架构师提供的文本描述。在我们看来，建筑不是中立的，它采取了明确的立场。她移动，惊喜和美丽。在创建良好架构时，客户端的作用不可低估。他们必须选择合适的建筑师来实现他们的梦想。一个对他们的架构师完全有信心的客户，就像当时的情况一样，让我们能够把项目推进得更远，而不是直接实现设计概要。客户和架构师之间的关键对话是一个美丽项目的理想滋生地。

Text description provided by the architects. In our opinion architecture is not neutral, it takes a clear position. She moves, surprises and is beautiful. In the creation of good architecture, the role of the client is not to be underestimated. They have to choose the right architect for the realization of their dream. A client that has utter confidence in their architect, as was the case, allows us to push the project further than the direct materialization of the design brief. A critical dialogue between client and architect is an ideal breeding ground for a beautiful project.

 © Frederik Vercruysse

(C)弗雷德里克·维克鲁斯

房屋的体积部分地被推到地形的自然斜坡上，导致立面的高度受到限制。在一楼和一楼之间增加了一扇长的水平窗(长窗)，这给房子带来了一定的轻盈感，就像它几乎浮在底座上一样。结果，这座房子在风景的背景下谦逊地站立着。

The volume of the house is partially pushed in the natural slope of the terrain resulting in a facade that is limited in height. The addition of a long horizontal window (fenêtre en longeur) between ground and first floor gives the house a certain lightness as it seems to almost float above its base. As a result, the house stands modestly against the backdrop of the landscape.

 © Frederik Vercruysse

(C)弗雷德里克·维克鲁斯

因此，半埋在自然斜坡的地形，白天的规划是位于花园的地板，夜间的规划和入口的街道侧。生成的卷是程序的直接翻译。

Thus half buried in the natural slope of the terrain, the day zone program is situated on the garden floor, the night zone program and entrance on the street side. The resulting volume is a direct translation of the program.

 © Frederik Vercruysse

(C)弗雷德里克·维克鲁斯

房子外部的封闭性质与室内规划的开放性形成了很好的对比。街边的天井和全玻璃的后立面，最大限度的自然日光，并创造了一个从房子的每一个房间的外部空间的看法。

The closed nature of the exterior of the house is a nice contrast to the openness of the interior plan. The patio on the street side and the fully glazed rear facade ensue a maximum of natural daylight and create a view on the outside space from every room in the house.

房子被周围的环境迷住了(凯瑟尔·卑尔根)，它试图融入其中。由于自然环境中的黑色看起来不那么有侵扰性，所以它被选择为外部的主要颜色。

Charmed by its surroundings (Kesselse bergen), the house tries to merge itself in it. Since black in a natural setting seemed less intrusive, it was chosen as the main color for the exterior.

入口处的位置是各种设计和组织决策的结果，与项目和网站有关。它的位置通向一座房子，它逐渐向游客显现。他越往下走，它就越展开。

The location of the entrance is a result of all sorts of design and organizational decisions regarding the program and the site. Its position leads to a house that gradually reveals itself to the visitor. The further he descends, the more it unfolds.

流通是房子设计的起点之一。由于房子是非常紧凑的程序明智，循环区的设计不仅仅是功能。楼梯位于玻璃墙旁边，反映了外壳的透明度。楼上的走廊里有所有的卧室橱柜，天窗提供自然的光线。底层的所有循环都位于靠近露台的地方，并在周围的空间中自然流动。

The circulation was one of the starting points for the design of the house. As the house is very compact program wise, the circulation areas are designed to be more than merely functional. The stairs are positioned next to a glass wall that reflects the transparency of the outer shell. The upstairs hallway contains all the bedroom cabinets, the skylights provide natural light. All circulation on the ground floor is situated adjacent to the patio and flow naturally in the surrounding spaces.