架构师提供的文本描述。该项目位于圣地亚哥最著名的商店所在的新兴社区，还有众多的餐馆、酒吧、咖啡店和艺术画廊。该项目位于Avenida Nueva Costanera和Aurelio González两条街道之间，提出了两条回应这两条通道的通道。在入口处，你可以清楚地看到酒店所聚集的不同活动的分布，现代建筑，一家国际特许餐厅，一家专卖店和一家咖啡吧。酒店是一座10层的建筑，超过地面，外加5个地下建筑，总面积为13.186平方米。从第二层到八层，有87间宽敞的客房，有不同的布局选择。在其最后一层，一个分散注意力的区域；向酒店外部公众开放的休息室平台，扩大了酒店的优越位置。

Text description provided by the architects. The Project is located in an emergent neighborhood where the most renowned shops of Santiago are placed, and also a wide list of restaurants, bars, coffee shops and art galleries. Situated between the streets of Avenida Nueva Costanera and Aurelio González, the project proposed 2 access that responds to them. In the entrance hall, you can see clearly the distribution to the different activities that the hotel gathers, of contemporary architecture, a restaurant of international franchise, an exclusive shop and a coffee- bar. The hotel is a building of 10 floors, over the ground level, plus 5 undergrounds with a total of 13.186 m2. From the second to the eight floor, 87 spacious rooms with different options of distribution. In its last floor, a distraction area; a lounge terrace open to the exterior public of the hotel, which enlarges the privileged location of the Hotel.

 © Nicolas Caceres + Paula Marchant

尼古拉斯·卡塞雷斯·宝拉·马钱特

任务从来没有这么明确过。酒店项目从一开始就开始了，但是在业主和项目背后的建筑师团队进行了所有的研究之后，具体的目的和其他项目就出现了。这样，受精品酒店理念的启发，酒店具有复杂而简单的特点，但同时又非常个性化，是该项目是如何开发的。建筑方案的核心思想是建立一个强调建筑物的功能和它对邻里所代表的形象的建筑。“街”的概念定义了大部分的功能，安排了主要节目，并反映在主立面上，丰富了酒店给城市带来的全球形象。正面选择的材料是高贵的和当地人的，这是一种木质格子，给行人以温暖的形象，为室内的功能提供隐私。

The assignment was never so clear.  The hotel program was from the beginning, but the specific purposes and other programs appear after all the studies between the owners and the team of architects behind the project. That way, motivated by the concept of Boutique Hotel with sophisticated and simple characteristics, but at the same time very personalized, is how the project was developed. The central idea of the architectonic proposal is based on creating a building that emphasizes the functionality of the building and the image that it represents to the neighborhood. A concept of “street” defines a great part of the functionality, arranges the main programs and it is reflected in the main facade, enriching the global image that the hotel presents to the city. The materials chosen for the front facade are noble and locals, a wood lattice that gives a warm image to the pedestrians and privacy for the functional in the interior.

 © Nicolas Caceres + Paula Marchant

尼古拉斯·卡塞雷斯·宝拉·马钱特

“街”的概念有助于将所有的大厅区域和建筑物的房间按区域进行排序和划分。垂直上，一般组织使会议室、Piegari餐厅、酒店服务和房间组织起来，以达到2700 mt2地形的最佳效益。

The concept of “street” helps to order and divide by zones all the hall area and the rooms of the building.  Vertically, the general organization makes that conference and convention rooms, Piegari Restaurant, hotel services and the rooms, be organized to reach the best profit of the 2700mt2 of terrain.

 © Nicolas Caceres + Paula Marchant

尼古拉斯·卡塞雷斯·宝拉·马钱特

垂直上，我们可以识别一个清晰的功能顺序。从停车场出发，位于-4层；穿过位于-3层的会议室和会议室(在这里为较高层的房间提供更多的容量)总是以相同的概念工作。沙龙是一个带瀑布的普通门厅的周长。然后，在-2和-1层是位于一般厨房，饭店的餐厅和一家公共餐厅，Piegari。这些最后的程序与一个空隙相互作用，从访问级别开始，并为-3层沙龙的普通门厅提供自然光。考虑到最初的“街道”概念，一楼显示了它的清晰性和从电梯到房间，从第二层到第七层的一组桥梁。此外，它有一个水平的视图，是由一个木头格子所包含的，它组装了正面的图像，并给内部提供一个受控的光。

Vertically, we can recognize a clear functional order. From the parking lots, situated on the - 4 floor; passing through the convention and conference rooms located on the -3 floor (Situated here to give more capacity for the rooms in the higher levels) always working with the same concept.  The salons are perimeter of a general foyer accompanied by a water fall. Then, on the -2 and -1 floor is located the general kitchen, the restaurant of the hotel and a public restaurant, The Piegari. These last programs interact with a void that starts from the access level and gives natural light to the general foyer of the salons on the -3 floor. Taking in consideration de initial concept of “street” the first floor shows its clearness and set of bridges that goes from the elevator to the rooms, from de second to the seventh floor. Also it has a horizontal view that is contained by a wood lattice that assembles the image of the front facade and gives a controlled light to the interior.

 © Nicolas Caceres + Paula Marchant

尼古拉斯·卡塞雷斯·宝拉·马钱特

没有任何其他限制的地方自己的看法，一个露台在九楼Y符合，寻找连续性的意见和客人与邻里的互动。这一级别，一个游泳池，烧烤区和酒吧，是一致的天花板，允许一个二元气氛保持其功能在整个一年。

Without any other limitation that the own views of the place, a terrace on the ninth floor y conform, that looks for the continuity of the views and the interaction of the guest with the neighborhood. This level, with a pool, barbecue area and a bar, is conformed under a ceiling that allows a duality of atmospheres maintaining its functionality during the entire year.

 © Nicolas Caceres + Paula Marchant

尼古拉斯·卡塞雷斯·宝拉·马钱特

像一个持续和统一的屏风一样，俄勒冈州松木格构成了立面，覆盖了卧室的主要窗户。这个0.95×2.90米的格子为建筑提供了两个特点：第一，从地板到天花板的窗户模块，其格式为0.95×2.60米，使进入房间的光线更加自然，并通过木格从外部到内部形成受控的视野。第二，通过控制的方式过滤光线，使空间个性化，让客人感觉到一种像木头一样高贵的材料的存在。

Like a continues and uniform screen, the wood lattices of Oregon pine constitute the facade and covers the main windows of the bedrooms. This lattice with a format of 0.95 x 2.90 meters provides two qualities to the building: First, windows modules from the floor to the ceiling with a format of 0.95 x 2.60 meters, making possible the entrance of more natural light to the rooms and a controlled view  from the exterior to the interior thanks to the wood lattice. Second, filter on a controlled way the light, personalizing the spaces and making the guests feel the presence of a noble material as wood.

 © Nicolas Caceres + Paula Marchant

尼古拉斯·卡塞雷斯·宝拉·马钱特

一个功能和身份的姿态是可以从正面获得的。这是可以理解的，建筑尊重周围的环境，重视看到或被看到的意义，与一些材料，不入侵该地区。通过内部，可以控制自己的亮度的睡袍，具有温暖和自然特征的卧室。

A gesture of functionality and identity is what can be obtained from the facades. It’s understandable that the building respects the context that surrounds it and values the meaning of seeing or be seen working with a few materials that do not invades the area. And through the interior a robe that controls its own luminosity, bedrooms with identity that becomes warm and naturals.

 © Nicolas Caceres + Paula Marchant

尼古拉斯·卡塞雷斯·宝拉·马钱特

这座建筑的材料是更有代表性的地方元素，不会失去它们的典雅和真实性。从圣地亚哥市的材料，使客人感到温暖的感觉，无论他们在建筑物内。正因为如此，木格实现了两个方面，向周围传递一个形象，并为室内提供身份。

The materials of this building are the more representative local elements, without losing their elegance and authenticity. Materials from the city of Santiago that makes the guests feel a warm feeling, wherever they are in the building. Is because of this, that the wood lattice achieves two aspects, delivers an image to the surroundings and provides identity to an interior.

 © Jorge Fiqueroa + asociados

(Jorge Fiqueroa Asociados)

岩石就像电镀在墙壁上，混凝土和水，反射了我国的自然精神，它的纯净的山脉和海洋。一般来说，材料提供了一个简单而优雅的设计，线条工作在一个伟大的城市质量，这是寻找一个具有地方特色的当代建筑。

The rock as plating to the walls, the concrete and the water, reflex the spirit of nature of our country, the purity of its mountains and ocean. In general the material gives a simple and elegant design, with lines worked in a context of great urban quality, which is looking for a contemporary architecture with a local identity.

 © Nicolas Caceres + Paula Marchant

尼古拉斯·卡塞雷斯·宝拉·马钱特

诺伊酒店的室内设计，灵感来源于与建筑设计相同的理念。高贵的材料，简单和永恒，受到环境，结合优雅和先进的当代设计，一个强大的地方标志，灵感的装饰。

The interior design of Noi hotel, is inspired in the same concepts that defines the architecture of the building. Noble materials, simple and timeless, received by an environment that combines the elegance and sophistication of the contemporary design, with a powerful local mark, that inspires the decoration. 

 © Jorge Fiqueroa + asociados

(Jorge Fiqueroa Asociados)