架构师提供的文本描述。驻纽约的建筑师和艺术家马科斯·佐特斯(Marcos Zotes)和他的多学科合作者团队，将冰岛最大的教堂Hallgrímquikja教堂改造成了一个名为“RAFM GNU N ttt RA”的壮观的交互式灯光装置。更多的图片和建筑师的描述后，休息。

Text description provided by the architects. New York-based architect and artist Marcos Zotes, together with his multidisciplinary team of collaborators, transformed the largest church in Iceland, Hallgrímskirkja Church, into a spectacular and interactive light installation titled “RAFMÖGNUÐ NÁTTÚRA”. More images and architect's description after the break.

 © Ragnar Th Sigurðsson

(C)拉格纳尔·西古尔松

“Rafm gnu Náttúra”是一个临时的、针对具体地点的灯光装置，它用大型3D视频映射投影来动画冰岛Hallgrímcukja教堂的正面。从冰岛的自然条件和教堂ʼ独特的建筑中汲取灵感，马科斯·佐特斯和他的合作者克里斯·乔丹将这个标志性地标的静态状态转化为动态、迷人和互动的视觉体验。佐特的意图是通过社会激活周围公共空间的教堂来干预这座城市。

“Rafmögnuð Náttúra” is a temporary and site-specific light installation that animates the facade of Icelands Hallgrímskirkja Church with a large 3d video-mapping projection. Taking inspiration from the natural conditions of Iceland and the churchʼs unique architecture, Marcos Zotes and his collaborator Chris Jordan transformed the static condition of this iconic landmark into a dynamic, engaging and interactive visual experience. Zotes intention was to intervene in the city by socially activating the churchs surrounding public space.

 © Kristjan Söebeck

(Kristjan S Ebeck)

马科斯·佐特斯(Marcos Zotes)解释道：“自从我十几岁的时候，作为滑板手和涂鸦艺术家，我一直热衷于探索与现有城市环境互动的新方法。”随着城市在社会上越来越具有限制性和排他性，迫切需要找到新的策略来收回它们的公共空间和城市结构，以挑战它们最初打算用于的有限和过时的用途。

Marcos Zotes explains: “Since my teenage years as a skateboarder and graffiti artist, I have always been fascinated with exploring new ways to interact with the existing urban environment. As cities are increasingly becoming more socially restrictive and exclusionary, there is an urgent need for finding new tactics to reclaim their public spaces and urban structures in order to challenge the limited and outdated uses for which they were originally intended.

与“Rafm gnu Náttúra”一起，我想颠覆Hallgrímquikja教堂的静态和象征性状况，并将其暂时转变为一种充满活力和互动性的社会体验。这样做的目的是让人们面对日常的城市环境，对其潜在的用途有着至关重要的能力。“Marcos Zotesʼ“Rafm gnu Náttúra”被选为2012年雷克雅未克冬季灯光节开幕式的冠军参赛作品，由H fu borgarstofa、Orkseran和冰岛设计中心组织。

With “Rafmögnuð Náttúra”, I wanted to subvert the static and symbolic condition of Hallgrímskirkja church and temporarily turn it into a dynamic and interactive social experience. The idea is to make people confront their everyday urban environment with a critical aptitude towards its potential uses.” Marcos Zotesʼ “Rafmögnuð Náttúra” was selected as the winner competition entry for the Reykjavik Winter Lights Festival 2012 opening act, which was organized by Höfuðborgarstofa, Orkusalan and the Iceland Design Centre.

仅用了三周的时间，马科斯·佐特斯就在纽约召集了一支由艺术家和设计师组成的团队，与他合作创作。马科斯ʼ合作者包括克里斯乔丹，塞西亚马查多，安德里亚达特，诺雅尤斯，蔡史蒂文，可可卡洛尔，AzmiMert Erdem，Raghul Sridharan和冰岛乐队的一个小反思。

With only three weeks to deliver his winning light installation, Marcos Zotes gathered a team of artists and designers in New York to collaborate with him in its creation. Marcosʼ collaborators included Chris Jordan, Thessia Machado, Andrea Dart, Noa Younse, Steven Tsai, Coco Karol, AzmiMert Erdem, Raghul Sridharan and Icelandic band For a Minor Reflection.

 © Pétur Már Gunnarsson

(Pétur Már Gunnarsson)

不同媒体艺术家的合作和对其艺术作品采取多学科方法的强烈态度构成了“Rafm gnu Náttúra”成功的核心。该项目为探索创造性生产的新合作进程提供了一个独特的机会，由建筑师、设计师、视觉艺术家、音乐家、舞蹈表演者和录像艺术家组成的团队聚集在一起，分享他们的具体工具、艺术技术和设计方法，以形成一个统一的愿景。

The collaboration of different media artists and a strong attitude towards a multidisciplinary approach to their artwork formed the central core for the success of “Rafmögnuð Náttúra”. The project provided a unique opportunity for exploring new collaborative processes for creative production, in which a team of architects, designers, visual artists, musicians, dance performers and video artists were brought together to share their particular tools, art techniques, and design methods towards a unified vision.

“作为一名建筑师和艺术家，我认为建筑领域的传统运作模式在当前的经济、社会和政治全球条件下是非常有限的。马科斯说：“正是在不同领域之间界限的模糊和知识共享中，我们才能找到创新和创新的新机会。”

“As an architect and artist, I see the traditional modes of operation in the field of architecture as very limited in regards to the current economic, social, and political global conditions. It is in the blurring of boundaries between different fields and the sharing of knowledge that we can find new opportunities for creativity and innovation”, says Marcos.

 © Jón Óskar Hauksson

(Jón skar Hauksson)