架构师提供的文本描述。它曾经是，也是我们的目标，给“非建筑”酒厂从1960年代的一个新的整体形象，同时创造一个统一。新增加的部分象征着现代的发展和技术，应予以承认。它们可以与酿酒厂的理念相比较，在那里，葡萄酒的发展是重点。一方面，橡木桶的储藏室后面有橡木立面.另一方面，由于使用金属桶，有用膨胀金属制成的金属外墙。这两个门面为农庄的新团结和新局面开辟了道路。

Text description provided by the architects. It was and is our aim to give the „non-architectural“ winery from the 1960s a new overall picture and at the same time create a unity. The newly added parts symbolize the development and technology of modern time and should be recognized as such. They could be compared to the philosophy of the winery where the progress of growing wine is the focal point. On the one hand there is the oak-facade following the storage in oak barrels. On the other hand there is the metal façade made of expanded metal because of the use of metal barrels. These two facades open the way for a new unity and a new situation on the farmyard.

 © Gunter Richard Wett

(冈特·理查德·韦特)

现在让我们来看看橡木立面：酒厂现有的门面保持不变，形状和橱窗都没有改变。一个新的结构被放置在它的前面50厘米-一个金属和木材的结构，发挥空间，开口，颜色和阴影。结果是一个45米长，9米高的线状身体，它被自觉地分为三个部分。在这个三分游戏中，一个距离和空间的游戏是为了达到一个独特的节奏，同时令人惊讶的可塑性相比，以前的外观平面外观。

Let’s now come to the oak facade: the existing façade of the winery remained unaltered in its shape and its window cases. A new structure was placed in front of it at a distance of 50 cm – a structure of metal and wood which plays with spacings, openings, colours and shadows. The result is a 45 metre long and 9m high linear body, which was consciously structured into three parts. Within this trisection a game with distances and spaces is strived for in order to achieve a unique rhythm and at the same time surprising plasticity compared to the flat appearance of the previous façade.

 © Gunter Richard Wett

(冈特·理查德·韦特)

在另一边，是由黑色油漆的膨胀金属面板组成的幕墙立面，它再次发挥着距离和高度的作用。另外，通过选择不同的线宽，还允许有光的游戏。所使用的材料，如果从侧面看，看起来像漆黑的墙，但如果从前面观察，旧建筑变得可见。这又是一出你同时看和不看的戏。

On the opposite side there is the curtain-wall façade made of black painted expanded metal panels which again play with distances and heights. By selecting different wire widths a game with light is moreover allowed. The material used, if looked at from the side, appears like a varnished black wall, but if observed from the front, the old building becomes visible. It’s again a play where you see and don’t see at the same time.

 © Gunter Richard Wett

(冈特·理查德·韦特)

这个金属立面像夹子一样包围着老建筑，并跟随着整个立面。两者之间的空间根据技术设备(如管道)的定位数量而变化，这些设备更新了酿酒厂及其技术。墙-从入口门开始的夹子-沿着门面移动，变成一根绳子，向前跳，然后向后跳，然后转变成一个大范围突出的檐篷，然后又向后缩成墙，然后夹住。

This metal facade surrounds the old building like a clamp and follows the entire facade. The space in between varies according to the located amount of technical equipment (like pipes) which updates the winery and its technology. The wall – the clamp begins at the entrance gate – runs along the façade and becomes a string which jumps for- and backwards, then transforms into a canopy jutting out extensively and receding again into a wall and then clamp.

 © Gunter Richard Wett

(冈特·理查德·韦特)

与来自慕尼黑的艺术家菲利普·梅斯纳(Philipp Messner)一道，由抛光的INOX(类似于镜子)组成的圆形区域被安装在不同高度和位置的单星座和群星座中。这些反射表面导致建筑外观的一种断裂，类似于建筑的新旧建筑。由于观测者的运动，投影面不断变化，从反射区域到昼夜的微小扭曲，以及与天气有关的天空运动。这些象征葡萄的圆形区域再次创造了一个统一，是一个重复的模式沿着整个外观-旧的和新的。

Together with the artist Philipp Messner from Munich, circular areas made of polished INOX - which resemble mirrors - were installed as single and group constellations in different heights and positions on the façades. These reflective surfaces result in a kind of break in the architectural façade comparable to the old and new architecture of the building. Because of the observer’s movement the projection surface constantly changes, from little distortions in the reflective areas up to day and night as well as weather related motions of the sky. These circular areas symbolizing the grapes again create a unity and are a repetitive pattern along the entire facades – old as well as new.

 © Gunter Richard Wett

(冈特·理查德·韦特)

这两种材料的特点，木材和钢，成为建筑元素，为表面以及形式。设计是活生生的，而现有的建筑则被推入背景。与酿酒厂紧密相连的两种材料形成了一种对抗：钢铁和木材在颜色、黑色和自然上结合在一起。农庄上的植物一方面是几何切割的，因此是驯服的，另一方面，钢结构象征着开放和无拘无束。

The characteristics of the two materials, wood and steel, become the architectural element, for the surface as well as the form. The design is lived, whereas the existing building is pushed into the background. A confrontation of two materials, which are closely connected to the winery, is created: steel and wood are joined together in the colour black and the nature. The plants on the farmyard are on the one hand geometrically cut, and therefore tamed, on the other hand the steel structure symbolizes the open and unrestrained.

 © Gunter Richard Wett

(冈特·理查德·韦特)

总之，这导致了材料(钢铁-木材)的颜色，黑色和约束和开放的性质的融合。院子里的材料-钢和木头-驯服了“非建筑”。沿着街道，自然在表面上蓬勃生长-因此，我们也可以说，物质和自然是相互帮助的。

As a total this results in a fusion of material (steel – wood) of the colour black and of the restrained and open nature. In the courtyard the material – steel and wood – tames the “non-architecture”. Along the street nature grows exuberantly over the façade - we could therefore also say that the material and the nature help each other.

 © Gunter Richard Wett

(冈特·理查德·韦特)