架构师提供的文本描述。诺利坦酒店是曼哈顿市中心55间客房的精品酒店。它还设有一家高级餐厅和一个屋顶甲板。这座建筑、内部、餐厅和屋顶都是由Grzywinski Pons设计的。

Text description provided by the architects. The Nolitan Hotel is a 55 room boutique property in downtown Manhattan. It also features a restaurant at grade and a roof deck. The building, interiors, restaurant and rooftop were designed by Grzywinski+Pons.

 © Floto + Warner

弗洛托·华纳

诺利人位于伊丽莎白街和肯马尔街的拐角处。肯马尔是一条更宽阔的大道，其规模比邻里的Nolita要大得多。我们的意图是，酒店作为连接该地区北部和南部的建筑和规划连接组织。该地段本身是一个相当有限的梯形，但它提供了大量的外观和曝光(主要是北部)与它的面积。Grzywinski Pons想要庆祝和利用这个机会，但是减少了北方立面的巨大体积的潜在读数，所以我们把这座建筑分成了东西方两部分。虽然每个部分都是在同一系列的材料，并融合在一个连续的底层，有足够的休息，以解决规模。这一群体划分也使我们能够通过重新调整走廊和客房来解决缩小范围的问题，产生更多的空间，并允许我们在西部的所有房间设置日志。

The Nolitan is located on the corner of Elizabeth and Kenmare Streets. Kenmare is a wider thoroughfare with a comparatively larger scale than the neighborhood - Nolita - that it bisects. It was our intention for the hotel to act as architectural and programmatic connective tissue joining the northern and southern parts of the district. The lot itself is a rather constrained trapezoid but it offers a lot of facade and exposure (principally northern) in relation to it's area. Grzywinski+Pons wanted to celebrate and exploit that opportunity but reduce the potential reading of the northern facade as an outsize bulk so we bifurcated the building into an eastern and western volume. While each part is clad in the same family of materials and fused at grade with a contiguous ground floor there is enough of a break to address the scale. This division of the mass also allowed us to address the narrowing site with a realignment of the corridor and guest rooms yielding more space and allowing us to put loggias on all the rooms in the western half.

 © Floto + Warner

弗洛托·华纳

除了Loggias外，Grzywinski Pons还特别想在街道上建立一种与社区的联系，我们玩的是底层的区域：我们把餐厅和休息室的一部分扔到了两英尺以下的街道下面，离开了餐厅和接待处的两层高度。我们想从餐厅的角度抽象出街道和车辆的景观，并在那里的玻璃上添加了一个陶瓷玻璃。在大厅，双高度点支撑的玻璃提供了一个更直接，不受约束的连接到街道。在客房本身，我们交替通道玻璃和完全透明的面板，以戏剧性的视线为中心。通过使用一个低铁玻璃，我们避免了北极光的忧郁效果和绿色的投射，相反，霜冻加强了日光，使之具有明亮的欢快效果。可以在不牺牲采光的情况下保持隐私和/或视图。

In addition to the loggias Grzywinski+Pons especially wanted to foster a connection to the neighborhood at the street level and we played with the section of the ground floor: we dropped the restaurant dining room and a portion of the lounge two feet below the street level and left portions of both the restaurant and reception double height. We wanted to abstract the view of the street and its vehicular traffic with this lower perspective from the dining room and also added a ceramic frit to the glass there. In the lobby the double height point supported glass provides more of a direct unfettered connection to the street. Within the guest rooms themselves we alternated channel glass with fully transparent panels centered on dramatic sightlines. By using a low iron glass we avoided the melancholic effect of northern light with a greenish cast and instead the frostiness fortifies the daylight for a bright cheerful effect. Privacy and/or views can be maintained without sacrificing daylighting.

 © Floto + Warner

弗洛托·华纳

整个项目的材料调色板被选择为元素，而不是表面处理，其意图是-随着使用和老化-材料将形成一层或丰富，而不是变得破旧。外表主要由梯田状的陶土瓦、裸露的混凝土、玻璃和木材组成。Grzywinski Pons将一些相同的材料(以及所有相同的哲学)带到室内。我们使用欧洲橡木地板完成，以便看上去未完成，暴露混凝土，瓷砖，皮革，毡，黑钢-所有真正的，元素完成，具有温暖，纹理和真实性的特点。透过通道玻璃沐浴在北极光中，室内设计师们不再用舒适的欢快来换取世故。

The material palette for the entire project was chosen to be elemental rather than a surface treatment and the intention is that - with use and age - the materials will develop a patina or richness rather than become shabby. The exterior is comprised largely of terraced terra cotta shingles, exposed concrete, glass and wood. Grzywinski+Pons carried some of the same materials (and all of the same philosophy) to the interiors. We used European Oak floors finished so as to look unfinished, exposed concrete, ceramic tile, leather, felt, blackened steel - all real, elemental finishes that share the characteristics of warmth, texture and authenticity. Bathed in the northern light via the channel glass the interiors trade none of their cozy cheerfulness for sophistication.  

 © Floto + Warner

弗洛托·华纳