架构师提供的文本描述。为艺术中心提出的解决方案基本上是围绕着旧修道院和新建筑之间的对话提出的。一条建筑走廊在老建筑旁边蜿蜒而过，最后进入了修道院。它被认为是一个图标，有一个正式的，明确的，但简单和可识别的形象，这与前修道院形成了鲜明的对比。每一栋建筑都有一个独立的解释，它们在没有建立正式竞争的情况下相互对抗。熟悉的新建筑物的明确强调，允许它不断变化的操纵，但不会造成身份的丧失。在这两座建筑的结合处，加上修道院的天窗，一个环境露台被设计成外部通道的一部分。它还包括一个带有太阳能电池板的区域。从新的附件开始，偶尔会有游客走过大楼，我们把服务台、商店、咖啡厅和餐厅都放在主层，礼堂和展览区位于地下室。用户随后前往前修道院，在那里开展教育活动，包括讲习班、教室、排练室、录音室、实验室等。在新盖的修道院里，我们设立了图书馆和多媒体中心。

Text description provided by the architects. The solution proposed for the Art Centre is basically articulated around a dialogue between the old convent and the new building. A building-corridor winds next to the old building and goes over it to end up inside the cloister. It is conceived to be an icon, with an image that is formal and categorical yet simple and recognizable, which contrasts the former convent. Each building has an independent interpretation and they confront each other without establishing formal competition. The familiar categorical emphasis of the new building allows its changing manipulation yet does not cause a loss of identity. At the union of the two buildings, along with the skylights of the cloister, an environmental terrace was designed to form part of the outer passageway. It also incorporates an area with solar panels. The occasional visitor walks through the building starting at the new annex where we placed the information desk, shop, café, and restaurant, all on the main level, with the auditorium and exhibition areas located in the basement. The user then makes it to the former convent, where educational activities are carried out in workshops, classrooms, rehearsal rooms, recording rooms, laboratories, etc.  In the newly covered cloister we have placed the library and multimedia centre.

 Courtesy of Roberto Ercilla Arquitectura

罗伯托·埃尔西拉·阿奎图拉提供

 Courtesy of Roberto Ercilla Arquitectura

罗伯托·埃尔西拉·阿奎图拉提供

 Courtesy of Roberto Ercilla Arquitectura

罗伯托·埃尔西拉·阿奎图拉提供