架构师提供的文本描述。一个很好的研究地点是我们在前十四世纪圣玛丽亚·德尔·格拉齐教堂发现的，在费拉拉城的历史网里。费拉拉化学生物大学是一个中央科学图书馆。一个每天都有许多学生和教师的建筑；一个恢复和再利用的项目，当它的创建者，建筑师朱塞佩·丽贝卡奇尼能够用他们自己的语言综合机构客户的许多需求和需要时，同时注意自然通风的节能因素。

Text description provided by the architects. A great place to study is what we find in the former XIV century church of Santa Maria delle Grazie, in the historic web of the city of Ferrara. A central scientific library area-wide chemical-biological University of Ferrara. A structure, with many students and teachers every day; a project of restoration and reuse when its creator, the architect Giuseppe Rebecchini, was able to synthesize the many demands and needs of institutional clients in their own language, with attention to energy saving elements of natural ventilation.

 © Andrea Cordoni

安德里亚·科多尼

于是诞生在教堂的巨大空隙中，一座独立的独木舟现存的历史，准备容纳仓库、办公室和区域，供生物化学新图书馆的咨询和解释，同时保存壁画和现存的历史砖石。一种分层结构，中央长城蓝色，让人想起整个工程中的明星费拉拉，四百幅画的结尾，将空间分成两部分，成为各种计划的统一元素，其规模包括所有技术设备和管道，以便于自然取暖和冷却。

Thus was born into the great void volume of the church, an autonomous and independent dall'involucro existing historical, ready to accommodate the warehouses, offices and areas for consultation and interpretation of biological chemistry new library while preserving the frescoes and the existing historic masonry. A tiered structure, where the great central wall blue, reminiscent of the end of four hundred paintings Ferrara, star of the whole project, dividing the space into two, becomes a unifying element of the various plans with the scale that supports and container enclosing inside all the technical equipment and piping for heating and cooling the building naturally.

 © Andrea Cordoni

安德里亚·科多尼

他更喜欢在修道院的内侧贴一张报纸，只在某些公共场合才能看到前教堂的正门。总是在修道院的干预下，修道院的门廊被重新打开，现在变成了自修室，楼上的办公室和外面都用大的全玻璃隔开。从大厅的入口，甚至厕所都在那里，你经过目录，这导致了伟大的阅览室的高度。

He preferred a newspaper I plaster the inside side of the cloister, leaving the main entrance of the former church is available only in certain public occasions. And always to the cloister intervention led to the reopening of what was once the porch of the convent, now transformed into a study room, with upstairs offices, separate from the outside by large full height glazing. From the hall access, where even the toilets are located you pass to the catalogs that leads to the great reading room full height.

 © Andrea Cordoni

安德里亚·科多尼

有趣的是，丽贝卡不断地实现一个身体的不间断，但独立，根据不同的功能。作为顶楼杂志的阅览室，可以看到巨大的木桁架天花板，与大型主墙有很深的隔离关系，与身体的其他部分相关联，二级楼梯在大主隔间的空间上打开和俯瞰。你永远不会失去工厂的原始身份，从主立面的内墙可以辨认出教会结构的价值，故意让它自由到天花板，以及他肩上的大阅览室里的宗教沉默。一个研究和研究的空间，但是一个具有明确的神圣和历史身份的当代空间。

Interestingly, as Rebecchini realize a body continuously without interruption, but independent, according to various functions. As the consultation room for magazines on the top floor, with large wooden truss ceiling in sight, deeply isolated from the large main wall but not foreign, in correlation with the rest of the body with secondary staircase that opens and overlooking spatially on the large main compartment. You never lose the original identity of the factory, the value of ecclesiastical structurally recognizable from the inner wall of the main facade, left intentionally free-to-ceiling, and from that religious silence which belongs to the large reading room on his shoulders. One space for study and research then, but a contemporary space with a well-defined sacral and historical identity.

 © Andrea Cordoni

安德里亚·科多尼