架构师提供的文本描述。当地的电力生产公司斯凯勒夫特卡夫公司有一个新的总部大楼，毗邻他们现有的办公大楼在北部城镇斯凯勒夫特。

Text description provided by the architects. Local power production company,Skelleftea Kraft have a new headquarters building adjacent to their existing office building in the northern town of Skelleftea.

 © Mikael Olsson

Mikael Olsson

新建筑的坚固结构和铰接式构造是建立在整体三维秩序的基础上的，与经典的理性传统有关。其目的是建立一座建筑，使其使用者能够利用它，同时加强共同的特性。

The strong structure and the articulated tectonic of the new building is based on an overall 3D order and relates to a classical rational tradition. The aim has been to create a building that enables its users to appropriate it and at the same time strengthen the common identity.

 © Mikael Olsson

Mikael Olsson

该建筑是由一个单一的塑料体积组成的，在网格系统中与城市环境相对应。建筑物的外部可以看作是一个铜织物，折叠在移动的体积，使它有一个坚实和连贯的外观。深窗户创造了一个惊人的浮雕，它将内部的结构体系作为暴露的混凝土，与精心制作的木制桦木窗框和铜细节形成鲜明对比。

The building is composed as a single plastic volume, which within the grid system corresponds to the urban context. The exterior of the building can be seen as a fabric of copper, folded around the shifting volume to give it a solid and coherent appearance. The deep windows create a striking relief that decribes the structural system of the inside as exposed concrete that contrasts with the well crafted wooden birch window frames and copper details.

 © Mikael Olsson

Mikael Olsson

建筑组织是以建筑为城市的概念为基础的。一个中央中庭，开放的楼梯和咖啡馆作为公共空间在建筑物内，连接着宽阔的走廊。这种开放的结构支持多种占用空间的方法。室内的统一特性进一步鼓励了在一个强大的功能框架内的家具和装饰形式的个性化表达。室内空间以光线和亲密为特征。正面，从外面看上去是巨大的，是由深邃的窗户壁龛射出的，这些壁龛缓和了北欧低矮的光线，几乎就像一个传统的瑞典玻璃阳台。

The building organisation is based on the notion of the building as a city. A central atrium, the open staircase and the cafes work as public spaces within the building, connected by wide corridors. This open structure enables multiple ways of appropriating the space. The uniform character of the interior further encourages the individual expression in the forms of furniture and decoration within a strong functional frame. The interior space is charaterised by light and intimacy. The facades, that appear massive from the outside, are perforated by deep window niches that moderate the low Nordic light, almost like a traditional Swedish glass veranda.

所使用的材料是原料和坚固的。重新出现的典型解决方案使人们能够从结构和构造的角度对诸如窗框、铜盒式和具体元素等元素进行深入的研究。这导致了生产中的工艺和合理方法的结合，因此在执行过程中具有很高的精度。

The materials used are raw and robust. Re-occurring typical solutions have enabled thorough studies of elements such as window frameings, copper cassettes and concrete elements from both structural and tectonic viewpoints. This has led to a combination of craftsmanship and rational methods in the production and hence a very high precision in the execution.

在中庭内有一个较大的体积。735个节点连接410米长的3mm铜管形成三维网格，从建筑物的结构角度进行测量。这座悬挂的雕塑，形象地展示了建筑物的网格DNA，是由现场的建筑师建造的。

An ariy volume is suspended in the atrium. 735 nodes connect 410m of 3mm copper tube to form a 3D grid, taking its measurement from the structure of the building. The hanging sculpture, that visualize the grid dna of the building, has been built by the architects on site.

 © Mikael Olsson

Mikael Olsson

这些正面盒式磁带是用未经处理的铜预制而成的，这种铜已经变成了深棕色。几年后，它将有一个绿色的黑色帕蒂纳，这将与金色的窗框。

The facade cassettes are pre-fabricated in non-treated copper, which already has turned dark brown. In a few years time it will have a greenish black patina that will contrqast with the gold coloured window frames.

 © Mikael Olsson

Mikael Olsson

立面的设计是为耐久性而优化的，以便随着时间的推移将维护成本降到最低。9000铜盒式磁带与隐藏的固定装置固定在不锈钢型材的底架上。窗户是用粉状铝制的。结果是一个完全由非有机材料组成的外壳。

The design of the facade is optimized for durability to minimize the cost of maintenance over time. The 9000 copper cassettes are anchored with hidden fixtures to an underlying frame of stainless steel profiles. The windows are made of powder coatedaluminium. The result is an outer shell consisting entirely of non-organic materials.

 © Mikael Olsson

Mikael Olsson