架构师提供的文本描述。在巴黎的Chapelle大道和Aubervilliers街的拐角处，这一项目位于高架地铁高架桥附近，包括一座新大楼和一座翻新的6层大楼。

Text description provided by the architects. At the corner of the Boulevard de la Chapelle and the Rue d’Aubervilliers in Paris, this project, located near the elevated metro viaduct, includes a new building and a refurbished 6 storey building.

 © Bigoni Mortemard Architects

(B)Bigoni Mortemard建筑师

这两个情节已经结合在一起，这带来了空间布局的变化。该项目的唯一入口(从林荫大道)现在是通过一个玻璃门廊通向一个庭院。墙壁上装饰着艺术家诺米·希普弗(Noémi Schipfer)和建筑师中本隆美(Takami Nakamoto)的艺术作品(http：/cargoCollection.com/nonotak#H-I-D-E-A-N-D--S-E-K)，其特色是一片带有平行条纹的风格化森林，与装饰在墙内的铁制木雕相呼应。

The two plots have been joined together and this has brought about a change in the layout of the space. The sole entrance to the project (from the boulevard) is now through a glass porch leading to a courtyard. The walls are decorated with artwork by artist Noémi Schipfer and architect Takami Nakamoto (http://cargocollective.com/nonotak#H-I-D-E-A-N-D-S-E-E-K), featuring a stylized forest with parallel stripes that echo the ironwork moucharaby adorning the inside walls.

 © Bigoni Mortemard Architects

(B)Bigoni Mortemard建筑师

庭院是一个公共的布局和会议空间，可以进入两个走廊，并在地块后面分开住宿。所有的表面，无论是大理石砾石，地板树脂，油漆或涂层混凝土墙壁，或漆铁制品，都是均匀的白色，并将光线重新分配到较低的水平。

The courtyard, a common distribution and meeting space, gives access to two hallways and to separate accommodations at the back of the plot. All the surfaces, whether they are marble gravel, floor resins, painted or coated concrete walls, or lacquered ironwork, are uniformly white and redistribute the light down to the lower levels.

 © Bigoni Mortemard Architects

(B)Bigoni Mortemard建筑师

新建筑物包括十一个单位，每个单位朝两个或三个方向。工作室和一间卧室公寓位于正面的曲率后面。较大的公寓包括一个宽敞的起居室空间，从一个立面延伸到另一个，沐浴在南光下，通往宽阔的灌木丛，得益于庭院的平静气氛。起居室是公寓的中心，可以进入一个略微凹陷的开放式厨房，也可以进入由卧室和浴室组成的一两个区域。

The new building includes 11 flats, each facing in two or three directions. Studios and one bedroom flats are located behind the curvature of the facade. The larger flats include a vast living room space, extending from one facade to the other, and bathed in southern light, with access to a wide loggia that benefits from the calm atmosphere of the courtyard. The living room is the heart of the flat and gives access to a slightly recessed open kitchen and to one or two areas that are made up of bedrooms and bathrooms.

 © Bigoni Mortemard Architects

(B)Bigoni Mortemard建筑师

面向城市的外墙试图传达出一定的模糊性。这是一个单一的均匀表面，达到建筑物的两端，是由图案粗糙的混凝土。它的质地让人想起一块石头的剖面图。把它染成白色的混凝土污渍，以及保护它不受城市生活压力和压力(污染、涂鸦等)的影响。提供抽象的缎纹整理。在街道的一侧，立面的外观更简单，四层楼以上只有一个长长的商店橱窗。在林荫大道上，更多的复合设计让人想到一个精致的乔木。在拐角处，一个弯曲的角度最大限度地利用了房屋的连续性，给业主所要求的拐角处带来了一种新的感觉。

The city-facing façade tries to convey a certain ambiguity. It is a single uniform surface that reaches the ends of the building, and is made of patterned rough concrete. The texture is reminiscent of the sectional view of a stone. The concrete stain that colours it white as well as protecting it from the stresses and strains of urban life (pollution, graffiti, etc.) provides an abstract satin finish. On the street side, the facade goes for a simpler appearance, with the four storeys above a single, long shop window. On the boulevard, the more composite design brings to mind a refined arborescence. At the corner, a curved angle at makes the most of the continuity of the volumes, giving a new feeling to the angled corner requested by the property owner.

 © Bigoni Mortemard Architects

(B)Bigoni Mortemard建筑师

作为巴黎建筑传统的一部分，垂直开口提供了一个圆滑的设计。只有玻璃窗是可见的。隐藏在混凝土窗框的凹部后面，铝型材和太阳镜似乎消失了。

Part of the Parisian architectural tradition, the vertical openings offer a sleek design. Only the window glazing is visible. Hidden behind a recessed part in the concrete window frame, the aluminium profiles and the sunshades seem to disappear.

这座建筑的翻新要求对支撑结构进行全面加固。现在每一层都有一套四室公寓，与新建筑的空间使用类似。表面已经被传统的涂层，顺利地融合到那些邻近的建筑物。

The renovation of the building has required a complete reinforcement of the supporting structures. Each level now houses a four-room flat that is similar to new constructions in their use of space. The facades, which have received a traditional coating, blend smoothly into those of the neighbouring buildings.