MUSEVI TEN Arquitectos

2012-04-17 00:00
架构师提供的文本描述。一座新的高架博物馆,它的底部有一个露天竞技场。MUSEVI是Paseo Tabasco三阶段总体计划的第一阶段.MUSEVI通过物理连接两个原本隔绝的湖泊,Vaso Cencalli和泻湖的幻想,提出了一种新的形式的展览和公共空间,鼓励连接和社会聚会。同样,伴随的圆形剧场已经成为托马斯加里多公园的一个新的焦点。随着建筑的部分凸现在景观中,同时,博物馆鼓励人们对周围的大自然进行亲密和反思的思考,即使不是作为一种毫不含糊的庆祝活动。
Text description provided by the architects. A new elevated museum complete with an outdoor amphitheater at its base. MUSEVI is phase one of a three-phased Master Plan for Paseo Tabasco. By physically connecting two otherwise insulated lakes, Vaso Cencalli and Lagoon of Illusions, MUSEVI proposes a new form of exhibition and public space that encourages connectivity and social gathering. Likewise, the accompanying amphitheater has become a new focal point for Tomas Garrido Park. And with parts of the building protruding into and over the landscape, the museum, at the same time, encourages an intimate and reflective contemplation of the surrounding nature, if not acting as an unequivocal celebration thereof.
 © Luis Gordoa
路易斯·戈多阿
从MUSEVI开始,Paseo Tabasco的多阶段总体规划旨在通过当代设计和环境改善来增强城市现有的公共空间。第二阶段包括沿Paseo Tabasco的1公里街道景观和公共空间,包括三个公园(Parque Rovirosa、Parque Manuel Maestres和ParqueGuacamayos)、新的街道陈设(即:照明、座位、巴士和遮阳棚)和花园,以及实施最新的雨水管理技术。
Beginning with MUSEVI, this multi-phased master plan for Paseo Tabasco aims to potentiate the city’s existing public spaces through contemporary design and environmental improvement. Phase two consists of 1 km of street scape and public spaces along Paseo Tabasco, including three parks (Parque Rovirosa, Parque Manuel Maestres and ParqueGuacamayos), new street furnishing (ie: lighting, seating, bus and shade shelters) and gardens, along with the implementation of the latest in storm water management technology.
 © Luis Gordoa
路易斯·戈多阿
由湿地和码头组成的湖滨区也将在这一阶段完成。包括1.7公里的街道景观和公共空间,从MUSEVI延伸到里约格里亚尔瓦,第三阶段将完成Paseo Tabasco的行人化。这一阶段还将促进沿线的私人发展,缓解交通问题,振兴公共空间。
The lakefront, comprising the wetlands and the pier, will also be completed in this phase. Consisting of 1.7 km of street scape and public space extending from MUSEVI to the Rio Grijalva, phase three will complete the pedestrian-ization of Paseo Tabasco. This phase will also serve to catalyze private development along the strip, mitigate traffic issues and rejuvenate the public spaces.
第二阶段包括沿Paseo Tabasco的1公里街景和公共空间,包括三个公园(Parque Rovirosa、Parque Manuel Maestres和ParqueGuacamayos)、新的街道陈设(即:照明、座位、巴士和遮阳棚)和花园,以及实施最新的雨水管理技术。
Phase two consists of 1 km of streetscape and public spaces along Paseo Tabasco, including three parks (Parque Rovirosa, Parque Manuel Maestres and ParqueGuacamayos), new street furnishing (ie: lighting, seating, bus and shade shelters) and gardens, along with the implementation of the latest in storm water management technology.
 2nd floor plan
二层平面图
由湿地和码头组成的湖滨区也将在这一阶段完成。包括1.7公里的街道景观和公共空间,从MUSEVI延伸到里约格里亚尔瓦,第三阶段将完成Paseo Tabasco的行人化。这一阶段还将促进沿线的私人发展,缓解交通问题,振兴公共空间。
The lakefront, comprising the wetlands and the pier, will also be completed in this phase. Consisting of 1.7 km of street scape and public space extending from MUSEVI to the Rio Grijalva, phase three will complete the pedestrian-ization of Paseo Tabasco. This phase will also serve to catalyze private development along the strip, mitigate traffic issues and rejuvenate the public spaces.
一座新的高架博物馆,它的底部有一个露天竞技场。MUSEVI是Paseo Tabasco三阶段总体计划的第一阶段.MUSEVI通过物理连接两个原本隔绝的湖泊,VasoCencalli和泻湖的幻想,提出了一种新的形式的展览和公共空间,鼓励连接和社会聚会。
A new elevated museum complete with an outdoor amphitheater at its base. MUSEVI is phase one of a three-phased Master Plan for Paseo Tabasco. By physically connecting two otherwise insulated lakes, VasoCencalli and Lagoon of Illusions, MUSEVI proposes a new form of exhibition and public space that encourages connectivity and social gathering.
 elevation 01
elevation 01
同样,伴随的圆形剧场已经成为托马斯加里多公园的一个新的焦点。随着建筑的部分凸现在景观中,同时,博物馆鼓励人们对周围的大自然进行亲密和反思的思考,即使不是作为一种毫不含糊的庆祝活动。
Likewise, the accompanying amphitheater has become a new focal point for Tomas Garrido Park. And with parts of the building protruding into and over the landscape, the museum, at the same time, encourages an intimate and reflective contemplation of the surrounding nature, if not acting as an unequivocal celebration thereof.
 © Luis Gordoa
路易斯·戈多阿
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

                    

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