架构师提供的文本描述。该项目标志着法国中部一处考古遗址，并纪念了公元前52年朱利叶斯·塞萨尔(Julius Cesar)与高卢人(Gauls)之间的战争历史。尽管这场战斗的所有痕迹都已被抹去，但新的博物馆建筑群重建了城垛和土木，并为该地区提供了解释。该地区由几处分布在一个山谷上的遗址组成，山谷中有一个中世纪小镇。

Text description provided by the architects. The project marks an archeological site in central France and commemorates the history of the battle between Julius Cesar and the Gauls in 52 B.C. Although all traces of the battle have been obliterated, the new museum complex recreates battlements and earthworks and provides interpretation for the area, which consists of several sites spread over a valley that contains a small medieval town.

 © Christian Richters

克里斯蒂安·里氏

该计划由两个独立但相关的结构组成。一座建筑是博物馆，位于高卢人的位置，围攻期间，山顶上的城镇。第二座建筑是一个游客中心，位于罗马人的位置，在城镇下方的菲尔兹。公共客户希望这两栋建筑在各自的环境中尽可能不引人注目。博物馆是用石头建造的，与城镇建筑相似，但采用现代技术，并被部分掩埋在山上，因此从上面看，它是景观的延伸。游客可以从二千年前高卢人所处的位置到屋顶去观赏周围的风景。

The scheme consists of two separate but related structures. One building is a museum, located at the position of the Gauls during the siege at the top of the hill above the town. A second building is a visitors’ center located at the Roman position in the fi elds below the town. The public client wanted both buildings to appear as non-obtrusive as possible in their respective contexts. The museum is built of stones, similar in look to the town buildings, but with contemporary technology, and is buried partially into the hill so that from above it appears as an extension of the landscape. Visitors may go to the roof to view the surrounding landscape from the position that the Gauls did two thousand years ago.

 © Iwan Baan

(Iwan Baan)

解释中心是用木头建造的，就像围城时罗马的堡垒一样。建筑物的屋顶是一个种植树木和草的花园，当从上面的城镇看到时，伪装着建筑物的存在。游客可以从屋顶花园看到罗马城垛的重建，或者漫步在一条小径上，亲身体验罗马城垛的重建。对于与这场历史性战役相关的周边景观的敏锐认识，是游客体验不可或缺的一部分。

The interpretative center is built of wood, much as the Roman fortifi cations would have been at the time of the siege. The roof of the building is a garden planted with trees and grass, camoufl aging the presence of the building when seen from the town above. Visitors may look onto reconstructions of the Roman battlements from the roof garden, or stroll down a path to experience the reconstitutions fi rst-hand. A keen awareness of the surrounding landscape as it pertains to the historic battle is integral to the visitors’ experience.

 © Iwan Baan

(Iwan Baan)

这些建筑物彼此相连，尽管它们相隔近一公里。该遗址的背景主要是勃艮第的自然，青翠的景观和中世纪的阿利斯-圣雷恩镇的建筑。因此，该策略建议创建两个简单的圆柱形建筑和足够的抽象程度，这样它们就可以独立地插入到它们的上下文中，同时提供每个建筑物所需的360°全景视图。信封通过材料来适应周围的环境，而建筑物的形式则不受重视。通过将建筑物与景观结合起来，以及简单的圆形建筑类型，这些建筑设法依附于战场，同时通过它们的无声存在来培养一种尊重和敬畏的感觉。

The buildings relate to each other, even though they are separated by almost a kilometer. The context of the site is primarily the natural, verdant landscape of Burgundy and the medieval buildings of the town of Alise-Sainte-Reine. Therefore, the strategy suggested creating two buildings with a simple cylindrical shape and a suffi cient degree of abstraction so that they can be inserted independently into their context and yet provide the 360° panoramic view required by each of the buildings. The envelopes adapt to their surroundings through materials, while the form of the buildings is deemphasized. By pairing the structures, committing to integrating the buildings with the landscape, and a simple round-building typology, the buildings manage to defer to the battle site while fostering a sense of respect and awe through their muted presence.

最大限度地关注历史事件，尊重建筑物在其自然环境中的敏感插入符合该项目的雄心，同时也重新体现了考古学家所要求的“谦逊”的必要性。既看得见又看不见是该项目的悖论和挑战。

Giving maximum presence to historical events and respecting the sensitive insertion of buildings into their natural environment responds to the ambition of the project while refl ecting the imperative of “modesty” demanded by archaeologists. To be both visible and invisible is the paradox and challenge of the project.