架构师提供的文本描述。位于密歇根州立大学校园北缘的Eli和Edythe Bland艺术博物馆受到一组穿越和边界移动路径的影响。格兰德河大道北侧街道生活的活力和南侧大学校园的历史中心产生了一个路径和视觉连接网络；一些是现有人行道布局的一部分，另一些则在城市和格兰德河大道的校园侧之间创造了捷径。

Text description provided by the architects. The Eli and Edythe Broad Art Museum, located at the northern edge of the Michigan State University campus, is influenced by a set of movement paths that traverse and border the site. The vitality of street life on the northern side of Grand River Avenue and the historic heart of the university campus at the south side generate a network of paths and visual connections; some are part of the existing footpath layout, others create shortcuts between the city and the campus side of Grand River Avenue.

 © Paul Warchol

(Paul Warchol)

沿格兰德河大道、东兰辛主干道以及通往校园的主干道向东-西方向行驶的循环产生了一层额外的连接层，适用于城市和校园之间这一频繁出现的界面。

The circulation travelling in an east-west- direction on Grand River Avenue, along the main road of East Lansing and also on the main approach street to the campus produce an additional layer of connections that are applied to this highly frequented interface between city and campus.

 © Paul Warchol

(Paul Warchol)

从这些流线和视觉连接线产生二维平面，博物馆的正式构成是通过在三维空间中折叠这些平面来定义一个内部景观，它把人们通过和围绕着地点移动的不同路径聚集在一起并进行协商。这种相互连接的几何学对话描述了一系列提供各种邻接的空间；在设计展览时允许许多不同的解释。通过这种复杂性，策展人可以解释不同的线索和联系，不同的视角和关系。

Generating two dimensional planes from these lines of circulation and visual connections, the formal composition of the museum is achieved by folding these planes in three-dimensional space to define an interior landscape which brings together and negotiates the different pathways on which people move through and around the site. This dialogue of interconnecting geometries describes a series of spaces that offer a variety of adjacencies; allowing many different interpretations when designing exhibitions. Through this complexity, curators can interpret different leads and connections, different perspectives and relationships.

 © Paul Warchol

(Paul Warchol)

这些详细的调查和研究的景观，地形和流动的网站，使我们能够确定和了解这些关键的连接线。通过使用这些线条为设计提供信息，博物馆真正融入了密歇根州立大学的独特环境中，与周围环境保持着最紧密的联系。

These detailed investigations and research into the landscape, topography and circulation of the site, enable us to ascertain and understand these critical lines of connection. By using these lines to inform the design, the museum is truly embedded within its unique context of Michigan State University, maintaining the strongest relationship with its surroundings.

宽阔的艺术博物馆呈现出一个锐利的、有方向的身体，包括反映其周围景观的地形和循环特征的定向褶皱。它的外部皮肤与这些不同的方向和方向相呼应-这给建筑带来了一种不断变化的外观，引起了人们的好奇心，但却从未完全揭示其内容。这种开放性突出了博物馆作为社区文化中心的作用。

The Broad Art Museum presents as a sharp, directed body, comprising directional pleats which reflect the topographic and circulatory characteristics of its surrounding landscape. Its outer skin echoes these different directions and orientations – giving the building an ever-changing appearance that arouses curiosity yet never quite reveals its content. This open character underlines the museum’s function as a cultural hub for the community. 

Architects Zaha Hadid Architects

Location Michigan State University, East Lansing, USA

Category Museum

Architects in Charge Zaha Hadid with Patrik Schumacher

Project Director Craig Kiner

Project Architect Alberto Barba

Project Team Michael Hargens, Edgar Payan Pacheco, Sophia Razzaque, Arturo Revilla, Charles Walker

Competition Project Director Nils-Peter Fischer

Competition Project Architects Britta Knobel, Fulvio Wirz

Competition Team Melike Altinisik, Rojia Forouhar, Mariagrazia Lanza, Daniel Widrig

Area 46,000 m2

Project Year 2012

Photographs Paul Warchol

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