架构师提供的文本描述。该项目的目的是向马塔德罗马德里，这座城市的前屠宰场，现在是一个自我定义为“当代文化的公共空间，有对河流的看法”的机构，提供必要的物质手段和体制议定书，以促进上述文化领域干预模式之间的联系。为达到这个目的，计划建议在旧屠场的空地上，安装不同类型的大跨度流动建筑，加上扩音系统、舞台照明系统和视听投影系统，使其与滑台配合，可作为在该空间举行的任何公众表演的辅助结构。

Text description provided by the architects. The aim of this project is to endow Matadero Madrid, former slaughterhouse of the city and now an institution self defined as “public space for contemporary culture, with views on the river”, with the necessary material devices and institutional protocols to prompt a connection between the aforementioned models of intervention in the cultural field. To achieve this, the scheme proposes equipping the open spaces of the old abattoir with varied types of large-span mobile structures with sound amplifying systems, stage lighting and audiovisual projection systems, so that in combination with sliding stands, they may serve as auxiliary structures for any public performance held in this space.

使用这些设施的方式将与按小时预订的市政网球场相同。基础设施的重要性是基于已经不贵的元素的奇数组合的想法。灌溉系统，Almería温室织物，廉价塑料椅子…缺乏现成的马蒂，利用现有的技术，以不同的方式，他们是为生产。这是一个技术准备过程，该办公室涉及到对现有系统的奇特使用的可能性。

The use of these facilities would be organized in the same way as municipal tennis courts, which are booked by the hour. The materiality of the infrastructure is based on the idea of an odd assemblage of already inexpensive elements. Irrigating systems, Almería greenhouse fabrics, cheap plastic chairs… A short of composite of ready mades, using existing technologies in a different way of that they were produced for. It is a technological reapropiation process, the office relates with the possibility of queer uses of available systems.

 © Miguel de Guzmán

米格尔·德古兹曼