(三)世田佐治(Satoshi Shigeta)

© Satoshi Shigeta

这座房子坐落在上山半山腰的志嘎县。你好。客户是一个艺术家，他需要一个工作室和一个房子给他的家庭和他的父母在不久的将来一起生活的空间。附近现有住宅区的房屋都是山墙屋顶，符合要求倾斜屋顶的规定，这似乎为街道提供了一种宁静的感觉。我们进行了一项关于建筑的研究，以便在这样的住宅区和树林之间找到合适的建筑。

The house is located in Shiga Prefecture halfway up Mt. Hiei. The client is an artist who needed an atelier and a house for his family with a space for his parents to live together in the near future. The houses in the nearby existing residential area are gable-roofed keeping to the regulation that demands slanted roof, which appeared to be providing a sense of serenity along the street. We pursued a study for architecture to match the site in between such residential area and woods.

 © Satoshi Shigeta

(三)世田佐治(Satoshi Shigeta)

(三)世田佐治(Satoshi Shigeta)

© Satoshi Shigeta

一种涵盖所有要求及其考虑因素的结构，被认为对此类环境的场地来说，体积太大。此外，我们被告知工作室可能会引起噪音和气味。考虑到这些条件，并考虑到客户的艺术复制各种商品的灵感，我们制定了这样一个总体计划，即安排三所类似的独立平房-一栋是工作室，另外两栋是为客户的家庭和他的父母准备的。

One structure covering all the requirements and the considerations thereof deemed to be too large a volume for the site of such environment. In addition, we were told that an atelier might cause noise and odor. Taking these conditions into account and being inspired by the client’s objet d’ art reproducing various commodities, we worked out such an overall plan as to arrange three similar, independent houses of cottage type ― one for atelier and the other two are for the client’s family and for his parents.

工作室的建造简化了，以满足极低的预算。将水泥增强板作为具有隔热和防火作用的承重墙结构附加在结构上，然后用波纹聚碳酸酯板覆盖。利用午夜电力，将热凝结物埋于地下，通过地基提供地板采暖。基础混凝土的表面用铲子完成，作为地板。墙壁和屋顶的结构材料被暴露出来，以便于客户进行修改。

The construction of the atelier was simplified to meet the extremely low budget. Cement excelsior boards　serving as bearing wall structures with heat insulation and fireproof effect　were attached to the structure, which were then covered with corrugated polycarbonate plates. Heat condensing stuff was buried in the ground under the floor to provide floor heating through the foundation utilizing midnight electric power. The surface of the foundation concrete is finished off with trowel to serve as floors. Structural materials for walls and roofs are left exposed to facilitate modification by the client.

 © Satoshi Shigeta

(三)世田佐治(Satoshi Shigeta)

(三)世田佐治(Satoshi Shigeta)

© Satoshi Shigeta

这两座起居房屋的地基简单地用灰浆完成，以便最有效地利用地基热冷凝系统和工作室的地板采暖。内墙全部用劳安胶合板完成，部分漆成白色。

The foundation of the two living houses　was finished simply with mortar to most efficiently use the floor heating by foundation heat condensing system　as well as the atelier. The inside walls were all finished with lauan plywood and painted white partly.

 © Satoshi Shigeta

(三)世田佐治(Satoshi Shigeta)

(三)世田佐治(Satoshi Shigeta)

© Satoshi Shigeta

窗户的大小和布置成比例地扩大了模型的传统平房类型，使房屋看起来比他们实际是。

The size and arrangement of windows were proportionally scaled up modeling the conventional cottage type to make the houses look smaller than they actually are.

 © Satoshi Shigeta

(三)世田佐治(Satoshi Shigeta)

(三)世田佐治(Satoshi Shigeta)

© Satoshi Shigeta

楼上的楼面面积不需要这么大，但在某种程度上是独立的。由于通常竖立的墙壁会使楼上的空间变得狭小，楼下的天花板太高，隔墙倾斜以使实体空间对角分开，从而出现了一个“山形地板”和一个“屋顶式天花板”。这里出现了这样一种新的模式：把一个小平房型组装成一个大平房型。

The floor space of upstairs was not required to be so large but was required to be independent to some extent. As ordinarily upright walls would make the space of upstairs cramped and the ceiling of downstairs too high, the partition walls were leaned to have the solid space divided diagonally, and thereby a ”hill-like-floor” and a ”roof-like-ceiling” emerged. Here appeared such a new model as assembling a small cottage type into a large cottage type.

平面图

Floor Plans

平房式的自信足以让人们想象室内与外表是一致的，反之亦然。在一个屋顶上，暗示一个平房式屋顶，另一个天花板，暗示另一个平房风格的屋顶，因此我们认为我们已经创造了一个坚实的空间，就好像它一直在延伸。

A cottage type is assertive enough to make people imagine the interior to be consistent to the exterior, and vice versa. Above a ceiling suggesting a cottage style roof another ceiling suggesting another cottage style roof is provided, and thereby we think we have created a solid space as if it is ever extending up.

 © Satoshi Shigeta

(三)世田佐治(Satoshi Shigeta)

(三)世田佐治(Satoshi Shigeta)

© Satoshi Shigeta