Can Manuel d’en Corda Marià Castelló + Daniel Redolat

2012-07-30 00:00
架构师提供的文本描述。坎曼努埃尔·德恩·科达位于Formentera岛以西的Venda des Capde Barbaria地区,面积为19,060平方米。通过该项目得到维持和加强的最重要的现有条件是位于庄园西部地区的一片松树和松树小林,而老房子坎曼努埃尔·德恩·科达则反映了18世纪末至19世纪中期在Formentera发展起来的国内乡土建筑的方案类型。主体的体积具有简单的斜屋顶、山墙和东南方向,其根部是通过传统的干燥石墙形成的景观,突出了这类建筑与其旁边的农场之间的联系。
Text description provided by the architects. Can Manuel d'en Corda is located on a plot of 19,060 m2 of rustic nature in the area of the Venda des Cap de Barbaria, in the west of the island of Formentera. The most significant pre-existing conditions, which have been maintained and enhanced through the project, are a small forest of pines and junipers located in the west area of the estate and the old house Can Manuel de'n Corda, which reflects the scheme type of the domestic vernacular architecture developed in Formentera between the late eighteenth and mid nineteenth century. The volume of the main body with simple pitched roof gable and southeast orientation, and its roots in the landscape through the tradicional dry stone walls, highlight the link between this type of building with the farms next to which they were located.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
已安排了对该项目的广泛介绍,以便在用尽目前规划所允许的城市参数的同时,尽量减少对现有房屋的扭曲,同时使其体积减少,使其不可能在当前脆弱的环境中出现。这是可能的,通过使用零碎的体积,在一楼的非正交配置,抵消在中段植物与现有房屋的水平,并适应地形以及保持这种建筑风格的外观特征完整(东南和西北正面,其中他们都是原始的开口)。这将求助于原本是盲目的末端(东北面和西南面),以连接到新造物的碎片,并实现允许更好地利用自然光的新开口。
The extensive briefing for the project has been arranged so that while exhaust the urban parameters allowed by the current planning, it distorts as little as possible the existing house and, simultaneously, has its volume so that it has less presence possible from the immediate fragile environment. This has been possible through the use of a fragmented volumes available on ground floor in non-orthogonal disposition, offsetting in midsection plant about the level of the existing house,and adapted to the topography as well as keeping intact the facades characteristics of this architectural style ( southeast and northwest facades, where they were all original openings). This will resort to the ends that were originally blind (northeast and southwest facades) for connections to pieces of new creation, and to realize the new openings that allow better use of natural light.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
新房虽然保持了原来的东南向正门,但在战略层面上,却在东侧的地块有限的道路上掉头而行。因此,房子的延伸可以俯瞰西北的最佳景色,俯瞰邻近的伊比萨岛南部天际线的标志性元素埃斯韦德拉岛。
Although it has been maintained the original main entrance of the house with its southeast orientation, at a strategic level the new house turns its back on the road which limit with the plot by the East side. Thus the extension of the home overlooks enjoys the best views to the northwest, which overlooks the island of Es Vedra, an iconic element of the southern skyline of the neighboring island of Ibiza.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
原来的房子里有公共区域(生活、餐饮、厨房和露台),而扩建的底层则集中了卧室和服务室(洗衣房、地窖、储藏室等)。和地下室的技术场地。
In the original house have been maintained the common areas (living, dining, kitchen and terraces), while on the ground floor of the expansion have been concentrated the bedrooms and service rooms (laundry, cellar, pantry , etc...) and technical premises on the basement.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
在膨胀中,伏鲁门与穿过建筑物的电线有关,穿过不同正交几何模块之间的间隙,其中包含4间客房,底层有浴缸。在这些差距中,最重要的是延长期与现有住房之间的联系中存在的透明度。这种微妙的接触有助于澄清每栋建筑的界限。
Of the expansion volumen are relevant the wiews that cross the building through the interstices between the different orthogonal geometric modules that contains the 4 rooms with bath of the ground floor. Of these gaps the most important is the transparency that exists in the contact between the extension and the existing house. This subtle touch helps to clarify the limits of each building.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
上面提到的横向间隔在地下室被复制,创造了提供光线和通风的庭院,给下面的房间提供温暖,同时改变了它们与环境的关系。
The above mentiones transversal interstices are reproduced in the basement, creating courtyards that provide light and ventilation and that give warmth to the rooms below while transforming the way they relate to the environment.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
在一个可从外部楼梯进入的望日光室区域内,延长线的平屋顶是可行的。
The flat roof of the extension is feasible in one lookout-solarium area accesible from an external staircase.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
至于所使用的材料,该提案已正式确定为有限的材料调色板。强调传统住房的内部空间,那里仍然暴露了原来的石墙,但部分地被新的垂直板所覆盖,这些垂直板是电气装置和间接照明所用的,在原来的墙壁和新的裤子之间仅剩5厘米的空间内。
As for the materials used, the proposal has been formalized with a limited palette of materials. Stresses the interior space of traditional housing, where have remained exposed the original stone walls, but covered partially by a new envelope of vertical panels that house the electrical installation and indirect lighting in the 5 cm space remaining between the original wall and the new pannels.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
在底层,室内地板和室外露台是抛光混凝土,这些膨胀节符合不同模块、门和现场建造家具的组织指南。
On the ground floor, interior flooring and outdoor terraces are of polished concrete, which expansion joints meet the guidelines for the organization of the different modules, doors, and on site built furniture.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
外部细木工是由实心的伊罗科木制成的,就像传统房屋的横梁一样。室内木制品为防水中密度纤维板,漆成白色。
External joinery is made of solid iroko wood, like the beams of the traditional house. The interior woodwork is waterproof MDF painted white.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
客厅里又增加了10毫米厚的钢板做的新壁炉。厨房和浴室都铺上了水泥,表面像路面。厨房基座用涂有iroko木的船用胶合板执行,而连接到引擎盖模块的中间架子被涂成白色中密度纤维板。
In the living room has been added new fireplace made of steel plate 10 mm thick. The kitchen and bathrooms are clad in cement of pavement-like finish. The kitchen base units have been executed with marine plywood coated with iroko wood, while the middle shelf that connects to the module of the hood is painted white MDF board.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
在扩大区,倾斜的天花板的房间没有涂层,混凝土。此外,在卧室,床头板和橱柜已在现场执行,作为建筑的一部分。
In the enlargement area, the sloping ceilings of the rooms are left uncoated, in concrete. Also in the bedrooms, beds, headboards and cabinets have been executed on site, as a part of the architecture.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
室外凉亭是钢结构,涂成白色,有一根遮挡自然光线的拐杖。
Outdoor pergolas are steel structure painted white with a canes covering that filtres the natural light.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
游泳池里涂着一层与浴室和厨房水泥非常相似的东西。泳池周围的平台是由伊罗科建造的。
The pool is coated with a very similar to the bathrooms and kitchen cement. The platform surrounding the pool is made of iroko.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
在地下室,地板是天然石灰石“卡普里”,根据房间的不同模块放置1/3的指导方针。
In the basement, the floor is natural limestone "capri", placed 1/3 guidelines according to the different modules of the rooms.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
地下室的庭院和平坦的屋顶都是用当地石灰石碎成的砾石完成的。
The Basement courtyards and flat roofs are finished with gravel obtained from crushed local ocher limestone.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
选择的家具包括地中海设计经典,如托雷斯克劳夫扶手椅或米克尔Mila的Cesta灯具,以及传统的斯帕托滑冰椅子由当地工匠制作。用于测量家具的大部分是用天然光之木制成的。
The selection of furniture includes Mediterranean design classics like the Torres Clave armchairs or the Miquel Mila's Cesta luminaire, as well as traditional esparto skating chairs made by local artisans. The made to measure furniture is mostly made in iroko wood with natural finish.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
采用10 mm厚的Corten钢板,对地形进行了适应性调整,形成了进场路径、土壤保持力和播种机。
The adaptation of the topography to generate the approach paths, earth retention and planters, was made with Corten steel plates 10 mm thick.
 © Estudi Es Pujol de s'Era
(C)埃斯普霍·德·塞拉(EStudi es Pujol de S‘Era)
尽管在干预地区保留了许多现有的植被,但在工作期间在领土内产生的伤口已通过几乎不需要维护的当地植被的姑息而愈合。
Despite having retained much of the existing vegetation in the area of intervention, the wound generated in the territory during the works has been healed by the palntation of native vegetation that requires little maintenance.
 Basement Floor Plan
地下室平面图
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

                    

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