Gallery House rzlbd

2012-10-05 21:00

架构师提供的文本描述。画廊之家是一种现代住宅结构，它采用了一种机构/商业类型，因为所有的空间都是沿着一座画廊排列和排列的。人们可以想象，房子里所有的服务区和仆人区都插到了这个空荡荡的脊梁上。然后他们被伸展到北方和南部，在那里他们获得曝光，视野和自然光。

Text description provided by the architects. The Gallery House is a contemporary residential structure that adapts an institutional/commercial typology in that all of the spaces have been aligned and arranged along a galleria. One can imagine that all of the served and servant areas of the house have been plugged in to this empty spine. They then have been stretched out to the north and south where they gain exposures, views and natural light.

位于多伦多北缘的马卡姆镇的老桑希尔(OldThornHill)，这片倾斜的地块位于一片小囊的尽头。客户希望在主楼层整合房子的所有主要功能空间。这迫使最终的设计是一个60英尺宽的木和钢结构，突出了伸展的东西水平图形。由于物业的斜坡陡峭，地下室的一半塌陷，另一半则可欣赏到私人后院的景色和通道，并得益于自然光线，自然光线从南进入地面至天花板开口。在北面，这片土地提供了一个将汽车和行人通道分成两层的机会。

Located in Old Thornhill, a neighborhood in the town of Markham just on the northern edge of Toronto, the sloped lot rests at the end of a cul-de-sac. The clients had desired to integrate all of the main functional spaces of the house on the main floor level. This forced the final design to be a 60-foot wide wood and steel structure that accentuates the stretched east-west horizontal figure. Due to the steep slope of the property, one half of the basement is sunken while the other half enjoys the view and access toward the private backyard and benefits from the natural light, which enters through the floor to ceiling openings from the south. On the north the lay of the land offers an opportunity to split the car and pedestrian access into two elevations.

 © borXu Design

(三)博旭设计

当一个人进入房子，观众立即发现自己在盖洛里亚。定义了Galleria的室内空间的普通白色体积的比例将区分两端的亲密域和正式域。沿着画廊移动，一条通向东方的卧室和一间画室，另一条通向西边半连通的起居室。然而，家庭办公室、厨房和家庭的房间创造了一个缓冲，一个门槛之间的私人和公共宿舍。其余的杂项事务和娱乐区已安置在地下室。

As one enters the house, the viewer instantly finds oneself in the galleria. The proportion of the plain white volumes of the interior spaces that have defined the galleria will differentiate the intimate and formal domains on either end. Moving along the gallery one is led to the bedrooms and a painting studio on the east and to the semi connected living-dining room on the west. However, the home office, kitchen and family room create a buffer, a threshold between the private and public quarters. The remaining miscellaneous services and recreational areas have been accommodated in the basement.

 © borXu Design

(三)博旭设计

外部立面是白色卷的集合；每个方框代表一个内部空间。因此，它们在宽度和长度上都是不同的，但它们在盖瑞里亚尔的两边都是对齐的，并且受到深色砖石基座和外面一条轻木裙的限制。一个传统的倾斜屋顶已经倒置，形成了一个山谷，位于画廊的顶部。高度的增加要求在外部边缘设置双高天花板。水平的线性木裙扩散自然光，然后通过隐蔽的ClearStory窗口将其注入室内空间，这些窗户被仔细地放置在内部的双高度部分。

The exterior façade is a collection of white volumes; each box represents one of the interior spaces. Therefore they are all different in width and length, yet they have been aligned on either side of the galleria on the inside and have been restricted by a dark masonry plinth and a light wood skirt on the outside. A conventional pitched roof has been inverted and forms a valley that rests on the top of the gallery. The increase in height mandated double height ceilings on the exterior edge. The horizontal linear wood skirt diffuses the natural light and then pours it into the interior spaces through the concealed clearstory windows that have been carefully positioned on the double height portion of the interiors.

 © borXu Design

(三)博旭设计

画廊定义了房屋的空间组织和流通概念；它还指导结构和机械方案。为了在宿舍之间航行，一个人不需要侵入房子的另一个区域。这导致了一个非常有效的空间网络，其中没有一个空间会损害他们的部分楼面面积的通道。除了画廊本身，没有时间间隔。虽然画廊产生了一个线性的空白，它的空虚是这个项目的灵魂。

The gallery defines the spatial organization of the house and its circulation concept; it also guides the structural and mechanical schemes. In order to navigate between quarters, one does not need to invade another area of the house. This causes a very efficient spatial network, where none of the spaces will compromise a portion of their floor area to passages. There is no interval except for the gallery itself. Although the gallery generates a linear void, its emptiness is the very soul of the project.