架构师提供的文本描述。没有具体应用的商店的设计经验是一种特殊的体验。哈米迪先生是该项目的雇主，他的财产有一个独特的方面。这个属性需要一个独特的和与众不同的洞察力。除了所有这些之外，雇主根本不知道他会从现有的空间中得到什么，也不知道他想卖什么。就那件事而言，这使这项工作很困难。但不会就此结束。必须考虑到该项目可观测到的混乱环境、财产位置所造成的高度限制和经济限制。

Text description provided by the architects. The design experience of a shop without a specific application was a special one. The property of Mr.Hamidi who was the employer of the project had a unique dimension. This property required a unique and out of ordinary insight. In addition to all that the employer had no idea what he was going to expect from the available space and what he wanted to sell. For that matter, this made the job difficult. But it wouldn’t end here. the observable chaotic surroundings of the project, the height limitation due to the location of the property and economic limitation had to be taken into consideration.

 © Farshid Nasrabadi

(Farshid Nasrabadi)

我们在南北轴线上从中间切割了项目属性，并将其划分为4层半层和4层。由于高度的限制，我们决定把大部分建筑建在地面上。楼层的不同层次必须以流动性和视觉流畅性来吸引人们的注意。由于成本效益，这种流畅只能通过楼梯的实施来实现。这种设计考虑了这一低步数。提供适当的移动和存在的感觉，在不同的点，一直到后面的商店是项目的重要目标。

We cut the project property from the middle on the north-south axis and was divided into 4 separate half-level and floor. Because of the height limitation, we decided to build mostly the building into the ground. The different layers of the floor levels had to get the attention by the fluidity and visual fluency. Due to the cost effectivity, this fluency could only be achieved by the implementation of the stairs. This low steps was considered for this design. providing proper sense of movement and presence in variety of points all the way to the back of the shop were important goals of the project.

 © Farshid Nasrabadi

(Farshid Nasrabadi)

实现这一目标的方法是，从建筑群入口向各个层次提供一个非常深入和扩展的视图，在一个简单的背景和单一颜色的商店中出现五颜六色的线条，线条的方向提供了从顶部到下层的大量光线。在楼梯的轴线和侧面形成的断点通过创造各种观点消除了设计的冷漠感。

This goal was achieved by providing a very deep and expanded view starting from the entrance of the complex towards all levels, the presence of colorful lines on a simple background and single color of the store,The direction of the lines provide great volume of lights flowing from the top to the lower levels. The breaks formed on the axis and side of the stair eliminated the indifference feelings of the design by creating variety of views.

 © Farshid Nasrabadi

(Farshid Nasrabadi)

雇主怀疑是否有一家或几家商店。通过砍伐可利用的土地，我们有机会有4个不同的部分。我们甚至在人行道旁边引入了必要的分区，以防其中一段需要关闭，而其他部分则保留它们的活动。雇主们想先委托两部分来看看将来会发生什么。雇主认为，这是项目的优点，客户可以带着他们的购物，至少可以看到两个层次。尽管有着深刻的视觉联系，但这些层次是相互分离的。

The employer was in doubt either to have one or several shops. By cutting the available land we gave the chance of having 4 different sate-section. We even introduced the necessary partitions next to the walk-ways, in case one section needed to be closed down while the others kept their activities. The employers wanted to commission two sections first to see what happens in the future. The employer believes that this is the strong point of the project where customers can go with their shoppings and are able to see at least two more levels. In spite of having deep visual connections, the levels are separated from each other.

 © Farshid Nasrabadi

(Farshid Nasrabadi)

在外部形成的最重要的因素中，最重要的因素是除了一座面向我们项目的历史住宅的位置，适当的位置是在一个有建设活动的地区，正在如火如荼地进行。不用说，这些活动给这个城市的公共区域带来了非常丑陋的景象。此外，历史住所由项目雇主拥有。经与业主讨论后，决定维持历史住所，并在重建建筑物后，在建筑物的建筑中建立相互沟通的关系。该店清澈的门面和历史建筑的倒影映照在店铺的主体上，从店铺内部观看这座建筑的清晰形象，是设计中所创造的统一对话的一部分。图像是通过一个现代和丰富多彩的框架来观看的。这可以勾引或消除环境的沉闷，给城市提供一个令人兴奋和快乐的环境。

Of the most important factors formed the original concept in the outside view was the location of the property except a historic residential facing our project, the properly was located in an area where there are construction activities is full swing. It goes without saying that these activities give very ugly sights in the public areas of the city. Moreover the historic residence is owned by the employer of the project. After some discussions with the employer, It was decided to maintain the historic residence and after reconstruction of the building to create a mutual communication in the architectures of the buildings. The clear and glazing face of the store and the historic building reflection on the body of shop ,Viewing a clear image of this building from inside of the shop is part of unified dialogue created in the design. The image is viewed through a modern and colorful frame. This could seduce or eliminate the dullness of the environment and give out an exhilarated and joyful environment to the city.

 © Farshid Nasrabadi

(Farshid Nasrabadi)

虽然偷窃结构非常适合这类设计，但由于经济上的限制和当地的正常做法，选择了一种具体的结构。

Even though a steal structure was very suitable for such design but due to economic restrictions and normal practice in the region, a concrete structure was chosen.

 © Farshid Nasrabadi

(Farshid Nasrabadi)

现在，哈米迪拥有一家商店，可以激励他在未来做出决定。

Now Mr.Hamidi owns a shop that can inspire him in the decisions he has to make in the future.