埃明·埃姆拉

© Emin Emrah

从项目的设计和实现过程来看，我们可以注意到，挑战在于通过它所拥有的“氛围”和它所主办的“活动”来建立一个公司的感觉；而不是采用一种只注重产品展示的设计方法，其目标是一个只有陈列室功能的空间。

Looking at the design and realization process of the project one can notice that the challenge was to build up the perception of a firm through the ‘atmosphere’ it has and the ‘activities’ it hosts; instead of adopting a design approach which focused only on product display and aimed for a space with only showroom function.

 © Emin Emrah

埃明·埃姆拉

埃明·埃姆拉

© Emin Emrah

“街道”、“花园”和“广场”的概念是设计的关键要素。一个人走进了一个明亮的大厅，这要归功于从它的屋顶发出的光线，它来自一个灯光昏暗的现有陈列室空间。这自然使人眼花缭乱。我们考虑将这两个空间与缓冲区连接起来。这样，一个人就可以进入发光的空间，在一条曲线的道路上，经过一次奇妙的觉醒之旅，光的“缓慢”但“平衡”的变化。这已成为“街头”思想的体现。在我们的街道的一边，我们设计了一堵砖墙，其中的砖洞是水平铺设的。这堵墙，从形成它的砖块的洞中看出来，提供了关于它后面的空间的神秘信息。此外，街道被灯光照亮，光线穿过砖头的洞，因此它的地面显示了光所创造的花边。

Concept of ‘street’, ‘garden’ and ‘square’ were the key elements of the design. One was entering a luminous hall thanks to the light coming from its roof from a dimly lit existing showroom space. Naturally this was causing one’s eyes to be dazzled. We thought about connecting these two spaces with a buffer zone. In this way one could have entered to the luminous space with ‘slow’ but ‘balanced’ change of light after a curiousity awakening trip in a curvilinear path. This has become the expression of the ‘street’ idea. On one side our street we designed a brick wall in which the holes of the bricks were laid horizontally. This wall, as seen from the holes of the bricks forming it, gave mysterious information about the space lying behind it. Moreover the street was illuminated with the light passing through the holes of the bricks and thus its ground was showing the lacework created by light.

 © Emin Emrah

埃明·埃姆拉

埃明·埃姆拉

© Emin Emrah

一个完整的立面面对着令人惊叹的柏树。我们想要使这个外观更加透明，这样外部景观才能与内部空间相结合。加上透明度的概念，空间中的一棵雕刻的橄榄树，很少的Bambu‘s，空中流通的天花板通风器和一只提醒热带雨林的鹦鹉，成为了“花园”理念的表达。

One full façade was facing amazing cypresses. We wanted to make this facade more transparent so that the exterior landscape could integrate with the inner space. Together with the transparency concept; a sculptural olive tree in the space, few bambu’s, ceiling ventilators circulating the air and a parrot reminding the tropical forests became the expression of the ‘garden’ idea.

 © Emin Emrah

埃明·埃姆拉

此外，我们还设想了一个中心空间，可以在那里举行各种活动，如会议、演讲、庆祝活动、戏剧、展览、演讲等。我们的灵感来自意大利的广场，它是由未经磨光的天然石灰华组成的。我们选择了同样的材料，在这个中心空间使用了未经打磨的天然钙华，成为了“方形”的表达。

Moreover we imagined a central space where various activities such as meetings, presentations, celebrations, plays, exhibitions, speeches can take place. We were inspired by the piazza’s of Italy made up of unpolished natural travertine. We chose the same material and used unpolished natural travertine in this central space which became the expression of ‘square’.

 © Emin Emrah

埃明·埃姆拉

埃明·埃姆拉

© Emin Emrah

最后，但并非最不重要的是，我们意识到，空间所接收到的充足的光和它所包含的绿色植物使这个空间看起来像一个温室。这成为它的灵感来源，ORFISERA；Orfis，该公司的名称；Sera，土耳其的温室。

Last but not least, we realized that the abundant light which the space was receiving and the green plants it was containing made the space look like a greenhouse. This became the inspiration for the name of it, ORFISERA; ‘Orfis’, the name of the firm and ‘Sera’, greenhouse in Turkish.