这所房子的主要挑战是使“主要住宅”与“度假屋”的环境和环境相兼容。在设计过程开始时有两个基本要求：

The main challenge of this house was making a ‘primary residence’ compatible with the context and environment of a ‘vacation house’. There were two basic requests at the beginning of the design process:

 © Ricardo Torrejon

c.Ricardo Torrejon

房子应该能够促进与亲戚朋友，成年人和孩子的紧张的社会生活。同时，它必须能够容纳普通的家庭生活，所有的亲密和隐私涉及。

The house should be able to facilitate an intense social life with relatives and friends, adults and kids. At the same time, it has to be able to house ordinary family life, with all the intimacy and privacy that involves.

 ground floor plan

这就引出了基本的设计形式：独立的体积(不仅仅是独立的房间)住房的不同方面的程序，可以很容易地在任何时候与房子的其他部分隔离：1。父母，2。公共空间，3.儿童，4岁。服务。

This lead to the basic design form: Independent volumes (not just independent rooms) housing the different aspects of the program which can be easily isolated at every moment from the rest of the house: 1. Parents, 2. Common Spaces, 3. Children, 4. Service.

 © Joaquin Velasco

乔金·贝拉斯科

‘Hacienda los Aromos’是一个私人城市化，距智利中部海岸20公里。这些地块分布在半岛上，周围环绕着“Embalse los Aromos”，这是一座区域性蓄水池，也用于娱乐用途。

‘Hacienda Los Aromos’ is a private urbanization 20 Km away from the central Chilean coast. The lots spread along the peninsula, surrounded by the ‘Embalse Los Aromos’, a regional water reservoir, which is also used for recreational purposes.

该建筑工地占地5.000平方米，连续30°坡度，面向东，可俯瞰当地的山脉和水库。第一步是用锯齿形混凝土挡土墙建造一个大型平台，这种挡土墙提供了阻力，但也允许定向观察。

The building site is a 5.000 sqm, continuous 30° slopped lot, facing east, with great views towards the local mountains and over the reservoir. The first step was to build a large platform by means of a zigzag concrete retaining wall, which provides resistance but also allows oriented views.

 © Joaquin Velasco

乔金·贝拉斯科

总体布局是一种小村庄。这两卷书相互联系，面向不同的方向，并形成巩固的外部碎片，这些碎片是遮阳的，可以保护免受下午出现的海岸风的影响。这些外部碎片作为一个小的城市空间之间的体积(高到足以塑造他们)的梯田和阳台会合，吸收额外的客人和游客的密度。

The general layout is a sort of hamlet. The volumes articulate each other, facing different directions and generating consolidated exterior fragments, which are sun shaded and protected from the coastal winds that rise in the afternoons. These exterior fragments work as a small urban space in between volumes (tall enough to shape them) where terraces and balconies converge, absorbing the extra density of guests and visits.

 section 05

section 05

这三个主要的卷是相似的几何，与崇高的空间和上层梯田。但是，内部配置在每种情况下都是不同的。我们打算的是“主题和变奏曲”练习。

The 3 main volumes are similar geometrically, with lofty spaces and upper terraces. But the internal configuration varies in each case. What we intended was a ‘theme and variations’ exercise.

 © Ricardo Torrejon

c.Ricardo Torrejon

原则上，这座房子是“就地建造”的。我们几乎没有使用“产品”，而只使用“材料”。它的计划是维持大量的滥用，这样它就会“老化”，而不仅仅是随着时间的推移而被“毁了”。

On principle, the house was ‘made in place’. We almost did not use ‘products’ but only ‘materials’. It was planned to sustain significant abuse, so it would ‘age’ and not merely be ‘ruined’ over the time.

 © Ricardo Torrejon

c.Ricardo Torrejon

我们在附近的拆除中发现了大约40m3的回收2‘红橡树。木材被刮掉，主要用作外墙的外壳。最好的部分是在内部作为暴露木材和上层地板。我们用较短的楼梯，内饰，门，护栏，厨房和浴室台面。其余的用于服务区、围栏和景观美化。碎片被用作木柴。

We found about 40m3 recycled 2’’ red oak from demolitions nearby. The wood was scraped off and used primarily as the outer covering of exterior ventilated walls. The best pieces were used in the interior as exposed timber and upper level flooring. With the shorter ones we made stairs, interior veneer, doors, guardrails, and kitchen and bathrooms countertops. The rest was used in the service area, fences and landscaping. And debris was used as firewood.

 section 06

section 06

低层铺路贯穿整个房子，甚至在厨房和浴室，是由抛光石英染色混凝土。

Lower level paving runs all along the house, even in the kitchen and bathrooms, and is made out of polished quartz stained concrete.