架构师提供的文本描述。“泽沃德艺术赛道”是一条七公里长的路线，经过一个高质量雕塑艺术的露天展览。这个雕塑公园流淌到被绿色斜坡包围的池塘里，艺术展馆“想象”就在这里。

Text description provided by the architects. The 'art track Zeewolde' is a seven kilometre route passing through an open air exhibition of high quality sculptural art. This sculpture park flows out into the pond that is surrounded by green slopes, it is here that the art pavilion "The Imagination" is located.

 © Christian Richters

克里斯蒂安·里氏

最初，该项目被分配到一个隐藏在学校和体育综合体后面的地点。最后，在“艺术轨道”的尽头，场地被换成了水中央的一个最佳位置，在这里，展馆充当了一个活动、展览和讲座的组织中心。

Initially, the project was allocated a site hidden behind a school and sports complex. Eventually the site was exchanged for a prime location in the middle of the water at the end of the 'art track', here the pavilion acts as an organizational centre for events, exhibitions and lectures.

 Courtesy of René van Zuuk Architects

勒内·范·祖克建筑师提供

艺术轨道很大程度上归功于理查德·塞拉(RichardSerra)的雕塑“海平面”。展馆的拉长形状源于塞拉的黑色混凝土墙。设计灵感也来自于建造谷仓，这是在波尔德建造的第一座建筑。展馆的预算有限，这种建筑的制造成本特别低。所有的桁架是相同的，但它们都放置在一个稍微不同的角度，创造了一个优雅的扭曲屋顶景观。

The art track owes a lot of its reputation to the sculpture by Richard Serra called Sea Level. The elongated shape of the pavilion stems from Serra's black concrete wall. Inspiration for the design was also taken from the construction barns, the first building built in the Polder. There was a limited budget for the pavilion and this type of construction is especially cheap to manufacture. All of the trusses are identical but they are all placed at a slightly different angle creating an elegantly twisted roofscape.

 © Christian Richters

克里斯蒂安·里氏

这种微妙的旋转在桁架几乎相交的山脊上造成了构造断层。移动的屋顶表面随后提供间接日光。屋顶是由异型材制成的，外壳上有瓦楞纸铝。在内部，钢板覆盖，部分，石膏板。办公空间、休息室、储藏室和一个小图书馆空间作为两个独立木箱放置在主卷中。

This subtle rotation causes a tectonic fault in the ridge where the trusses almost meet. The shifted roof surfaces subsequently provide indirect daylight. The roof is constructed of profiled steel sheeting and cladded with corrugated aluminium on the exterior. Internally the steel sheeting covered, partly, with gypsum plasterboard. Office spaces, rest rooms, storage and a little library space are placed in the main volume as two autonomous wooden boxes.

 © Christian Richters

克里斯蒂安·里氏

在地面，一个玻璃条被用作一个透明的平台，这提升了建筑物离地面，并有助于一种通风的感觉。透过玻璃窗俯瞰水面，令人联想到建筑物漂浮的感觉，天花板上的水样亦不断反射，加强弯曲角度所引起的滚滚感。玻璃墙的尽头可以看到池塘和雕塑花园的景色。

At ground level a glass strip is used as a transparent plinth, this lifts the building off the ground and contributes to an airy feeling. The view out onto the water through the glass plinth evokes a sense of the building floating, there is also a constant reflection of water patterns on the ceiling enhancing a rolling sensation instigated by the curved angles. The glazed end wall provides a view across the pond and sculpture garden.