架构师提供的文本描述。魔兽世界建筑师华纳王设计被四家入围公司选中，为2012年新加坡建筑师事务所设计和建造了有史以来第一座展馆。“神奇之墙”是一个零废物展馆，它以一种新的方式重复利用材料来发挥非凡的功能和乐趣，从而吸引和鼓舞所有人的心和思想来反思新加坡“。

Text description provided by the architects. WOW Architects | Warner Wong Design was selected over four shortlisted firms in acompetition to design and build the first-ever Pavilion for Singapore’s Archifest 2012. The“Wonder|Wall” is a zero waste pavilion that reuses materials in a new way to extraordinaryfunctions and delight thus engaging and inspiring the hearts and minds of all to Rethink Singapore”.

 © Aaron Pocock

c.亚伦·波科克

场地的特殊性，展馆的设计是对场地二重性的回应。一方面，曾经被称为“紫禁山”的FortCanning仍然保留着它的安静、沉寂和近乎神秘的特征。对面是克拉克码头，生机勃勃，熙熙攘攘，人来人往。英别夫蒂诺是曾经是与公共游泳池和国家剧院进行社交活动的蜂巢的山麓。拟议中的展馆旨在体现这两个领域之间的双重性，以及它的可精子化的皮肤。起伏的网络也激发了好奇心和惊奇。在一定的角度上，膜看起来几乎像墙一样坚固，当一个人沿着奇观墙移动时，由于结构周围的双重覆层，会产生“莫尔”效应。当垂直观察时，膜看起来完全透明，并与周围的建筑物和景观融为一体。

Specificity Of The Site The design of the pavilion was a response to the duality of the site. On the one hand, FortCanning, once know as the “Forbidden Hill” still retains its quiet, reposeful and almost mythicalcharacter. Directly opposite is Clarke Quay, vibrant and bustling with people and activities. Inbewteenis the Foothills that once was a hive for social activities with the public swimming pooland the National Theatre.The proposed pavilion seeks to embody the duality between the two realms, with itspermeable skin. The undulating web inspires curiosity and amazement as well. At certainangles, the membrane looks almost solid like a wall, and when one moves along Wonder|Wall,a “moire” effect is created due to the double cladding around the structure. When viewed onthe perpendicular, the membrane seems totally transparent and merges with the surroundingbuildings and landscape.

 © Aaron Pocock

c.亚伦·波科克

零废物、可建造性和寿命后零废物和可建性策略是围绕着两个高度快速可部署和可再利用的系统而开发的。第一种是主要结构，由为一级方程式夜间比赛和国庆游行而开发的箱式桁架系统组成。二是为边坡治理而开发的附着体网格，具有独特的属性，增强了空间的可用性和交互性，膜及其景观系统可以在坎宁堡周围进行再利用，进行坡面和侵蚀控制。我们的零浪费战略考虑了时间、材料、成本和来世元素。箱式桁架系统，包括屋顶，最多需要7天的时间才能完成。膜的安装时间最长约为3天。完成“神奇之墙”的总时间为10-15天，一旦拆除后的细胞膜可以再用于以下几个方面：-坎宁山要塞需要保护和稳定的其他地区。-捐赠给附近一个村庄/农田受到坡面水土流失影响的国家。-钢箱桁架一旦拆除，就会被拆除。将与未来的国庆游行一起在其他商业活动中重复使用。

Zero Waste, Buildability and After Life The zero waste and buildability strategy was developed around two highly rapid deployableand re-useable systems. The first is the main structure, composed of box-truss systemsdeveloped for the Formula One Night race and the National Day Parade. The second is apolymer mesh developed for slope control that has unique attributes that enhance theusability and interaction of the space, the membrane and its landscape system can be reutilizedaround Fort Canning for slope and erosion control. Our zero waste strategy consideredtime, materials, cost and the afterlife of the elements. The box-truss system, including the rooftakes a maximum of approximately 7 days to delpoy. The membrane takes a maximum ofapproximately 3 days to install. Overall time frame to complete Wonder|Wall erection wouldbe 10-15 days.The cellular membrane once taken down can be re-used for the following:- Fort Canning Hill’s other areas that require slope protection and stabilization.- Donate to a nearby country whose village / farmland has been affected by soil erosion fromslopes.- The steel box-truss once taken down will be re-used in other commercial events along withthe future National Day parades.

 © Aaron Pocock

c.亚伦·波科克

建筑作为程序-利用通常作为地下土壤控制技术的公众，膜作为垂直表面被赋予新的用途，用于投射、插入、互动和与公众接触。塞米尼克森流行农业，零废物战略可以进行使用Versiweb膜作为一个显示表面。网状系统的细胞性质也形成了“口袋”的终极空间或细胞，在其中传播和培育思想的种子。

Architecture as Program - Engaging the Public Normally used as a subterranean soil control technology, the membrane is given a new use asa vertical surface onto which to project, insert, interact and engage with the public. Seminarson Pop Up Farming, and Zero Waste Strategies can be conducted using the Versiwebmembrane as a display surface. The cellular nature of the mesh system also forms “pockets” ofintimate space or crenellations in which seeds of thought are propagated and nurtured.

 © C3M Studio

C_3M演播室

建筑师的“明信片”分发给入口处的游客，他们被鼓励在“口袋”中的最重要的想法，想法和记忆，供大家分享和阅读。这个展馆最初的灵感之一是为公园般的气氛提供简陋的草席。卷起的大草席被插入“口袋”，鼓励人们坐下来交谈，讲故事和分享经验。整个仙境墙是一个城市流行农场，有小的叶子植物和地理纹理包裹的根和一个水凝胶种植介质插入细胞。

Archifest “post” cards are distributed to visitors at the entrance and they are encouraged topost thoughts, ideas and memories in the “pockets” to be shared and read by all. One of the initial inspirations for the pavilion was the humble straw mat for a park-likeatmosphere. Rolled up Archifest straw mats are inserted into the “pockets” to encouragevisitors to sit and converse, tell stories and share experiences. The entire Wonder|Wall is the Urban Pop Up farm with small foliage plants with geo-textilewrapped roots and a hydro-gel planting medium inserted into the cells.

 © Aaron Pocock

c.亚伦·波科克

“魔兽世界”设计团队的负责人谭耀宗(James Tan)评论道：“魔兽世界的设计风格总是在挑战和探索新的创新方式，为我们的所有项目创造环境和经济上可持续的体验丰富的空间。在展馆设计中，使用了一种简单的材料(Versiweb)来创造令人兴奋和耐人寻味的空间，这些空间符合竞赛简报的所有要求。Versiweb为展馆形成了一个渗透区，在提供遮挡阳光和雨水的同时，也提供了自然通风。当以不同的角度观看时，展馆似乎消失了，并与圆环融为一体。在另一个例子中，当沿着展馆走时，由于双层效应而产生了“云纹效应”。展馆设计还旨在成为建筑师活动的“高度互动平台”。在Versiweb的“口袋”中插入草席，鼓励游客在展馆周围举办研讨会或野餐。

WOW director, James Tan, who led the Pavilion design team comments, “WOW’s design ethoshas always been to challenge and explore new and innovative ways to create experientiallyrich spaces that are environmentally as well as economically sustainable for all our projects.In the pavilion design, a simple material (Versiweb) was used to create exciting and intriguingspaces that met all the requirements of the competition brief. The Versiweb forms a permeableskin for the pavilion, allowing natural ventilation whilst providing shelter from the sun and rain.When viewed at different angles, the Pavilion seems to disappear and merged with thesurroundings. In another instance, while walking alongside the Pavilion, a “moire effect” iscreated due to the double layering effect. The Pavilion design is also intended to be a “highlyinteractive platform” for the activities of the Archifest. Straw mats are inserted in the Versiweb“pockets” to encourage visitors to use them for seminars or picnics around the Pavilion.”

 Courtesy of WOW Architects

魔兽世界建筑师的礼遇