架构师提供的文本描述。F楼

Text description provided by the architects. House F

 © Marco Zanta

c.马尔科·赞塔

在里雅斯特海岸改造一座别墅的运作，标志着通过合理化和梯田花园、挡土墙和住宅数量，打破了剧烈崎岖的景观与控制之间的平衡。从这个意义上讲，可以追溯到70年代初，通过部分拆除现有的建筑结构和重组分配空间，对一栋分层住宅进行改造，寻找一种新的活力和一种与自然景观和人造景观的新关系。

The operation of transforming a villa on the coast of Trieste stands as a moment marking a break in the equilibrium between violently rugged landscape and its control through rationalization and terraced gardens, retaining walls and residential volumes. In this sense, the renovation of a split-level house dating back to early 70s, by the partial demolition of existing building structure and the reorganization of the distributive spaces, looks for a new dynamism and a new relationship with the landscape, natural and man-made.

 © Marco Zanta

c.马尔科·赞塔

在三层楼的结构上，引入了一个高空隙体积垂直横贯整个建筑，从而引发了新的空间关系和重组功能，从而发挥了新的作用。新的住房通道在空隙体积的基础上引入。在底层，空隙组织起居室，厨房和餐厅，作为一个连续性的白色空间，由滑动的玻璃墙，逐渐结束在海洋露台。

The structure of the floors, arranged on three different levels, plays a new role with the introduction of a high void volume crossing vertically the whole building so as to trigger new spatial relationships and reorganize functions. The new access to housing introduces at the base of the void volume. On the ground floor the void organizes living rooms, kitchen and dining spaces as a continuity of white space mediated by sliding glass walls that gradually ends in the sea terrace.

垂直真空结构为螺旋结构，沿着楼梯分配四间卧室和相关设施。光线从天窗散发出来，由白色水泥和碾碎的卡拉拉制成的地面反射，使核心充满了柔和而温暖的光，与光线相反，光线决定了俯瞰大海的房间的体积和轮廓的线条和锋利的阴影。

Upright vacuum is structured as a spiral distributing four bedrooms and associated facilities along a staircase. The light diffused from the skylight and the reflections of the floor made of white cement and crushed Carrara makes the core filled with a soft and warm light that is opposed to the light that defines lines and sharp shadows of the volumes and profiles of the rooms overlooking the sea.

 © Marco Zanta

c.马尔科·赞塔