架构师提供的文本描述。新设在巴塞罗那的全国广播电台总部的主要目的是解决一个与编辑和广播服务相结合的行政方案。这座建筑有五层楼高，几何图形清晰。它位于Poblenou的古老工业区，现在被称为22。新的总部被纳入了一项重建总计划，该计划希望用新的公共建筑来促进该地区的发展。我们提出了一个矩形楼层建筑，垂直通信枢纽大约位于中间。这种情况允许最大限度地利用外墙的表面。枢纽将大楼与地下室、停车场和安装室连接起来。该外墙有一个独特的模块化系统，能够提供厚度的包络，并纳入要素的太阳能灯控制。该模块还涉及内部屏幕的解决方案，划分不同的程序。一座用于清洁和维护的服务行人天桥覆盖了建筑物四面的周长，在所需的部件上也充当了“Brise-Soleil”的角色。我们寻找给每个空间以自然的光照。该结构的出现是一个网格的混凝土支柱覆盖灯从5，50至7，00米，和混凝土板的地板。网格内部以固定元素的形式出现，通信枢纽与建筑物的稳定协作。该核心由服务、技术单位和安装场包围，构成一个中央地带，其周围分布着屏幕和干燥的建筑元素。

Text description provided by the architects. The main purpose for the new Radio Nacional de España head office in Barcelona was to solve an administrative program combined with editorial and broadcasting services. The building is a five story volume with rectangular clear geometry. It is located in the ancient industrial neighbourhood of Poblenou, now called 22@. The new head office is integrated in a rehabilitation master plan that wants to boost the zone with new public buildings. We proposed a rectangular floor building with the vertical communications hub located approximately in the middle. That situation allows taking the maximum advantage of the façade’s surface. The hub connects the building with the basement floor, the parking and installation rooms. The façade has a unique modular system capable to provide thickness to the envelope and to incorporate elements for solar light control. That module also involves the solution for the interior screens, dividing the different programs. A service footbridge for cleaning and maintenance covers the perimeter of the four sides of the building, acting also as “brise-soleil” on the required parts. We searched to give natural illumination to every space. The structure arises as a grid of concrete pillars covering lights from 5,50 to 7,00 meters, and concrete slabs for the floor. Inside the grid appears as a fixed element the communication hub that collaborates to the stability of the building. That core is surrounded by services, technical units and installation yards, constituting a central strip around which is distributed the program with screens and dry construction elements.

 © Roger Casas

(Roger Casas)

 © Roger Casas

(Roger Casas)

 © Roger Casas

(Roger Casas)

 © Roger Casas

(Roger Casas)