架构师提供的文本描述。文化遗产的历史背景与描述

Text description provided by the architects. Historical background and description of the Heritage

 © Javier Orive

c.Javier Orive

位于圣费尔南多(卡迪兹湾-西班牙)的郊区，这一扩张使该市在五十年代延伸到与塞维利亚的联系。一座遗产丰富的城市，拥有一千多座历史建筑，包括城市空间和建筑。其中一个最好的例子就是我们感兴趣的建筑“Hermanos Laulhé”(现在是‘Cayetano Roldán保健中心’)，它是由西班牙建筑师Fernando Cavestany y Pardo Valárcel于1954年设计和建造的。

Located on the outskirts of San Fernando (Bay of Cadiz – Spain), in the expansion that stretched the city to its connection with Seville in the fifties. A city rich in heritage with more than one thousand historical edifices, including urban spaces and buildings. One of the best examples is the building that interests us, “Hermanos Laulhé” Ambulatory (now, ‘‘Cayetano Roldán Health Care Center), designed and built by the spanish Architect Fernando Cavestany y Pardo Val­cárcel in 1954.

 © Javier Orive

c.Javier Orive

这座建筑以一个巧妙的组合，由两个三层楼高的正交物体组成，在其最长的一侧被一个凹进的身体所封闭。该作品受古典传统的启发，在底层引入了一个基座，上面覆盖着一层透明多孔的石头，两个均质的身体排列成白色。

The building is volumetrically represented as a clever association of two orthogonal bodies three storeys high, closed on its longest side by a recessed body. The composition, inspired by the classical tradition, introduces a base on the ground floor covered with a lo­cal porous stone, two homogeneous bodies arranged with a white

 © Javier Orive

c.Javier Orive

它突出了向外投影的大孔网格图像的圆度，其内部分布的逻辑是对入射光的充分响应和对其公众形象的反映。

tion highlights the roundness of the image of large holes grid that project outward the logic of its internal distribution as an adequate response to the incident light and the reflection of his public image.

 © Javier Orive

c.Javier Orive

此外，重要的是要在栅格的护栏中加强陶瓷的使用，并通过仔细设计空间和家具，在立面上整合雕塑群，打破医疗中心通常的严肃态度，将其与现代装饰传统联系起来，而现代装饰传统也存在于室内。每个身体顶点的顶部，半圆柱体在玻璃砌块，关闭楼梯井与一定的灵感，在一些最重要的作品表现主义建筑师埃里希门德尔松(1887-1953)，如彼得多夫和Schocken仓库，在斯图加特(德国)。

Furthermore, is important to enhance the use of ceramics in the parapets of the grid and the integration of sculptural groups on the facade that break with the usual sobriety of a Medical Center and connect it to modern decorative tradition, which are also present in the interior, through a careful design of spaces and furnishings. Tops of each body vertices, with half cylinders in glass block that, closing the stairwells with certain inspiration in some of the most important works of the Expressionist architect Erich Mendelsohn (1887-1953), such as Petterdof and Schocken Warehouses, in Stuttgart (Germany).

 © Javier Orive

c.Javier Orive

项目开展的背景

Context in which the Project was undertaken

 © Javier Orive

c.Javier Orive

在这方面，西班牙50年代的建筑师若泽·路易斯·费尔南德斯·德尔阿莫(JoséLuis Fernández del Amo)是这种思想和实践的最大倡导者，他将建筑与绘画和雕刻相结合，以及费尔南多·卡维斯塔尼(Fernando Cavestany)与西班牙雕塑家阿马迪奥·加布里诺(Amadeo Gabino，1922-2004年)的案例，后者是“流动中心”(Ambulation Center)雕塑的作者。

In that context, the 50’s in Spain, the architect José Luis Fernández del Amo stands as the greatest exponent of this thinking and prac­tice that integrates Architecture in relation to Painting and Sculp­ture., as well as the case of Fernando Cavestany with the spanish sculptor Amadeo Gabino (1922-2004), author of the sculptures of the Ambulatory Center.

 © Javier Orive

c.Javier Orive

加比诺的雕塑团体为“动情”做好准备，其中包含了他早期作品中伪造的具象参考文献。这就是“母性”作品的情况，它支配着正门，而另一个则位于南面。然而，在温特斯的带领下，他选择了与陶瓷合作，制作了三种版本的作品，总共在外墙上画了24幅马赛克壁画，使用了强烈的抽象概念和使用色彩的无私精神，受到了巴勃罗·毕加索(Pablo Picasso)和琼·米罗(JoanMiró)等时间伟人的影响，后者在安布里亚建筑的同一年在威尼斯双年展上获得了“雕刻大奖”(Grand Engraving Of Engraving)。

Gabino’s sculptural groups prepared for the Ambulatory contain figurative references forged at his early works. This is the case of the the “Motherhood” work, that dominates the main entrance and the other located on the south facade. However, under win­dows he chosed to work with ceramics, making three versions of the work, resulting a total of twenty-four mosaic murals on the facades, using a strong abstraction and selflessness in use of color, influenced by time greats such as Pablo Picasso and Joan Miró, winner of the Grand Prize of Engraving at the Venice Biennale in the same year of the construction of the Ambulatory.

 © Javier Orive

c.Javier Orive

恢复前的保育状况及工程对文物保育的贡献

State of Conservation before Restoration and contribution of the Project to the conservation of the Heritage

 © Javier Orive

c.Javier Orive

在过去的几十年里，现代运动的建筑遗产似乎比任何其他时期都更危险。虽然该中心自2001年10月以来已在达卢西亚受保护资产总目录中登记，但当时该建筑几乎处于毁灭性状态，尽管其中一些部分仍在使用中。所确定的病理、缺陷和主要目标可归纳为以下几点：

In the last decades, the Architectural Heritage of the Modern Movement appeared to be more at risk than during any other period. Although the Centre is registered in the General Catalogue of Protected Assets in An­dalusia since October 2001, at that time the building was in an almost ruinous state, though some parts of it were still in use. Pathologies, defi­ciencies and principal goals identified can be summarized in the following points:

 © Javier Orive

c.Javier Orive

-由于靠近沼泽地和海旁以及地下水位的水过滤而使结构退化。

-Degradation of the structure due to its vicinity to the marshes and the sea front and water filtration from groundwater level.

 © Javier Orive

c.Javier Orive

-缺乏维修和不符合现行规定的设施状况不充分。

-Inadequate state of installations lacking maintenance and lack of suitabi­lity to current regulations.

 © Javier Orive

c.Javier Orive

-使现行保健和社会保健功能方案适应现有结构的能力。

-Ability to adapt the current functional program of health and social care to the existing structure.

 © Javier Orive

c.Javier Orive

-恢复地下室作为新的保健楼层，提高原有天窗的价值，使该空间在建筑物的中心地带发挥主导作用。

-Recovery of the basement as a new health care floor, enhancing the value of the original skylight to give that space a leading role in the heart of the building.

 © Javier Orive

c.Javier Orive

所采用的建筑技术：地基和结构加固、机械和饰面、屋面和防水、木制品、法塔迪斯和室外地区。

-Construction Techniques implemented: Foundation and structural reinforcements, Mechanicals and finishes, Roofing and waterproofing, Woodwork, Façades and outdoor areas.

 © Javier Orive

c.Javier Orive

-提请与建筑环境有关的用户、公众、当局、专业人员和教育界注意现代运动的重要性。

-To bring the significance of the Modern Movement to the attention of the user, the public, the authorities, the professionals and the educational community concerned with the built environment.

 © Javier Orive

c.Javier Orive

-促进发展最适当的养护技术和方法。

-Foster the development of the most appropriate techniques and methods of conservation.

 © Javier Orive

c.Javier Orive

-反对破坏和毁损现代运动的重要作品。

-Oppose the destruction and disfigurement of significant works of the Modern Movement.

-最后，探索和发展现代运动的知识。

-Finally, to explore and develop the knowledge of the Modern Movement.

 First Floor Plan

一层平面图