架构师提供的文本描述。这个项目是我们在巴塞罗那的公寓，在戈迪科地区，在巴塞罗那的历史部分的中心。一个挑战是非常异源的平面图，它被各种轻型露台打断。另一个问题是巴塞罗那的老城区几乎没有阳光，因为太阳和炎热在过去被认为是一种负担。有一个主要的立面面对着街道Banys Nous，有大窗户和阳台。很明显，我们在这个地区会有一个很大的居住空间。为了连接、组织(流通)和照亮公寓的后部，我们必须想出一个发明。本发明跨越两个程序：厨房和浴室，两个明亮的亮白空间，形成一个白色十字。我们把白色的十字架放在中世纪的墙壁中间，在这些零碎的空间和明亮的露台中间创造了一个明亮的中心。十字花科阿尔巴(白色十字)是两个程序的交叉，没有流通，无论在哪里，你要么在厨房，要么在浴室。其余的空间、墙壁和天花板都保持原状：原始石墙、壁画和未加工的灰泥饰面。

Text description provided by the architects. The project is our flat in Barcelona in the Gotico area, in the center of the historic part of Barcelona. A challenge was the very heterogenic floor plan, which was interrupted by various light patios. The other issue is little daylight in the old town of Barcelona, as the sun and the heat were considered rather a burden in the old times. There is one major façade facing the street Banys Nous, with big windows and balconies. It was clear that we would have a big living space in this area. For the connection, organization (circulation) and lighting up the back part of the apartment we had to come up with an invention. The invention was to cross two programs: the kitchen and the bathroom, two brightly light up white spaces, forming a white cross. The white cross we put between those medieval walls and created a bright center in the middle of these fragment spaces and light patios. The crusch alba (white cross) is a crossing of two programs, there is no circulation, no matter where, you are either in the kitchen or in the bathroom. The rest of the space, the walls and ceilings are left in its original state: raw stone walls, wall paintings and raw plaster finishes.

 © Bruno Helbling

布鲁诺·赫尔布林

我们实现了白十字作为一个新的卷在现有的空间，并创造了空缺进入这一空白。我们照亮边缘：新旧边界。在这方面，白色十字外面的一层变成了外层空间，产生了“旧时代”的画面，就像向窗外眺望另一片风景一样。巧合的是，这些开口中出现了真正的窗口。我们把所有旧的表面都保留在原来的状态，只是涂上油漆过的天花板、粉刷的壁纸、古迪哥的旧石墙，甚至还有新的建筑干预措施的原始灰泥。旧的和新的层之间的叠加强调了旧的和新的层次的缺乏。这是一种没有完成的感觉，保持它的都市化，让过程和时间变得可见，给人一种自由的感觉。

We implemented the white cross as a new volume in the existing space and created openings into this white space. We light up the periphery: the border between old an new. In that respect, the layer outside of the white cross becomes the outer space, generating pictures of ‘the old times’ like looking outside a window into another landscape. By coincidence, real windows appear in these openings. We left all the old surfaces in the original state, just varnished them: painted ceilings, painted wallpapers, raw old stone walls of the Gotico and even raw plaster of the new building interventions. The overlay of layers of old and new with light in between emphasizes the lack of hierarchy of old and new. It’s the feeling of not finishing; keeping it urban and letting the process and time be visible that gives a feeling of freedom.

 © Bruno Helbling

布鲁诺·赫尔布林

这套公寓可以用作阁楼或三居室公寓。白色十字架在物理上和视觉上都是公寓后部的核心。实际的卧室和浴室可以用大的滑动门来划分，而不是由十字架本身来定义的。所以主卧室空间是白色十字的一部分，也是剩下的旧空间(旧层)的一部分。所以实际的房间是城市空间，因为它们是各种元素的一部分。有一个主要的结构墙，将起居室与白色十字和公寓的私人区域隔开。两扇门大小的开口和一扇通往浅色露台的窗户是与生活区的唯一连接，将公寓分成两部分。我们把原来的墙分解成一系列的元素，这样，开口就会在接触到的东西的空间之间变成，而不是在墙壁上的洞里。因此，分离元素成为连接元素，是光带来的生命吸引子。有许多选择，我们可以创造多少卧室和壁龛作为卧室。孩子们有折叠式床垫，所以他们可以选择他们想睡的地方。孩子们在公寓里“露营”，没有固定的卧室。我们在古建筑的顶部实施了木卷，古迪科的历史石制结构。在旧的层和新的实现之间总是有一个光的地平线，在通常情况下它是一个房间的尽头(周围，墙壁和地板相交的地方)。通过创造木制品，我们没有“地板表面”，而是走在木制的音量上。没有像墙和地板这样的定义表面，但是我们可以自由地使用城市元素和体积。

The apartment can be used as loft or as a three bedroom apartment. The white cross is physically and visually the center core of the back part of the apartment. The actual bedrooms and the bathroom can be divided by big sliding doors and are not defined by the cross itself. So the master bedroom space is part of in the white cross and part of the remaining old space (old layers). So the actual rooms are urban spaces, as they are part of various elements. There is a major structural wall separating the living area from the white cross and the private areas of the apartment. Two door size openings and a window to a light patio are the only connection to the living area, dividing the flat in two parts. We dissolved the original wall into a sequence of elements, so that the openings become in between spaces of things touching, rather than holes in wall. So the separating element becomes the connecting element, an attractor brought to life by light. There are numerous options of how many bedrooms and niches we can create as bedrooms. The kids have foldable mattresses, so they can choose where they want to sleep. The kids are ‘camping’ in the apartment, with no fixed bedroom. The wooden volume we implemented on top of the old structure, the historical stone structure of the Gotico. Between the old layer and the new implementation there is always a horizon of light, expanding the space where normally it is the end of a room (periphery, where walls and floor meet). By creating the wooden objects we have no ‘floor surface’ but are walking on a wooden volume. There are no defined surfaces like walls and floors, but urban elements and volumes that we can use freely.

 © Bruno Helbling

布鲁诺·赫尔布林

像往常一样，我们实现了我们的‘免费程序架构’工具，所以厨房是不可见的，但它是白色十字的一部分。卧室里的儿童休息室实际上是一个浴室，如果你把上面脱下来的话。主浴室是隐藏在一个巨大的滑动墙，只有当你需要它出现。淋浴在白色十字架的一角。如果一个空间没有被用于特定的程序，它总是可以作为生活空间或任何东西使用。这套公寓就像巴塞罗纳戈迪科城市空间的延续，加上了一台太空机器-白十字。

As usual we implemented our tool of ‘program free architecture’, so the kitchen is not visible, but is part of the white cross. The children’s lounge in the bedroom is actually a bath, if you take off the top. The main bathroom is hidden by a huge sliding wall and only appears when you need it. The shower is in a corner of the white cross. If a space is not used for a specific program, it is always available as living space or for whatever. The flat is like a continuation of the urban space of the Gotico of Barcelona, with a space machine, the white cross, added on.

 © Bruno Helbling

布鲁诺·赫尔布林