架构师提供的文本描述。丹麦公共住房委员会参加了今年关于Bornholm的人民会议，以便就住房的未来展开辩论。根据BL的说法，一个标准的展览帐篷对如此重要的辩论是不公正的。相反，他们想要一个突出的空间，灵感和邀请在里面。除了为这次辩论创造物理空间之外，对我们来说重要的是，空间也成为一种独立的贡献。

Text description provided by the architects. CONSTEXT: BL, Denmark Public Housing participated in this year's Peoples Meeting on Bornholm, in order to generate debate on the future of housing. According to BL a standard exhibition tent would not do justice to a debate of such importance. Instead they wanted a space that stuck out, inspired and invited inside. In addition to creating the physical space for this debate, it was important for us that the space also became an independent contribution.

 Courtesy of Kristoffer Tejlgaard

克里斯蒂福尔·蒂尔加德(KristoffeTejlgaard)

我们想要脱颖而出，但要走正确的道路。我们的目标是，建筑要尽可能地针对具体地点，建筑受到当地环境的影响；景观、风和太阳。在画板上是一个素描模型，已经进行了很长一段时间，但一直缺少正确的环境，情感和观众。一个被解构的“穹顶”的模型，这是70年代嬉皮士们用偶像化的建筑。

We wish to stick out, but in the right way. We have the ambition that architecture is to be as site-specific as possible, that architecture is influenced by the local surroundings; the view, the landscape, the wind and the sun. And the features it offers. On the drawing board was a sketch model that has been a long time underway, but had been missing the right circumstances, sentiments and audience. A model of a deconstructed "Dome", a construction iconized by the hippies in the 70s.

 Courtesy of Kristoffer Tejlgaard

克里斯蒂福尔·蒂尔加德(KristoffeTejlgaard)

工程：测地穹顶是我们所知道的最理想的施工方法之一。它具有理性和数学生成的所有优点，但可悲的是，它缺乏我们与良好建筑联系在一起的许多品质。

PROJECT: The geodesic dome is one of the most optimal methods of constructing that we know of. It has all the advantages of being rationally and mathematically generated, but it is sadly lacking many of the qualities we associate with good architecture.

 Courtesy of Kristoffer Tejlgaard

克里斯蒂福尔·蒂尔加德(KristoffeTejlgaard)

你可以称它为非建筑，它的设置就像一艘宇宙飞船，它只与它自己的设计有关，而不是与当地的环境有关。因此，我们的目标是理解大地测量穹顶的结构，然后解构它的神圣几何，以一种我们不反对，但尊重它的性质的方式。

You could call it non-architecture. It sets like a spaceship that only relates to its own design, not the local surroundings. The ambition was therefore to understand the geodesic domes construction, and then deconstruct its sacred geometry, in a way where we do not oppose, but respect its properties.

 Courtesy of Kristoffer Tejlgaard

克里斯蒂福尔·蒂尔加德(KristoffeTejlgaard)

解构使穹顶成为一个未锁定的形状，但可以分割和缩放，这样切割的穹顶可以由它的位置和特征塑造。它可以形成壁龛，裂缝和角落，定义，打开和隐藏。通过分割穹顶，我们创造了进入网站入口的壁龛。内部壁龛，为各种内部功能和间接照明提供了框架。

The deconstruction enables the dome to become an unlocked shape, but can be split up and scaled, so that the cut dome may be shaped by it´s site and features. It can form niches, crevices and corners, defining, opening and hiding. By splitting the dome, we created niches at the entrances that were oriented towards the access to the site. Inside niches that provided the framework for the various internal functions and indirect lighting.

 Courtesy of Kristoffer Tejlgaard

克里斯蒂福尔·蒂尔加德(KristoffeTejlgaard)

我们使之一致，曲面是封闭的，垂直的表面是透明的，这意味着我们通过分裂贝壳来指示光和视图。

We made it consistent, that the curved surfaces were closed and that the perpendicular surfaces were transparent, which means that we dictated the light and the views by splitting the shells.

 Courtesy of Kristoffer Tejlgaard

克里斯蒂福尔·蒂尔加德(KristoffeTejlgaard)

这就产生了这样的效果：房间的中央看不到外面。这个空间紧靠着一个，直到一个人移向功能所在的壁龛。对于人民大会来说，圆顶上有一个舞台，放在一个壁龛里，看台在穹顶的开阔中心，上面描述的效果让人们对舞台产生了更多的关注，产生了一种强烈的亲密感。

This gave the effect, that the center of the room had no view to the outside. The space closed in on one until one moved out towards the niches where the functions were located. For the Peoples Meeting the dome contained a stage, placed in a niche, and the stands were in the open center of the dome, where the effect described above, created additional focus on the stage and a great sense of intimacy.

 Courtesy of Kristoffer Tejlgaard

克里斯蒂福尔·蒂尔加德(KristoffeTejlgaard)

我们提出了一个钢节点系统，与木材相连的节点可以构建复杂的网格结构。用来盖帐篷的骨架，但也是永久性的，指向新的建筑方式。这个系统的设计是为了能够改变骨架。它可以适应给定的参数，拆卸和放置在一个新的设计，新的参数。

We proposed a system of nodes in steel, nodes that connected with wood can build the complex lattice structure. A skeleton to cover as a tent, but also to be permanent and point towards new ways of building. The system is designed so that it is possible to vary the skeleton. It can be adapted to the given parameters, disassembled and placed in a new design, with new parameters.

 Courtesy of Kristoffer Tejlgaard

克里斯蒂福尔·蒂尔加德(KristoffeTejlgaard)

无柱格子结构为室内和立面设计提供了很大的自由度。窗户和开口可以自由放置，不需要承重内墙。Bornholm上的穹顶有一个像帐篷一样的建筑围护结构，但骨架也可能是一座完全绝缘的房子的支撑结构。技术：测地线穹顶，起始点，是一个频率为4的圆，它的大圆圈形成了沿表面分裂的线。切好的球体表面是从球体的中心缩放的，因此与几何学保持一致。

The column-free lattice structure allows great freedom for interior and facade design. Windows and openings can be placed freely and no interior walls need to be load bearing. The dome on Bornholm had a building envelope like a tent, but the skeleton might as well be the supporting structure in a fully insulated house. TECHNICAL: The geodesic dome, the starting point, is a frequency four, its great circles forming the lines that are cut along in the splitting of the surface. The chipped sphere surfaces are scaled from the center of the sphere and therefore remains true to the geometry.

 Courtesy of Kristoffer Tejlgaard

克里斯蒂福尔·蒂尔加德(KristoffeTejlgaard)

中间的表面是辐射的，垂直于球体表面。整个骨骼的三维建模体现了系统的雄心。印刷节点采用激光切割和机器人焊接，满足了点阵结构的高精度要求，节点设计为一尺寸开2英寸的钢鞋，可容纳标准天线系列。

The surfaces in between becomes radiating, perpendicular to the spheres surfaces. The ambitions of the system was honored by 3D-modelling the entire skeleton. Printed nodes that are laser cut and robot welded, meet the high precision requirements of the lattice structure. The nodes are designed as steel shoes that are open in one dimension and two inches in the other, so they can accommodate the family of standard rafters.

 Courtesy of Kristoffer Tejlgaard

克里斯蒂福尔·蒂尔加德(KristoffeTejlgaard)

与我们的工程师合作，我们开发了一个具有不同压力水平的表格。这个圆顶采用2x4英寸和2x6英寸的建筑木材和相同尺寸的胶合板梁，总共有四种不同的强度等级，以尽量减少材料消耗。

In collaboration with our engineer we developed a table with the differend stress levels. It generates the dimensions for the timber to be used for the different struts. This dome used 2x4 inches and 2x6 inches construction timber and same size plywood-beams, a total of four different strength classes, to minimize material consumption.

 Courtesy of Kristoffer Tejlgaard

克里斯蒂福尔·蒂尔加德(KristoffeTejlgaard)

圆顶设置在场地上，有半个节点，就像在地表的所有其他交点上一样。节点环附着在向内的指向梁上，这些梁被18吨钢板压下，形成了地板，防止了穹顶在强风中升起。

The dome was set on the site with half nodes, as in all other intersections of the surface. The ring of nodes were attached to inward pointing beams, that were weighed down by 18 tons steel plates, that formed the floor and prevented the dome from lifting in strong winds.

 Courtesy of Kristoffer Tejlgaard

克里斯蒂福尔·蒂尔加德(KristoffeTejlgaard)

建筑围护结构由球形表面的半透明温室膜和垂直表面的透明PVC薄膜作为窗口组成，所有用于立面、地板和室内的木材都是当地生长的道格拉斯松木。由于这个项目是临时性的，所以外墙是用旧木板做的，只有在其他方面很难使用。

The building envelope consisted of translucent greenhouse membranes on the sphere surfaces and transparent PVC film as windows on the perpendicular surfaces. All the wood used for the facade, flooring and interior is local grown Douglas pine. Because the project was temporary, the façade was made of old boards that could be only difficultly used for other purposes.

 Floor Plan