架构师提供的文本描述。坐落在古老的火山口边缘，包括奥拉基盆地在内的怀塔马塔港和奥克兰城。

Text description provided by the architects. Sited on the edge of the ancient crater that embraces Orakei Basin with extravagant viewsto inner Waitamata harbour and Auckland city.

 © Emily Andrews & Ernie Shackles

艾米丽·安德鲁斯

这份简报非常具体，其中一些经典汽车的车库问题是首要关注的问题。

The brief was very specific, with garaging a number of classic cars a primary concern.

 © Emily Andrews & Ernie Shackles

艾米丽·安德鲁斯

丹尼尔的设计反应是把车库围在一个中央的‘pergatoria’周围-这是意大利建筑师Terragni为一个入口庭院设计的白蚁。车库门详细地消失在毗邻的雪松外部。该区域还包括入口，作为一个三层中庭，吸引游客到生活水平，并最终揭示奥克兰景观以外。无限大池的弯曲边缘与奥拉基盆地的形状相呼应，使海景更靠近房子。

Daniel’s design response was to wrap the garaging around a central 'pergatoria' - a termcoined by the italian architect Terragni for an entry courtyard. The garage doors detailed todisappear into the adjoining cedar exterior. This area also incorporates the entry,conceived as a three level atrium that entices the visitor up to the living level and to theeventual revelation of the views of the Auckland landscape beyond. The curved edge ofthe infinity pool echoes the form of Orakei basin and draws the sea view closer to the house.

 © Emily Andrews & Ernie Shackles

艾米丽·安德鲁斯

这座房子的美学和细节设计是为了用精致的调色板悄悄地使用材料。许多专门为建筑师设计的定制项目增强了环境的魅力-包括凯蒂·布朗(KatieBrown)手工吹制的玻璃球体的吊灯、大卫·怀特(David White)制作的前门手柄，以及丹尼尔·马歇尔(Daniel Marshall)画的餐桌后面的面板。

The aesthetic and detailing of the house is intended to be quietly sophisticated using alimited palette of materials. A number of bespoke items designed specifically for the houseby the architects enhances the glamour of the setting - these include a chandelier withhand blown glass spheres by Katie Brown, a front door handle crafted by David White andthe panels behind the dining table painted by Daniel Marshall.

 Courtesy of Daniel Marshall Architects

丹尼尔·马歇尔建筑师