架构师提供的文本描述。位于Tinto河流域Huelva省北部的Nerva是为主持采矿而诞生的。建造其类型的建筑物(剧院/电影院)是整个城市最重要的事件。更重要的是，涅尔瓦在利用这种文化空间方面有着悠久的传统，成为领导集体活动的场所。城市废弃地区的改造是由公共建筑的建设推动的，它承载着城市的空间和社会转型及其关系。

Text description provided by the architects. Nerva, north of the province of Huelva, in the Tinto River basin, was born to host the mining. The construction of a building of its type (theater/cinema) is the most important event for the whole city. What is even more in the case of Nerva, with a long tradition in using this kind of cultural space, becoming to leading collective activities. The transformation of an area of the city abandoned promoted by the construction of a public building, carries with it the spatial and social transformation of the city and relationships.

 © Clemente Delgado

克莱门特·德尔加多

该建筑的设计能够提供最大程度的使用：将各种活动结合起来，使它们兼容、收集和分离各种用途，提供多学科的容器。

The building is thought from a design capable of providing a maximum level of use: combining various activities and makes them compatible, collect and separate the various uses, offering a multidisciplinary container.

 © Clemente Delgado

克莱门特·德尔加多

这座建筑是从底层组织起来的，基本上在两层楼。地下设有入口(主公园)、大厅和辅助空间(更衣室、技术区(舞台和管弦乐队场地)；一楼、大堂、主厅、舞台、彩排室和延伸部分(二楼)，您可以进入该房间的圆形剧场。空间被放置在技术和音视频展位，照明画廊和服务空间和设施梳子。

The building is organized from the ground floor basically on two levels. Ground floor with entrances (Main Park), hall and support spaces (dressing rooms, technical area (pit stage and orchestra pit); first floor, lobby, main hall, stage, rehearsal room and an extension (second floor) where you can access the amphitheater of the room. Spaces are placed up technical and audio-video booth, lighting galleries and service spaces and facilities comb.

 © Clemente Delgado

克莱门特·德尔加多

他们有三个海湾，一个中央和两个较小的一侧吸收纵向运动，和一个较低的高度海湾在西侧联排，这是公园的画廊和他的关系。紧张的最后卷产生于对拟议方案的解释和管理，指责空间的各种高度，在建议的门廊的底层撤退，没有纵向对称表示画廊的位置，向建筑物定向。

They have three bays, one central and two smaller side absorbing longitudinal movements, and a lower height bay on the west side townhouse, which is the gallery of the park and the relationship with him. The tense final volume arises from the interpretation and management of the proposed program, accusing the various heights of the spaces, withdrawal on the ground floor of the proposed porch and no longitudinal symmetry denotes the position of the gallery, orienting the building.