Flashback Kielder Belvedere Softroom
2012-07-22 00:00
在外面,一个人暴露在没有遮挡的元素中,但却与风景相协调。进入基尔德·贝尔维德宫寻求庇护,就是要保护自己不受天气的影响,并得到精确的控制,但似乎是不受阻碍的外部世界的视觉体验。
Outside, one is exposed to the elements, unsheltered, but attuned to the landscape. To enter the Kielder Belvedere and seek shelter is to be protected from the weather and be given precisely controlled, but seemingly unhindered visual experience of the world beyond.
© Keith Paisley
基思·佩斯利
温暖而干燥,坐在一个灯光柔和的鼓里,一个人不受不适的影响,可以自由地思考外面的环境。从公园走过来的时候,两面蚀刻的钢制镜子反射着森林,在一个色彩艳丽的玻璃天篷下设置了一扇门。三角形的掩体是从顶上进入的,通过一堵明显很厚的墙。门的弧形代表着远处的东西:一个金色的圆形房间,在柔和的日光下,透过彩色的天窗照进来。
Warm and dry, seated in a gently-lit drum, one is shielded from discomfort, free to contemplate the environment beyond. On approach from the park, two etched-steel mirror walls reflect the forest and flank a doorway set beneath a richly-coloured glass canopy. The triangular shelter is entered via its apex, through an apparently very thick wall. The curve of the door suggests what lies beyond; a golden circular chamber, lit by soft daylight filtering through a coloured skylight.
© Keith Paisley
基思·佩斯利
在围护结构的中心,一张长凳面对着远处墙上的一扇狭缝窗户,可以俯瞰基尔德水的全景。由于玻璃的曲率和突出的窗口,在这里很难确定墙壁的厚度,这样的景物就成了滚筒表面不可分割的一部分。120度的视觉范围包括远处的地平线,水库和海岸线的延伸.不断变化的天气掠过,当渡船进入框架时,就会有预期、观察和最终到达。
In the centre of the enclosure, a bench faces a single slot window in the far wall that offers a panoramic view of Kielder water. Owing to the curvature of the glazing and the sharply splayed window reveals, it is hard here to determine the thickness of the wall; the view in this way becoming an integral part of the surface of the drum. The 120 – degree band of vision contains the far horizon, the expanse of the reservoir and shoreline. The constantly changing weather sweeps by and there is the anticipation, observation and ultimate arrival of the ferry as it enters the frame.
© Keith Paisley
基思·佩斯利
相对于平侧壁,第三面的外部有一个引人注目的凸镜抛光不锈钢表面。景色仿佛是由重力向弯曲的窗户和观众画来的。
By contrast to the flat flank walls, the third face of the exterior has a dramatic convex mirror-polished stainless steel surface. The vista is drawn in as if by gravity towards the curved window and the viewer.
© Keith Paisley
基思·佩斯利
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