架构师提供的文本描述。图书馆被认为是书籍本身的隐喻。封面吸引你，让你只看到一小部分的故事，他们所包含的。所有的故事都来自想象。这就是试图建造图书馆的方式，就像一个神秘的盖子，有一个普通的形状，使它成为一个物体。一个引人入胜的封面，一旦被抛在后面，就会发现一个充满细微差别的故事，其中的道路仍有待书写。

Text description provided by the architects. The library is thought as a metaphor of books itself. Covers that attract you and let you see only a little fragment of the stories they contain. Stories, all of them, born from imagination. This is the way the library is tried to be built, as an enigmatic cover with a plain shape that makes it an object. An attracting cover that, once left behind, discovers a story full of nuances, with paths still to be written.

 © Miguel de Guzmán

米格尔·德古兹曼

图书馆通向一条人行横道，就在一个8层的住宅区的尽头。建筑物通过材料获得其身份，拒绝使用构图标准。

The library opens itself to a pedestrian boulevard, at the end of a residential 8-floor blocks area. The building gets its identity through materials, rejecting composition criteria.

 © Miguel de Guzmán

米格尔·德古兹曼

另一方面，当我们接近它的时候，明显的不透明就消失了，建筑物对人们的循环开放。这样，考虑到周围街道的不同层次，有三个入口是开放的：一个是为团体而设的，在最低层，另外两个是在另一个门面上，通往主大厅层。从后者，其中一个打开了林荫大道，并标志着一个大裂缝的建筑物，可以看到内部。

On the other hand, as we get close to it, the apparent opacity disappears and the building opens itself to people circulation. This way, considering the different levels of the surrounding streets, three entrances are open: one secondary, for groups, in the lowest level, and two more, on the other facades, which get to the main hall level. From the two latter, one of them opens to the boulevard and is signified with a big crack in the building which allows to see the interior.

 © Miguel de Guzmán

米格尔·德古兹曼

在这一点上，密闭箱提出，以产生一个覆盖区域，与主楼梯，配置一个关系区域之间的进出。另一条通道，不太重要，是残疾人可以进入的途径，也是与邻近文化中心的连接。

At this point the upper hermetic box is brought forward to generate a covered area that, together with the main staircase, configure a relation area between in and out. The other access, less important, serves as an accessible way to handicapped people and as connection with the adjacent Cultural Center.

这座建筑被认为是一个致密、紧凑和密封的实体，由六个圆形庭院射出，这些庭院可以捕捉自然光线并产生向天空开放的阅读区域。

The building is conceived as a dense, compact and hermetic solid, perforated by six circular courtyards that trap the natural light and generate reading areas open to the sky.

 © Miguel de Guzmán

米格尔·德古兹曼

这一实体的不同领域是在四个层次上发展起来的，每个层次的用途非常不同。尽管如此，通过建筑部分，它们之间还是有很强的视觉联系。区域明确界定：展厅/展览、儿童/青少年、期刊、一般收藏和会议室。

The diverse areas into this solid are developed in four levels, with very different use on each one. Nonetheless there is a strong visual connection between all of them through the building sections. The areas are clearly defined: hall/exhibition, children/teen, periodicals, general collection and meeting rooms.

 © Miguel de Guzmán

米格尔·德古兹曼

大厅作为一个关系和控制区。它与儿童区和直接进入期刊区的视觉联系在一起，被认为是一个分散的空间，向外部开放，并由此清楚地了解建筑组织。

The hall serves as a relation and control area. Visually connected with the children area and with direct access to the periodicals area, it is conceived as a dispersed space, open to the exterior and from which it is clearly understood the building organization.

儿童/青少年地区占最低水平的自然照明部分。这是一个开放的，两层高的空间.正面是关闭在下部和完全玻璃在上部，以获得一个正确的自然照明。这一级别的其余部分专门用于存储和技术室。

The children/teen area occupies the naturally lighted part of the lowest level. It is an open, two-level high space. The façade is closed in the lower part and totally glassed in the upper part to get a correct natural lighting. The rest of this level is dedicated to storage and technical rooms.

 © Miguel de Guzmán

米格尔·德古兹曼

一般的收藏占据了建筑的主要空间。这是一个封闭而内向的空间。令人惊讶的是，尽管外表的密封外观，它是充满了柔和的光线，通过庭院进入。同时，这些都是透明的和反射的，并且产生了一个无层次的空间结构，你可以很容易地被现有的宁静所迷住。

The general collection occupies the main space of the building. It is a closed and introverted space. Surprisingly, despite the exterior hermetic appearance, it is full of the soft light that gets in through the courtyards. These are, at the same time, transparent and reflecting, and generate a non-hierarchical spatially structure, through which you can easily wander around captivated by the existing tranquility.