架构师提供的文本描述。这个项目是为Archi<20竞赛而实现的，包括提议在阿尔萨斯Muttersholtz的一个自然保护区内建造一个面积为20平方米的展馆。

Text description provided by the architects. This project, realized for the Archi<20 competition, consisted on proposing a pavilion of 20 m2 floor space to be constructed in a protected natural area in Muttersholtz, Alsace. 

以7000欧元的有限预算，委员会允许我们寻求一个精确和仔细的架构。在这个意义上，我们的第一个意图是创建一座能够提供各种可能性的建筑，使用最少的材料和正式的资源。

With a limited budget of 7000 Euro, the commission allowed us to seek for a precise and careful architecture. In this sense, our first intention was to create a building that could offer an experience of varied possibilities, using the least materials and formal recourses. 

这一意图被转化为一个结构系统，执行各种任务：光、影、通风的可能性，以及提供时间存储空间。

This intention is translated into a structural system that performs various tasks: the possibility of light, shadow, ventilation and also to provide temporal storage space.

 © Jeremías González

(Jeremías González)

我们的第二个意图是设想一个建筑，可以加强和多样化的关系之间的游客之间的展馆和周围的环境。

Our second intention was to conceive an architecture that could enhance and diversify the relationship between the visitor of the pavilion and the surrounding environment. 

 © Jeremías González

(Jeremías González)

然后，展馆作为一种被缩小和增强为光学设备的介质来执行。在经济意义上，这种结构允许一个开放式的室内，类似于一个剧院舞台：内部空间被一次又一次地与每一位游客一起重建。

The pavilion, then, performs as a medium that is both reduced and enhanced into an optical device. In an economic sense, the structure permits an open-plan interior, similar to a theatre stage: The interior space is reconstructed again and again with each visitor.

 © Jeremías González

(Jeremías González)

从外表看，展馆趋向于消失：在其形式界限的模棱两可的性质中，一个看似普通的物体被揭示为光、意象、人和物体之间复杂的相互作用。请来访者反思一下这种不安。

Seen from the exterior, the pavilion tends to disappear: in the ambiguous nature of its formal limits, a seemingly ordinary object is revealed as a complex interplay of light, images, people and objects. The visitor is invited to reflect on this uneasiness.