架构师提供的文本描述。旅游景点

Text description provided by the architects. tourist attraction

得克塞尔岛位于瓦登塞岛，是荷属瓦登群岛中最大的岛屿。每年约有100万游客访问该岛，岛上只有飞机、船只或渡船才能到达。然而，很少有人会熟悉得克塞尔的辉煌历史及其与荷兰东印度公司的联系。在十七和十八世纪，该公司的舰队使用特克塞尔锚地作为其远征远东的起点。船只在那里等待有利的风，然后起锚，驶向“东方”。在他们等待的同时，进行了维修工作和小修理，食品和水都上船了，家人可以最后一次见到他们的亲人。许多画家参观了“里皮德范特塞尔”(特塞尔的离岸锚地)，在画布上描绘了荷兰共和国的舰队。在Oudeschild小村庄的海洋和海滩博物馆的新入口建筑KaapSkil中，公众被带回荷兰黄金时代。博物馆的展品是一个18米长，4米深的里皮德范特塞尔模型，非常详细地展示了停泊在瓦登岛海岸的数十艘船只的壮观景象。

The island of Texel is situated in the Waddenzee and is the largest of the Dutch Wadden Islands. Every year a million or so tourists visit the island, which is only accessible by plane, boat or ferry. Few however will be familiar with the glorious history of Texel and its links with the Dutch East India Company. In the seventeenth and eighteenth centuries the Company’s fleet used the anchorage of Texel as its departure point for expeditions to the Far East. The ships waited there for a favourable wind before weighing anchor and sailing off to the ‘Orient’. While they waited, maintenance work and small repairs were carried out, victuals and water were brought on board and family could see their loved ones one last time. Many painters visited the ‘Reede van Texel’ (the offshore anchorage of Texel) to depict on canvas the fleet of the Dutch Republic. In the new entrance building of the maritime and beachcombers museum, Kaap Skil, in the hamlet of Oudeschild, the public is taken back in time to the Dutch Golden Age. The showpiece of the museum is an eighteen-metre long, four-metre deep model of the Reede van Texel, displaying in great detail the impressive spectacle of the dozens of ships anchored off the coast of the Wadden Island.

 concept sketch

概念速写

典型山墙屋顶

typical gable roofs

博物馆设计了四个有趣的连接在一起的屋顶，这些屋顶是围绕着周围屋顶的节奏而设计的，从大海上看，就像海浪从堤坝上方升起一样。

The museum is designed with four playfully linked gabled roofs which are a play on the rhythm of the surrounding roof tops which, seen from the sea, resemble waves rising out above the dyke.

 Courtesy of Mecanoo

Mecanoo

“大海带走了，大海提供了”-这是特克塞尔人非常了解的一句谚语。几百年来，他们感激地利用搁浅的船只或沉船上的浮木建造房屋和谷仓。卡普斯基尔的木质外墙是这个时代神圣的回收传统的一个很好的例子。垂直木板是由锯木硬木板桩从北荷兰运河，并已赋予新的生命，就像博物馆收藏的物品。从里面看，木板前的玻璃立面让博物馆的游客可以看到室外博物馆的地形和著名的北荷兰天空。在建筑内部，木板投射出一种光线和阴影的线性模式，营造出一种充满光和遮蔽的氛围。

‘The sea takes away and the sea provides’ – this is a saying that the people of Texel know so well. For hundreds of years they have made grateful use of driftwood from stranded ships or wrecks to build their houses and barns. The wooden façade of Kaap Skil is a good example of this time-hallowed tradition of recycling. The vertical wooden boards are made of sawn hardwood sheet-piling from the North Holland Canal and have been given a new life just like the objects in the museum collection. From within, the glass facade in front of the wooden boards allows an inviting view of the outdoor museum terrain and of the famous North Holland skies to visitors of the museum café. Inside the building the boards cast a linear pattern of daylight and shadow creating an atmosphere infused with light and shelter.

 Courtesy of Mecanoo

Mecanoo

日光和人造光

daylight and artificial light

入口和博物馆咖啡厅形成了一个自然边界，介于地下室里的里皮德范德塞尔世界和一楼水下考古学的世界之间。光和空间的不同经验加强了这两个世界之间的对比。在地下室，参观者被投影和动画吸引，创造了一个隐秘的空间，隐藏着一种神秘的感觉。在一楼，荷兰北部的天空淹没了展出的物体。坚固的钢框架和玻璃的可移动展示创造了一种透明的效果，使收藏中的对象似乎漂浮在空间内。在高高的山墙屋顶下，游客们有了一种慷慨的感觉，他们可以一目了然地查看大量的藏品、博物馆场地和奥德柴尔德村(Oudeschild)。

The entrance and the museum café form a natural frontier between the world of the Reede van Texel in the basement and that of the underwater archaeology on the first floor. The contrast between the two worlds is reinforced by the different experiences of light and space. In the basement visitors are drawn around the exhibition by projections and animations, creating an intimate space that harbours a sense of mystery. On the first floor the North Holland sky floods the objects on display with light. The movable showcases of robust steel frames and glass create a transparent effect so that the objects in the collection seem to float within the space. Under the high gabled roofs the visitor gets a generous sense of being able to survey the sizable collection, the museum grounds and the village of Oudeschild at a glance.

 Courtesy of Mecanoo

Mecanoo