© Héctor Santos-Díez

c.Héctor Santos-Díez

架构师提供的文本描述。干预行动位于加利西亚档案馆所附的两处房舍内，这两处房舍合并在“加利西亚文化城”(加利西亚市)内，用作自助餐厅和博物馆商店。我们通过在分隔每一个空间的厚壁上钻出的两个单独的洞将这两个区域连接起来，保持两个空间之间的隔离，允许同时使用和管理每一边，就像在加利西亚村庄的食堂传统上所做的那样。

Text description provided by the architects. The intervention was located in two premises annexed in the Archive of Galicia, building integrated in the “Cidade da Cultura de Galicia” (Galician City of Culture), for use as a cafeteria and museum store. We arise connecting the two areas through two separate cavities drilled in the thick wall that separates each space, maintaining the separation of both spaces, allowing to use and manage each side simultaneously as done traditionally on canteens at Galician villages .

 © Héctor Santos-Díez

c.Héctor Santos-Díez

我们的建议寻求它在当代语言中对加利西亚流行文化的支持。这些引用潜移默化地暗示着我们对文化身份的普通感觉。首先，我们将食堂称为加利西亚传统设施的典范，这一概念允许通过现代过滤器进行重新解释。抽象出这个想法，桌子被平行地排列在示意图树下，在阴影的庇护下唤起人们的欢庆。一个贯穿墙壁的长长的柜台把自助餐厅和博物馆商店统一起来，并提供服务。在这个元素之上，几何色彩和无拘无束的色彩占据主导地位，就像在传统的加利西亚民间艺术展示中一样。作为自助餐厅区的一种支撑，圆形和圆形的身体提供了一个隐藏的厨房空间，以准备食物和支持酒吧。

Our proposal seeks its support, throughout a contemporary language, on popular culture in Galicia. These references subliminally allude to ordinary sensations of our cultural identity. To begin, we refer to the canteen as a model of traditional establishment in Galicia, a concept that permits reinterpretation through a modern filter. Abstracting this idea, the tables are arranged parallely elongated under schematic trees evoking popular festivities at the shelter of the shadow. A long counter that runs through the wall unifies and serves the cafeteria and the museum shop. Over this element, geometric and uninhibited color reigns, as applied in traditional Galician folk art demonstrations. As a support to the cafeteria area, a round and rotund body provides a hiding kitchen space, to prepare food and support the bar.

 © Héctor Santos-Díez

c.Héctor Santos-Díez

在商店里，不同尺寸和高度可调设置的书架和柜台是随机分布的，允许我们理解基本的多功能性。尽管城市文化综合体的特点是明显的复杂性，我们的干预包括不同的家具元素，而不影响一般项目。这些元素假装以色彩和木材等品质丰富了整个作品的范围，提供了重要的风景和特征，能够容纳任何类型的活动。

At the store, bookshelves and counters with different dimensions and heights with adjustable settings, are distributed randomly, allowing versatility which we understand fundamental. Regardless of the apparent complexity that characterizes the City of Culture complex, our intervention consists of different elementes of furniture, without affecting the general project. These elements pretend to enrich the scope of the overall proyect with qualities such as color and wood which provide a vital scenery and character, able to accommodate any type of activity.

 Courtesy of Estudio Nomada

Estudio Nomada提供