架构师提供的文本描述。这座私人画廊和房子坐落在韩国首尔康柏区的山丘上。该项目被设计为一个与“音乐建筑学”研究工作室平行的实验。这座建筑的基本几何学灵感来自1967年作曲家伊斯特文·安哈尔特(Istvan Anhalt)的一幅乐谱草图，“模块的交响曲”(Symphonyof Modules)，这是约翰·凯奇(John Cage)在一本名为

Text description provided by the architects. The private gallery and house is sited in the hills of the Kangbuk section of Seoul, Korea. The project was designed as an experiment parallel to a research studio on “the architectonics of music.” The basic geometry of the building is inspired by a 1967 sketch for a music score by the composer Istvan Anhalt, “Symphony of Modules,” which was discovered in a book by John Cage titled “Notations.”

三个展馆；一个入口，一个住宅，和一个活动空间，似乎是向上推从一个连续的画廊水平以下。一张水从上面和下面建立参照面。在这三个展馆的屋顶上切割了55条天窗，实现了空间沉默直到被光激活的想法。

Three pavilions; one for entry, one residence, and one event space, appear to push upward from a continuous gallery level below. A sheet of water establishes the plane of reference from above and below. The idea of space as silent until activated by light is realized in the cutting of 55 skylight strips in the roofs of the three pavilions.

 © Iwan Baan

(Iwan Baan)

在每个展馆中，有5条透明玻璃使阳光围绕着内部空间旋转和弯曲，并根据白天和季节的时间使它们生动活泼。比例按系列3、5、8、13、21、34、55排列。展馆内的景色由倒影池构成，由垂直于天窗带的花园组成。

In each of the pavilions, 5 strips of clear glass allow the sunlight to turn and bend around the inner spaces, animating them according to the time of day and season. Proportions are organized around the series 3, 5, 8, 13, 21, 34, 55. Views from within the pavilions are framed by the reflecting pool, which is bracketed by gardens that run perpendicular to the skylight strips.

 © Iwan Baan

(Iwan Baan)

在反射池的底部，玻璃镜片为下面画廊的白色灰泥墙和白色花岗岩地板带来了斑驳的光。一位游客打开前门，爬上一层低矮的楼梯，通过竹子形成的花园墙来到了入口处。

In the base of the reflecting pool, strips of glass lenses bring dappled light to the white plaster walls and white granite floor of the gallery below. A visitor arrives through a bamboo formed garden wall at the entry court, after opening the front door and ascending a low stair.

他或她可以转到中央池塘的眼睛水平，并采取了整个三个亭子，漂浮在他们自己的倒影。展馆的内部是红色和木炭染色的木材，天窗穿过木材天花板。外表是一个雨幕的定制铜片，这是自然老化的景观。

He or she can turn to see the central pond at eye level and take in the whole of the three pavilions, floating on their own reflections. The interiors of the pavilions are red and charcoal stained wood with the skylights cutting through the wood ceiling. Exteriors are a rain screen of custom patinated copper which ages naturally within the landscape.

 © Iwan Baan

(Iwan Baan)