光线泛滥，颜色在环境中松散，外部产生紧张。随着时间的推移，许多人在彩虹中发现了他们工作的灵感来源。记得雷蒙德奎诺在练习风格，1947年或Terencio Formenti在他的诗集带风。

Light floods for color loose in the environment and strain from the outside. There have been many that over time have found in the rainbow a source of inspiration for their work. Remember to Raymond Queneau in Exercices of Style, 1947 or Terencio Formenti in his Poems book carried by the wind.

 © Hector Santos-Díez

c.Hector Santos-Díez